Orient

Vol: 19+; Ch: 148+
2018 - ?
3.639 out of 5 from 187 votes
Rank #22,230
Orient

Musashi is a teenager living under demon rule. As children, he and his best friend made a promise: to become the greatest warriors in the world and overthrow the demons. But life intervenes, and five years later, he finds himself about to become a miner. Yet can Musashi truly be satisfied with a "normal" life?

Source: Kodansha

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Reviews

Ebonyslayer
3

*SPOILER ALERT since this covers all the way up to chapter 76 and my thoughts of the series so far.* Its set in a feudal Japan. At least it feels like feudal Japan till you see the crystal powered motorcycles. And the humans are being ruled over by these giant humanoid demons called Oni and Kishin. And Musashi, the protagonist, is at the point of his life where he's going to become a miner, and instead decides to rebel against the demons. Samurai that are trained to fight oni appear and then Musashi starts his journey with Kojiro, his childhood friend. There are obvious name references to people, since the author did the same with Magi. If you think about it, it feels a lot like Magi in regards to character design, the magic system, and other fantasy elements. But I think that's part of the problem. I felt disappointment with how Magi turned out, and reading Orient has only reminded me of that feeling, so far anyway. There are at least four arcs out right now, and the story has added Tsugumi to Musashi's party, they've gotten blades, and Musashi is revealed to have the power of the Obsidian Goddess. I don't know why but it just comes off as a random powerup, since there hasn't been much revealed about her, other than the fact that she was in the body of Kojiro's father. Its incredibly hard to like this series when it has a lot of shounen cliches, at least to the degree I felt when I was reading it. Then there was the human antagonist Yataro who comes off as a one dimension asshole in regards to how he treats his half oni, half human daughter. And its still incredibly hard to feel invested in the story when I don't feel like I like the characters. Who knows, maybe the story/characters will go somewhere in the future when I'm not reading it. But for now I feel disappointed with the series. Story- The story so far feels fairly simple, if I had to describe it. The protagonist wants to kill all of the Onis and become the best samurai pretty much. And so far that hasn't really changed throughout the story, although the author does introduce human characters who are easily as monstrous as the Onis. It still feels like a simple shounen series overall though. Not to say that simple is a bad thing, even the most simple shounens can be fun if done right. Or a real slog if done poorly, which is why I loathe Demon Slayer and the way the author chose to write Tanjiro. Art- The art from Ohtaka Shinobu has always been one of her strong points as a mangaka. The volume covers for Orient is an excellent example. Characters- But I think the author might also be basing the protagonist off the real life samurai Musashi, and if that's the case maybe there will be something in the future with Musashi. But to be honest I'm not expecting much, even if the character is learning how to think differently. I would think that Inoue's Vagabond series would be a more entertaining take on Musashi's life. Overall- So I think any author can have an interesting idea for a series, but its where you choose to go with the idea that matters the most. Even with Ohtaka changing her cultural aethetics to Arabian nights to feudal Japan, it has me question what exactly makes Orient feel differently compared to Magi. That and being unable to connect with the characters makes it hard to recommend Orient to others.

Odisnikka
4

                  Attention: English is not my first language Yet another compilation of generic tropes performed in stupid ways. It's the execution that matters in the end, and here it didn't work. Just like in bleach, the MC here is very special, he always awakens new powers in a moment of need, without ever having to train to develop the skills he already has. Usually this occurs when thinking about friends promising or something like that, like saint seya. The power of friendship is a key piece here. As standard in these mediocre shounen, talk no jutsu is the cure-all solution to all the problems the characters are going through in their minds. Usually it's a shame to have this solution, because the characters' problems are usually very interesting, so it's a shame to have such a quick and poorly developed solution... but that's not the case here. The problems that secondary characters go through are mostly silly or extremely exaggerated. An example is a family composed of bushi, who, by the way, are terrible characters, are going through a very big family drama that occurred due to a very weak kick; it's a storm in a teapot. But all the years of resentment and hatred is resolved with the appearance of the MC, who performs a Talk no jutsu that magically makes them finally talk and resolve everything. The world doesn't make much sense, but it had its potential, but its worldbuilding, however, doesn't help much. There is a big difference in quality in these aspects between this manga and magi, another work by the same author. Monsters, here called Kishin, have been roaming the world for a long time and there have been few of them since the beginning, and there's yet a lot of them alive, which doesn't make much sense. There are several famous and very strong groups that hunt them and this has been going on for a long time, so how are there so many still alive? even when not every kinshi is strong? Simple, if there were little, there wouldn't be much monster for the MC to kill and story to tell. This story wasn't very well planned, which is a surprise when remembering that such stupid manga belongs to the same author as Magi, a work that is much better planned and executed, even considering some reservations that I have with the characters and themes of the Magi. And both the main and secondary cast are uninteresting and lame. It's the same thing every other seasoned shounen reader has encountered, but in a worse way. If you like it, good for you, but if not, good luck if you decide to read it, because orient is 100% made up of them. The worst case is the MC, who has the intelligence and maturity worse than asta from black clover. Talk no jutsu is already a stupid annoying thing, but here is in another level. And just like in many other shounem, here the problem of minimizing the harm of some characters is makingnor maked, like, there's one that is portrayed as a super nice guy, but he enslaves people... I realized right away that the author would not go deeper into this and this was created just to take the MC to the place the author wanted, so no one should think about it too much because even the author himself didn't think... but still... that doesn't erase that he enslaves people (something which the MC is super against and made a big and stupid speech about) and the characters' reactions to it make no sense (even inconsistent within their story). The plot is very simple and basic, so, if you don't have any investment is the characters, i dont think you will feel some excitement from it. About the art: let's say that it is very noticeable when the author made an effort to make the illustrations and when not.

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