Transformers Armada
Story: 5/10
Before anything, I would like to state a couple of things: Throughout all of my reviews – either written or to be written – I try to be as objective as possible despite including my personal beliefs and feelings towards the reviewing series or movie. Well… 1984’s Transformers is an American cartoon series I’ve grown up with since my early childhood days. Thus, when coming across such a mischievous discontinuation of that all-times classic masterpiece, I know not if my deductions would be totally unaffected by those arising memories of nostalgia. Please bear with me…
Having said that, let us take a good look upon the story that Transformers Armada features. The old-but-never-worn-out civil war between the two races of robots on planet Cybertron is now revolving around a newcomer to the field of action: a micro-faction of robots known as Minicons – power-enhancing Transformers that, when partner up with the big guys, can improve their abilities, unlock new fire guns etc etc… The problem is that they fled the planet a long time ago, obviously crashing on Earth. Ever since, a team of young clock-watchers found their spaceship on a nearby mountain that no one had noticed in millennia and woke them up. Hence, Optimus Prime (not the authentic one, but a modern version of him) and Megatron (again, a G2 kind of looking guy, other than the gun-transforming Decepticon leader) appear on the scene, being followed by their comrades. Up to episode 40 or so, most of the… action (?) takes place around an awoken minicon and the two armies’ struggle in order to obtain its unbelievable power.
After a tone of unbearably boring/non-sense/even randomly speaking dialogues, Unicron makes his unexpected appearance leading you to believe that something galactic is about to happen. I may assure you nothing of an importance occurs. As a matter of fact, the plotline – despite having a new idea and a way to develop it – is as empty and flat as the majority of soap operas imported from South America. Needless to say that the lack of any sort of interest is made clear every time you look at those washy, childlike reactions the characters experience at each others presence.
Here’s a sample of the basic dialogues used in all of the episodes:
“I’m gonna destroy your pathetic world Optimus… once I obtain all of the Minicons”
“No, Megatron you can’t! Leave now or I will destroy you first.”
“Ha! You think so. Attack!”
“Yes I think. Counterattack!”
Got it? Right… What could have been a child’s script, turned into a 52-episode killer for anyone fantasizing that this reset of the Transformers’ universe could be interesting by the slightest bit. In conclusion, no subversions or peripeties amuse the medium viewer since the whole series works in a “Minicon of the week” or “newcomer of the week” way.
Animation 6,5/10
A variety of beautifully drawn vast and dull sceneries composes the set of the battles, whilst the majority of the non-battle dialogues takes place in the headquarters of each respective camp – on Earth and moon. The drawing lines most of the characters share are fair but nothing too fancy or extravagant compromises their movements. Generally, I found it quite pleasant for the eye, putting aside some minor childish drawings they used at facial expressions. Yet, the reluctant use of new effects especially for Unicron’s grand arrival was more than obvious…
Sound 3/10
I’m sorry… what sound section? The attempt to renew the lyrics of the classic theme used in 1984’s cartoon with the mix of a jazz/pop/rock/Idontknowwhat music pattern failed completely, while tunes accompanying the episodes are somewhat inexistent.
Well, for Takara’s production, this was only the top of the iceberg (which eventually sunk the series!). Do you recall the name of the great actor that lent his voice to the planet-devourer himself? The absolute awe that Peter Cullen’s voice gave to Prime? I could go on with a very long list, in search of redemption from Orson Welles’s performance of ultimate wonder against this unbearable effort of vocalizing transforming vehicles, however I feel that I have already made my point clear.
Characters 3/10
Ok, I think by now you already get my feelings towards this weird alteration of my beloved cartoon, but the worst part has yet to come. The show was not only criticized for having a simplistic plot but also for compromising one-dimensional characters – robots and humans. Most of them are either heavenly good, devilish bad or incredibly idiotic. There are a few exceptions – Transformers who change for the better or the worse but none of them ever makes any sense with his true colours.
I won’t expand on this issue any longer since it’s too dreadful to realize that the same looking and named characters as the ones premiered on our screens 20 or so years earlier with the same brand, this time luck the decency of their predecessors. Instead, they are nothing more than a bunch of puppets moving their mouth and repeating the exact same words over and over again.
Generally 4/10
For any hardcore fan – such as myself – this tv series is nothing more than a way to feel nostalgia and desperation. My head was about to explode when I heard the “hilarious” line of Prime around episode 30 and during his transformation: “Optimus transform… Superman mode!” No kidding…
I would only suggest this one for 3-year-old children but I’m guessing that they might as well get bored after a few pokemon-like episodes (gotta catch ’em all) but with mini robots filling in for the animals. Just for your information let me juxtapose another fact: This highly debated Transformers series is the first of a trilogy concentrating on Unicron. It was followed by a slightly better sequel called Energon, and a third installment named after Cybertron which was – believe it or not – even worse than Armada. Avoid ‘em all!