In case you wonder, this anime has nothing to do with some weird branch of SHAFT. Any relation is purely accidental. A thing most anime usually mess in is having a clear picture of how many episodes are needed in order to properly tell the context of the story. It is usually too little or too much. It mostly has to do with whatever contract they made with the company, as well as those pesky episode limits that are set in stone (12, 24, 52, etc). Despite all that, it still looks silly when they try to show a setting which is very complicating in just half a season. Geneshaft is one good example. The basic concept is highly interesting; it has to do with a future where reproduction is artificial and feelings have been genetically replaced with pre-constructed behaviors and ways of thinking; thus everybody’s role in society is determined at her creation and not based on life experiences or personal choice. I used the word “her” because most of mankind is now females; this way they are considered less violent. All that are an attempt to root out negative emotions and unpredictability, yet they failed as even after all these safeguards war and terrorism are still present and at large. Add to all that a weird alien object that appeared in space and everybody is after it to offer a metaphysical aspect in all this mess.The whole thing is basically a combo of: 1) Vandread (a silly space adventure)2) Gattaca (a live action film about gene manipulation) 3) and Space Odyssey 2001 (the cult film). Unfortunately by making this comparison Geneshaft feels weaker than all the above. It lacks the retro magic of 1, the in-depth analysis of 2 and it definitely has less cinematics, seriousness, planning, coolness and historical value than 3. It ends up being a good idea with cheap production values and problematic presentation. The major problem I find with this series is its rushed yet dull plot. The characters lack emotions, the action is unimpressive and although that would make a fine mature story (instead of the usual overhyped stupid teenagers and their poser retarded explosions), it still feels bad because of the lack of something captivating. Being cynical may be uncommon and excused in this sort or story, yet it doesn’t mean it helps you to identify with robotic characters. I encountered something similar in other shows such as Blue Gender and Boogiepop Phantom and I must say variety is the spice of life. Leaving ALL OF THEM acting cynical ends up being repetitive and boring; you need some sort of differentiation to keep some sort of comparison. The scriptwriter did try to play along with that by including a few males working as factor X but the focus on them was so little, it’s as if they are not there at all. The production values are nothing to brag about; they fail to attract you into watching further. Here they are depicting a detailed industrialized solar system with little effort at emersion. Then they add an unimpressive soundtrack and expect people to like it for being very good at being apathetic. That is not how you make an entertaining show, no matter how mature it appears to be. Furthermore, having an almost all-female cast all of which are beautiful chicks ends up making the whole show to look like it’s fan service with a pseudo-serious backdrop. If women are artificial, then why do they need boobs or genitalia? And does that mean ugliness is eradicated from the world? They sure don’t delve into such details and you end up thinking “Mmm, a world full of cooldere bishojos I can create any way I like, ready to do all my biddings.” It’s like a world made up entirely of Rei Ayanamis and eventually becomes ridiculous rather than impressive. You definitely care far more for this than the boring story about some aliens trying to harm Earth and love is panacea or something like that. I don’t know; I hardly remember what it was all about.And anyways, 13 episodes are very little time to actually care about the characters, or find enough duration to get to like the setting. I have seen far worse examples of such types of shows, the worst being Diverge Eve, (aka Boobs In Space). Geneshaft is a step better for not being so overly focused on giggling breasts, but it is equally a failure at telling a good story or having compelling characters. Thus I do not recommend it. Not even as a time killer. And now for some excused scorings.
ART SECTION: 7/10 Analysis: General Artwork 2/2, Character Figures 1/2, Backgrounds 2/2, Animation 1/2, Visual Effects 1/2 SOUND SECTION: 6/10 Analysis: Voice Acting 2/3, Music Themes 2/4, Sound Effects 2/3 STORY SECTION: 5/10 Analysis: Premise 2/2, Pacing 0/2, Complexity 1/2, Plausibility 1/2, Conclusion 1/2 CHARACTER SECTION: 5/10 Analysis: Presence 1/2, Personality 1/2, Backdrop 1/2, Development 1/2, Catharsis 1/2 VALUE SECTION: 1/10 Analysis: Historical Value 0/3, Rewatchability 0/3, Memorability 1/4 ENJOYMENT SECTION: 1/10 Analysis: Art 0/1, Sound 0/2, Story 1/3, Characters 0/4 VERDICT: 4/10