Tsurita’s early stories “Nonsense” and “Anti” provide a unique, intimate perspective on the bohemian culture and political heat of late 1960s and early ‘70s Tokyo. Her work gradually became darker and more surreal under the influence of modern French literature and her own prematurely failing health. As in works like “The Sky is Blue with a Single Cloud” and “Max,” the gender of many of Tsurita's strong and sensual protagonists is ambiguous, marking an early exploration of gender fluidity. Late stories like "Arctic Cold" and "Flight" show the artist experimenting with more conventional narrative modes, though with dystopian themes that extend the philosophical interests of her early work.
Source: Drawn & Quarterly
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