Dr Kenzo Tenma is a genius surgeon working in post-Cold War Germany who has a bright future ahead of him. He is admired by his colleagues, loved by his patients, and due to marry his boss' daughter, the beautiful Eva Heinemann. One day, when two patients in desperate need of emergency surgery are wheeled into his hospital, Tenma faces a terrible choice of saving the orphaned boy who came first or the mayor of Düsseldorf, whose recovery would raise the hospital's profile and boost his own career. Against the demands of his superior, Tenma does what he believes is right and saves the child. However, his decision not only damages his prospects, but unleashes a chain of events so horrific that it might have come from the depths of his worst nightmares. Laden with guilt, Tenma begins a journey across Germany in search of a formidable young man who will challenge his morals, his love for life, and his very sanity.
Naoki Urasawa's Monster is a series that is widely know in anime and manga communities, and thus probably doesn't really need an introduction. After all, it is one of the highest rated manga on this site (while the anime right now is in 128th place, the manga places 3rd in A-P's ratings). But what is it about? Story Put very, very simply: Monster is about a fight of good versus evil. Of course, that doesn't really help much, since 98.7% of stories are about that kind of fight. But still, it tells the story of Doctor Kenzo Tenma, a brain surgeon in post-Cold War Germany, in his pursuit of Johan. It all starts when Dr. Tenma decides to choose his principles over his career, by saving a litte boy instead of a VIP - because the boy came in first, and Tenma thinks of all lives as equal so the boy gets to go first. Of course, defying authority like that comes at a price: Tenma's career is ruined, and he loses his fiancée too. All he's left with is the knowledge that he did the right thing. Until he learns that maybe what he did wasn't so right after all... It's very interesting to see the chain reaction caused by a kinda "ordinary" decision - the deaths of tons of people, and the misery of an equal amount of others. And thus starts Tenma's venture, trying to stop the madness he caused. The story is always high on tension, and the "side stories" - which all tie in into the main plot - always deliver something fresh: new characters, information, a storyline that's interesting on it's own, and some more development for established characters. Which brings me to one of the greatest things about this manga: the characters. While the cast is huge, almost every character gets fleshed out in one way or another. They're all important to the plot, and feel very much alive - which makes it really hard to see bad things happen to them. Special shout-outs should go to Inspector Lunge - always an intriguing and mysterious guy - , Eva Heinemann - for not being just another nagging ex-fiancée - , and even more so to Johan. Johan is after all the Monster, the titular character, for a reason. (Or at least that's how interpret it) Representing everything that could make a human "evil" is a hard task, but Johan fulfills it wonderfully and he is definitely one of the most memorable manga-characters I know. The characters drive the story further, until we get to a climax that gave me the chills. Everything got wrapped up neatly, which left me satisfied like a rich person who just went to some high-class restaurant. After the content, I should probably also briefly talk about the presentation, aka the artwork. While not spectacular for the most part, it was consistently "good" to "very good", with some pages that were just great - mostly for nice scenery or depictions of scenes with heavy impact on the characters. The art worked nicely to create the atmosphere, and even out of context there are some pages that could be used as wallpapers. Overall Do you like thrillers, good stories and great characters? Then just go read this already!
Monster (モンスター Monsutā) sometimes referred to as "Naoki Urasawa's Monster" is a Japanese manga series written and illustrated by Naoki Urasawa. It was published by Shogakukan in their Big Comic Original magazine between 1994 and 2001, with the chapters collected and reprinted into 18 tankōbon volumes. Plot: 10/10 When a Doctor makes the highly controversial decision to save a boy's life over the mayor's, it leads to the loss of almost everything he holds dear. His fiance, his career, his social standing. The only thing he keeps is his own feeling of self worth, knowing that he did the right thing in saving the boy, who came in first. Yet even that is threatened when he begins to learn that nothing is as it originally appeared. A trail of bloodshed pointing to the seemingly innocent child leaves him questioning even his beliefs. Whether, in the end, all lives are ever truly equal. As you can see from the synopsis above, Monster has a original, intriquing plot that sucks you straight in from the first chapter and never let's you go. However, mind you, this isn't some Shonen shluck (as much as I love those too), Monster never tries to capture the viewer with explosions or fanservice. Instead, it captures the viewer with the story's high tension, as well as emotional moments. Some people say that the series beggins to drabble after Vol. 9. I personally think that the serie's is fresh and crisp from first page to the last. And speaking of the last page, several people say to have found the ending dissapointing, however I think that the ending gave the perfect emotional ending I was hoping for. It really shines off the more complex moral's of the story. Johan really isn't important, or evil, he's just an ordinary person who was push over due to certian events. The series true message is that a monster just as evil, or even moreso, than Johan's hides within us all, and with the right push, we could become just as bad as him. However, we still have a choice to make in the choice. Art: 8/10 The art wasn't very special or even that memorable but it didn't really need to be. It served the story and served it well. The entire point of a manga is to tell a story, and the art did just that. It never hindered the story, or confused the reader, but it never amazed them either. It just did what is was meant to do. You can't really fault something for doing what it was meant to do, so I guess that gives it a 8/10. Characters: 10/10 This I am sure deserved this grade. Monster brings a wide variety of characters that each are important to the story in their own way. No matter the screen time, none of the characters are two-dimensional. There is a chapter that introdduces two new characters that never appear again in the series. One of them is a Lawyer and the other is a Seceretary (readers of the series will know who I'm talking about.) Both of these characters are fully developed and go through the changes. Sure, they couldn't be the main character, but they are still relatable. The main character, Tenma, is slightly a weak link, as I said early in the plot section how it show that all the characters could become monsters, well unlike the other characters this concept is barely explored in Tenma's character. In fact, I can only think of one instance where this is happens. Tenma's strongest feature is his interactions with other characters. The story decides to take much more focus on how other character's change through there interactions with Tenma, then it focuses on how Tenma channges through his interactions with others. Overall: 9.25/10 Monster is a great manga, if not the best, definitely one of them. Yes, it has flaws but everything does. This is definitely a must-read.
This manga may hands down be one of the best that I have ever read. And I do not make that statement lightly. I may not have the biggest manga shelf in the world, but what I have read of Monster makes me want to sing its praises from the rooftops. It's very rare in my history of reading manga for me to have given such high ratings with every single volume I've read. Usually with manga you get one bum volume every now and again, with a story arc that goes nowhere or just silly one-shot gag settings that may have seemed hilarious to the creator at the time, but are lost in translation. Not in Monster. Oh no. Urasawa has a gripping, clever crime thriller to tell, and you're going to want to be with it every step of the way. Monster tells the story of Dr. Kenzo Tenma, a brilliant Japanese neurosurgeon working in West Germany in the 1980s. He has a beautiful fiancée, he's the head of the neurosurgery department at his hospital, he has the blessing of the hospital director, and the respect and admiration of all his colleagues. However, Dr. Tenma is shaken one day by the hospital forcing him to operate on a rich patron rather than a poor Turkish man, who had more severe injuries. So when the hospital try to force him to operate on the town mayor, suffering from a stroke, rather than a little boy who's been shot in the head, he follows his heart and saves the life of little Johan Liebert. This act puts Tenma in incredibly hot water, though. His fiancée breaks off their engagement, he loses his position as chief of neurosurgery, and the hospital director now refuses to back him at all, following this 'irresponsible' act. Dr. Tenma refuses to be shaken, however, and after ranting to an unconscious Johan, he assumes it's the end of his career and just continues working day to day. ...That is, until the hospital director and two other doctors mysteriously die. And oddly enough, around this time, Johan and his twin sister escape from the hospital. An investigation is launched, and even though from an objective standpoint, Tenma had the greatest motive to kill those men, no evidence is ever found, and the case grows cold. Nine years later, Tenma is now chief of surgery at the hospital, and taking care of a patient named Adolf Junkers, who was hit by a car after running away from a 'monster', and is being questioned by the police for his involvement in a spate of recent serial burglaries/killings. One night, terrified out of his wits, he escapes the hospital, with Tenma in hot pursuit. Tenma follows Junkers to a construction site, where he meets with the real serial killer who's been terrorising Germany: Johan Liebert. All grown-up. I just love the moral choices of this story. Tenma loses everything but then gains it back, and Johan claiming to be responsible for this (basically, he killed those hospital staff, having listened to Tenma's 'wishes' and giving them poisoned sweets) really struck a chord for me. Johan is also a genuinely terrifying presence. He's attractive, has a sweet, childish lilt to his voice, but on the other hand, he's utterly brutal and heartless. The way he taunts Dr. Tenma before killing Mr. Junkers... and then he just walks past Tenma with a calm, gentle smile on his face - I've never gotten chills reading a manga before, but I have now, thanks to Monster. Tenma is also an incredibly interesting character. He followed his heart to move to Germany after reading a medical paper written by the current director of the hospital, and while he's a very kind and wise doctor, he's polite enough to say he's still got a long way to go. The reader feels Tenma's heartache when his waxen wings mount above his reach, and he loses everything in the space of a few hours. It also makes the reader question what they would have done in that situation: would you have followed orders, or let more lives die on your watch because they couldn't afford their health insurance or weren't financially affiliated with the hospital? And what would you do if that one crucial misstep in your career ended up working out for the better... then took a horrifying turn for the worse? I may have started this series rather haphazardly (I found volumes 10-17 in a comic book shop and read them last weekend), but I'm going to finish the series come hell or high water. I just want to know why volumes #3-9 are out of print and so bloody expensive. Come on, Viz! Reprint some of them. If I could afford upwards of £50 every time I wanted to buy a manga volume, well... I'd be a lot richer than I am now. 10/10.
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