StoryI remember when I was once on holiday in France, I was on a
beach when, amongst all the pebbles and bits of sea-worn glass, I picked up
what appeared to be a regular piece of flint. When I looked closer, I noticed
that one side had a hole that was filled with tiny crystals; finding it made my
holiday. I see each new anime season as being just like that beach. Wade
through the excitement, disappointment and indifference, and if you’re lucky,
you may find a lovely little gem of a series. For me, Ristorante Paradiso is my crystal-filled rock of the Spring 2009 anime season.
Set in a small restaurant in Rome, Ristorante Paradiso centres on twenty one year old Nicoletta who has just moved to the capital. At
first, she intends to meet with the owner of the Casetta Dell’orso restaurant
and inform him that his wife is actually her estranged mother; however she soon
yields to the charms of the quaint eatery and its staff of older bespectacled
gentleman – and in particular a waiter named Claudio. Nicoletta then strikes up
a deal with her long lost parent – she will keep her mother’s secret, if she
can work as a trainee chef. With a young girl working in a restaurant filled
with desirable wait staff, it may seem like the series should descend into
little more than another reverse harem anime, but this is far from the truth.
From its starting focus of the romance between
Nicoletta and Claudio, the series soon expands into a rich and charming
ensemble piece. The anime picks and chooses plotlines from the original manga
as well as its three volume sequel, Gente ~ Ristorante no Hitobito~, to
achieve a more slice of life route than its source. Rather than concentrating
on the short and rather thin storyline surrounding Claudio and Nicoletta, Ristorante
Paradiso fully explores its milieu and delves into the lives of its cast
resulting in a more mature and comprehensive narrative, which is truly a treat
to watch.AnimationUnderstated, grown-up and elegant, Ristorante
Paradiso’s visual design echoes its gentlemanly cast. Resonating with the
tone of its storyline, the series boasts a warm, yet muted, colour palette and
a slightly watery quality to its imagery, which instils a sense of relaxation,
romance and nostalgia. The characters’ large noses and wide mouths provide Ristorante
Paradiso with a distinctive style, and while I personally like it, others
may not appreciate it as much.SoundRistorante Paradiso’s upbeat, jazzy opening theme,
‘Marigold’ by Orange Pekoe, evokes the image of a bustling and trendy Italian
café on a hot sunny day. Lisa Komine’s ending theme, ‘Suteki na Kajitsu’,
reflects Nicoletta’s more naïve side, though makes less of an impression than
the opener.
In addition, the series’ voice cast performs particularly
well. From Claudio’s dulcet tones to Luciano’s gruff vocals, Ristorante
Paradiso’s seiyuu seem to effortlessly portray each character’s
personality.CharactersAs the central protagonist of the series, Nicoletta receives
the most character development. Throughout the show she gradually matures from
an impetuous, naïve and unforgiving girl into a more focused, understanding and
grown-up woman. Ristorante Paradiso demonstrates this transformation
through not only the awkward relationship with her mother and her connection
with Claudio, but also through her work at the restaurant. Nicoletta also
serves in part as a proxy for the audience, her slow seduction into the world
of the Casetta Dell’orso mimicking that of the viewer.
While Nicoletta’s progression is notable, it’s the
attention that the series accords its supporting cast which allows Ristorante
Paradiso’s characterisation to really impress. Each person takes centre
stage in at least one episode allowing Nicoletta, and thus the viewer, a chance
to understand them that little bit better. Ristorante Paradiso leaves no
character undeveloped or unexplored, therefore the cast as a whole feels
complete and becomes more engaging.OverallWhen watching this series, I get swept up in its
gentle rhythm. Ristorante Paradiso doesn’t rely on a bright colour
palette, wacky characters, or any other tricks; its quiet nature needs no
superfluous decoration. So sit back and relax, and maybe you’ll find yourself
agreeing with the old cliché that, like a good vintage wine, men only improve
with age.