Movie Discussion

Best Stoner Comedy

  • Dude, Where's My Car?

    Votes: 0 0.0%
  • Pineapple Express

    Votes: 0 0.0%
  • Jay and Silent Bob Strike Back

    Votes: 0 0.0%
  • Reefer Madness (lol)

    Votes: 0 0.0%
  • Friday

    Votes: 0 0.0%
  • Saving Grace

    Votes: 0 0.0%

  • Total voters
    9
  • Poll closed .
I think that's underselling it. She went from the arms of an increasingly inhuman god, to the arms of the most normal and well adjusted of the heroes. Night Owl is riddled with issues, but compared to everyone else he's the most stable and like a normal man. It's what she always wanted, because she was forced into being a hero by her mother.
To me it felt like the usual self-insert. The completely average, uninteresting guy gets himself a hot girlfriend that's waaaaaay out of his league. Oh and let's not forget the ''her ex is a bad guy, but the love of her life was in the friend zone all along'' trope that I love so much.
But you do have a point.
 
Glass

Actually not as bad as I thought it would be... As long as you buy into the ridiculousness of it. But it is incredibly ridiculous and plays itself straight, which results in some clunky dialogue but what do you expect from Shyalaman now?

He still writes his background characters with their funny quirks and it made me laugh here unintentionally, but the film does quite a good job of making everyone seeming larger than life, which is something the film needs, considering its premise.

I wish we saw more of Bruce Willis, and considering the film is named for Mr Glass, you don't see much of him until very late in the film.

I liked the twist, initially it took me by surprise, but then when I thought about it, it was quite obvious. It didn't feel cheap though.

Sarah Paulson was brilliant.

I don't think I'd recommend this film, but I don't feel bad about having watched it.
Double post. Fuck the police.
Sarah Paulson is always brilliant.
 
To me it felt like the usual self-insert. The completely average, uninteresting guy gets himself a hot girlfriend that's waaaaaay out of his league. Oh and let's not forget the ''her ex is a bad guy, but the love of her life was in the friend zone all along'' trope that I love so much.
But you do have a point.

If the characters were written by anyone but Alan Moore I'd probably agree about the self insert thing. Moore is crazier than a bag full of rabid monkies though and I doubt he believes he has anything in common with a milquetoast like Night Owl.
 
You clearly didn't sit through AHS Cult...

For a second there I was thinking of Apocalypse. Cult was one hell of a rollercoaster in quality.

I called it quits after season 3. And I only liked the 2nd one anyway.

You should totally watch the first 3 episodes of Apocalypse and then the cocaine brothers. It does have some good moments after the first 3 episodes and some nice death scenes.
 
I like Cult for getting right winger's panties in a bunch especially when the season was taking the piss out of liberals just as hard. It was a season about radicalization not about making fun of one party or the other. If you watched Kai and thought he was supposed to be a parody of Trump, then you've got a pretty skewed idea about what Trump is.
 
I don't watch American Horror Story for political satire. I watch it for supernatural shit, gore, the occasional random musical number and so on.

Cult had none of that. Nothing supernatural, nothing fun. Just politics, Paulson screeching like a gutted bird all season, and worst of all, Lena Dunham.
 
I don't watch American Horror Story for political satire. I watch it for supernatural shit, gore, the occasional random musical number and so on.

Cult had none of that. Nothing supernatural, nothing fun. Just politics, Paulson screeching like a gutted bird all season, and worst of all, Lena Dunham.

I don't disagree with any of that. The Dunham episode was goddamn awful. I just found a few things to enjoy about it even if it didn't feel much like something that should be calling itself horror.
 
I watched both Fyre (Netflix) and Fyre Fraud (Hulu) documentaries this week and they were pretty entertaining.

Netflix more heavily focuses on the people directly involved in working with Billy McFarland and Fyre whereas Hulu has more input from some people on the outside and even got Billy himself to offer his insights on the whole thing. Both have merit, but if there are any people who only feel like watching one movie about the same subject, I'd recommend the Netflix doc since it's mostly comprised of footage from the Fyre people setting this up and had crazy anecdotes that led me feeling a little more engaged than I did with Hulu's. But both are worth watching.

For those who don't know, it's about this young entrepreneur that tried to make a huge music festival in the Bahamas back in 2017 promising all these celebrities and villas for people to stay in, but it burns and crashes horribly on an epic scale. It's a fascinating trainwreck you can't look away from.

EDIT:
One point I should add
While it is entertaining to see how all the little errors of judgment and handwaves culminated into this disaster, I don't mean to make light of the tragedy that befell some of the people involved. I felt very bad for the caterer from the Bahamas and all the unpaid laborers as well. A lot of people slaved their lives away at this and it's an outrage that they saw no return from it.
 
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It's so weird seeing the Suddenly (2013) remake on more than the Suddenly (1954) original show more times on the telly. I never seen the remake but no way they could top Frank Sinatra as the assassin leader. That play against type was brilliant.
 
Wrong Turn

When it plays Queens of the Stone Age's You Can't Quit Me Baby, you know some murder shit is going down.

Straight up murder shit. And the opening guy? Assuming there isn't one before the car guy who gets backed up by chemical spills and shit? He's a cool guy. Not a raging sack of dicks. Sure he takes a murder road, another murder road, a place called Bear Mtn Path that is seriously murder shit and goes down a dark, tree-filled road that's more murder shit and more Queens of the Stone Age, If Only. It's some crazy good shit holmes.

But he meets up some people and most of them is good people. They aren't douchebags, like most shit. A lot of these people aren't people you want to die. 3 of them, they can go to hell.

This is like 15 minutes into it. But you know the kind of movie it is: Inbred hillbilly cannibals. And a toothless hick or two that isn't cannibal but probably made deals with inbred hillbilly cannibals.
But these two dumb stoners do all the wrong shit: Staying behind, getting blown like a shotgun, AND MESSING WITH A GUY'S CDS. YOU DON'T FUCK WITH SOMEBODY'S CDS. That's the kind of jackassery that gets you murdered and shit.

But man, it's atmospheric with it's murder vibes. And it goes through so many cliches that it's amazing. They do so much dumb shit that it's almost terrifying, like "GET OUT OF THE MURDER SHACK" "DON'T WIZZ IN A MURDER SHACK" "EVERYTHING HERE IS CLEARLY MADE TO MURDER PEOPLE AND SHIT" These people should have left that murder shack of murder a long ass time ago.

One last one:

I would have grabbed some knives and start stabbing them in their sleep. Coordinated shit. Stab the fuck out of them instead of trying to escape. They murdering inbred cannibal hillbillies son. They know these murder woods. They gon murder you before you murder them if they're awake.

Shit, people stopping and shit... just fucking run through the pain and shit.

Basically: People be dumb as shit filled bags. And SERPENTINE! SERRRRRPENTIIIIIINE!

6/10

Bloody, sinister, generic, cliche, and the old staple you can rely on: inbred hillbilly cannibals. And a pretty kickass soundtrack.
 
INTO THE SPIDERVEEERSE!!! (2018)

Obviously the animation was amazing. It blended so many different styles together so well, the comedy was really funny, the characters were all fun, and the story was actually better than most action animated movies. This movie owns most of if not all of my entire ass with its awesomeness. The music and soundtrack really just fit too.
One thing I loved more than anything else was the continuous use of comic book-y effects, such as a slight pencil marking coming out of a tap on a wall, the changing background as an item is being thrown, white outlines around gwen in her flashback, just small touches of visual flare everywhere that really show you the fingerprints of each animator and where their minds were. It shows itself in a variety of ways throughout and the ideas were all put together so nicely it's hard to pick out a single moment that didn't fit with something else, such as the really out-there and zany way of dealing with the "discovering spiderman powers" type of scene, the most cartoonishly as it's ever been done, really contrasting well with gwen's personality and the relationship she shares with miles.

The film's use of color gives me heart palpitations. It's gorgeous and so unique and creative, almost every shot makes me happy. Some of them just make me straight up giddy, i love the neon color distortion outlines.

I also gotta give this movie insane props for making miles morales an actually really interesting, likable character throughout the film. I'll never see him in the same way after this, this has spoiled me. He's great in this. Peter Parker as a sort of jaded dude is hilarious to be honest. Noir Spiderman and Weeb Spidergirl are funny, but peter porker... why was he there? It was fun to see the 2-D animations put to use there tho

The one other complaint I'd give the movie is its western animated cheese which no western animated movie really seems to be able to shake off. Stuff like repeating lines that were said before in the show to now without any real meaning behind them always feel awkward and it's no exception here, but I'm not going to be too hard on it for that just because how damn good some of the writing is. It's straightforward but it's really genuine at times, it was hard despite the movie's sony-ness for the passion the creators obviously felt in creating it, to not come across in the writing just through the expression of the visuals alone at times. The entire scene where miles's dad was talking to him through the door made my heart hurt. I loved it. So it cancels out most of the awkwardness the movie has, especially between gwen and miles. it's a bit generic between them besides for visually, and their relationship brings nothing new to the table.

Kingpin is lovely. His design makes me laugh every fuckin time I see it. The rest of the villains were alright, doc ock most notably was good. Aunt may's portrayal is also lovely, i adore her. She's hilarious, and probably has some of the best lines. "Oh, it's liv."
Just amazing. The scene where they're all in her house fighting is probably my favorite action scene in the movie because of how seamlessly it blends action and comedy into a single sequence. The directing for that part may have been the best in the whole movie.

But that's not to downplay the final act. Usually superhero movies and animated action movies have a shared problem: the final act being weak. This one did NOT share that problem to the same degree at all. It used everything it had been building the whole time to give us what we would have wanted, a visual LSD trip of pure creativity driven by dimensional shifts (SO much fun to animate, i'd imagine) some great fight choreography, pacing, and an actual sad moment for fisk that actually kind of haunted me, his glitched family appearing on the train. Even though it did have to end with another rehashed one-liner, this finale didn't disappoint me overall like say, Big Hero 6's did.

Can we also talk about how fucking hilarious this film is visually? Because it made me laugh a lot. Out loud. The writing could make me cringe a few times, sure, but it's like a totally different writer came in to do some of those jokes, their delivery is perfect and it's just... mm, YES. Erases all the cringe.

I think everyone's really overlooked something major about the film though, and that's our favorite uncle character, who was revealed to be the prowler and then promptly killed. This to me was very unexpected, but at the same time when it was all over, it felt a bit cheap and convenient compared to other moments of character deaths. Like, we never got his motivations or anything, just a reason to give miles grief when he died. I'm not taking points off for this though since it genuinely made me sad anyways and there may be some kind of plot point i was missing here. It needed to be said.
Into the Spiderverse is a visual masterpiece, which is impossible to deny. It might stand for me as the best spiderman story as well as one of the best animated films of all time, and really there are so few things to complain about with it- but those things ARE there, unfortunately.

9.2/10
 
generic, cliche, and the old staple you can rely on: inbred hillbilly cannibals.

I found the first movie to be dull for these reasons. The kills were boring, the characters were annoying and the pacing was fairly plodding. You should watch the sequel. It's a lot more self aware about the cliches and has a little bit of fun with them. It's by no means brilliant, but it does have Henry Rollins in it. Every other movie in the franchise is complete garbage, though. Especially the 4th one that tries to jump in on the torture porn craze.
 
A Star is Born (2018)

Franco’s adventure in the life of a depressed celebrity burnout continues. This was clearly influenced by the 70’s remake with Kris Kristofferson and Barbra Streisand, and it was honestly the wrong movie to take notes from. I'm really not sure how this got a nom for Best Picture at the Oscars, although now that I think about it, this is the kind of movie that's right up the Academy's lane.

There are many issues I have with this version, all of which really boil down to its shallow and simplistic take on the original material. Where the '54 version made the idea of a male burnout seeking salvation from a female protege a romantic one, this 2018 version (and the '76 one too, by extension) romanticizes it instead. Bradley Cooper's fine as the drunk rock star, but because the material hasn't been updated since the 70's, his story just looks problematic by today's standards. They could still make a story like this work today, but that would require great acting and a well-written script. This remake only has some bits of the former and none of the latter. Everything that was subtly hinted at in this movie's predecessors is no more, no thanks to unnecessary side characters who clog up the story and make the stars' world seem bigger and more constricted all at once.

Plus, that final scene was a real buzzkill and really suffered from its whack edit job.

There's also the matter of length and pacing, where the movie all but stops in the middle act to drag on and on about Gaga's rise to fame and Bradley's stupid jealousy bouts - which never happened in the first versions. Oh, and the camera is terrible in a lot of places. It tries to capture that documentary feel, but I was never a fan of the frisky camera trend, so I was more frustrated by it than anything.

That said, Lady Gaga is great and fun to watch. You weren't really able to believe her turn as a novice singer with no confidence, but she can pull notes and lyrics out of thin air, and it's always so nice to watch her perform. 'Shallow' is a great single too, very catchy and very emotional. But really, those are the only things that make this just slightly better than the '76 version.

There's only the 1937 original left on my watchlist. But after seeing the same story three times now, I think I'll take a break before taking on that one.

2.5/5
 
Polar is being harshly trashed by critics, but they all manage to sneak in somewhere that Mads is amazing. I'll have to make time to watch this soon. I want to see Velvet Buzzsaw next week too.

 
When I was out and about today I decided to go see a movie and settled on Glass. Acting is great. Cinematography is great. Honestly, everything is great...except the script cuz god the actual story was fucking stupid.
 
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