Every anime menu needs its light, bubbly relief, and in one of the driest years for decent shows, Kuragehime’s plot about geeks, fashion, and cross-dressers is diet cola.
An unabashedly insubstantial plot aided by cliché sweeteners helps this go down oh so easily. Fashionable cross-dresser Kuranosuke crash lands into hopeless nerd Tsukimi’s life and, for a couple of episodes, the gag is how to keep her friends from finding out that she is a he. Bizarrely, though, things morph into a battle between fashion and real estate as Kuranosuke leads Tsukimi’s friends against redevelopment moguls using dress-making as his weapon of choice. If it sounds like contrived nonsense, that’s because it is. It never escalates into any kind of Erin Brockovich epic, rather remaining narrowly focused on the interrelationships and wacky situations. And all this via tragic background stories and ample fangirl wish fulfilment as Tsukimi gets periodic makeovers.
But Kuragehime nevertheless remains engaging because of the character dynamics: by depicting the ironic clash between isolationist nerds (who, by the way, proudly call themselves ‘Amars’ after Buddhist nuns because they shun men) and an excruciatingly beautiful young man who possesses the femininity fate denied them, the show keeps us emotionally vested. Kuranosuke breaks their routine, inserting himself using colour, beauty, and a blithe unawareness of how much they resent him. He calls them ‘a lair of jobless thirty-something NEET chicks with afros’ and boldly asks them if they’re virgins, and they find themselves challenged to open up to the world. Thus, even as the show exploits their friction to reveal the Amars’ absurd fears and fantasies, we find a human story unravelling before our eyes.
Furthermore, thanks to these character clashes, viewers will come away with several sequences still firing in their minds and evoking giggles long after the credits. I am smiling right now, for instance, as I type about that scene when Tsukimi discovers two incompatible jellyfish occupying the same tank of a pet shop. Her imagination, fuelled by a heroic need to save them, slides into a glorious spoof of Isao Takahata’s Heidi. Such highlights pepper every episode and keep it dancing at a satisfying pace right to the end.
Unfortunately, most of the heavier developments only dead-end since the show covers a mere six volumes of an ongoing manga. For instance, Kuranosuke’s search for his long-lost mother remains a vague background detail, as does his blossoming feelings for Tsukimi. As such, the story functions like a cord upon which to hang the decorative jokes and the smattering of colourful characters; it drops a few zany people in a situation and lets their boundless energy nudge them along a jungle trail of comedy.
Without doubt, the animation’s crown is Kuranosuke; viewers wanting a bishounen treat will gobble up his slender pale limbs and exquisite face like bonbons. Not just that, he combines it with a wide-eyed cuteness that is all the lovelier for being understated. Tsukimi, once made over, becomes his adorable equal, although I nevertheless prefer the more eccentric designs of her fellow Amars. Their terrible hair don’ts and scatty, awkward bodies keep us delighting in great visual humour.
Beyond the main characters, the animation is strikingly pedestrian; environments barely register as more than suggestive backdrops and everything is brushed with a smidgen of soft focus for that dreamy shoujo feeling.
The opening theme ‘Koko Dake no Hanashi’ by Chatmonchy (also responsible for Bleach’s twelfth OP, ‘Dadai’) is cute, fluffy, and catchy just like the story. With light, sprightly vocals, it immediately speaks of cheeky fun, not geeky angst. The rest of the soundtrack, including the ending theme, conveys a functional but unmemorable sound design.
Kuranosuke's background, his beauty, his tragedy, they all recall Tamaki Suoh (Ouran High School Host Club). The son of a beautiful woman he isn’t allowed to see, he tries to escape his life of privilege and politics by realising his fantasies. Instead of forming a hedonistic club, however, he makes and wears dresses. Moreover, his personality avoids Tamaki’s childlike innocence in favour of a more purposeful attitude and, as tempting as it must be to overplay him as an eccentric drag queen, the script keeps him natural, harmless, and glamorously sexy.
With him in the spotlight, Tsukimi (Tsuki = moon, mi = sea; reverse the characters in her name and you get ‘jellyfish’) rarely gets to stand out. She’s brilliantly funny in her scenes of raw panic whenever approaching fashionable people, symptomised by noodle limbs, ghoulish grimacing, and a sudden gait like a drunkard on ice. Equally, her moments of vulnerability underscore the show’s romanticism with lines like this: ‘Looking at this beautiful person, my heart is filled with jellyfish lace.’ But as a character, she sticks too closely to the geek-turns-chic formula and harbours a typical internal conflict between her wish for femininity (to be the princess she believes her dead mother would have wanted) and her inherent lack of it.
The supporting cast, on the other hand, mainly run along train tracks of recurring gags. We can rely on Kuranosuke’s stoic butler Hanamori to narrowly define his interests in terms of his beloved Benz. And no one has to wait long in any scene for fellow Amar Mayaya to spout references to Records of the Three Kingdoms (‘To think that the red of San Quan’s army now belongs to me!’ she joyfully exclaims at the sight of a stupendous platter of beef.). If you find them funny once, most likely they’ll only keep growing on you, but that many of them are underdeveloped becomes obvious.
A friend of mine once cynically asserted that all shoujo lovers want from anime is men who are women with penises. I couldn’t help thinking of that as my heart squeezed every time Kuranosuke exploded onto the screen with his masculinity aggressively tamed by dresses, make-up, and the cutest face this side of Ouran. But with no designs beyond plastering daft smiles on all faces and dropping a gooey cliché or two, Kuragehime has a disarming quirkiness that should melt the guys too. Unfortunately, I can only call this a great beginning - without any substantial developments, the show delivers little more than light refreshment.
This is my favorite anime of all time. Hysterical. Touching. Good representation of real women. What's not to love?
Secret Santa Review!
Before doing the actual review, I’d like to thank everyone who participated for doing so, and doing so in a manner that was fun for all of us :) I loved the idea, sothis, and thanks to this, it seems I’ve found a new genre to explore.
Since this is a Secret Santa Review I’ll assume you’re reading this because you’ve already seen the anime yourself and wish to read what I think (if not then… meh. Spoiler alert! Bla bla.). Also, I’m not very good at writing reviews, so instead of commenting on the small details, I’ll briefly comment on what I found to be most important about this anime.
In spite of being a guy, the anime’s ‘cute-feel’ completely had me - be it the different crushes, Clara’s short explanations or Tsukimi’s lack of knowledge handling certain situations. They never ended up being the main focus, but still had an important role to play concerning the feel. It was fun to watch.
The feeling I felt when the anime finished was not one-sided. I did feel a bit warm and fuzzy inside because all ends well (like with Usagi Drop), but at the same time, I’m the type of person who likes to be able to conclude on everything when it’s over. So, is Kuranosuke going to do something about his love towards Tsukimi? And will his cross-dressing be exposed to the other girls in the dorm – and how will they react? Maybe they are hoping to do a second season – I don’t know – I just can’t help but think about these kinds of things when watching anime like this.
In spite of having some elements (cross-dressing, crushes, etc.) that would normally allow for conclusive end, this anime had a very ‘slice of life’ feel to it. Yes, some things happen towards the end, but to me it’s merely an arch rather than a finish - except for the whole ‘you can keep living here’ surprise, but that only takes a minute of the last episode :3 Nevertheless, when looking at it as just that, I really freakin’ enjoyed it! I’ll probably look into the gender-bender genre a bit more and hope to find me some more plot-heavy ones.
That’s it! Not very thorough done, but hopefully the points I do make come through fairly clear.
Thank you, Secret Santa :)
I actually really like this, its way different than anything I really saw. A lot of people do a lot of otaku outcasts but this one has a little different vibe to it. The characters, though their names are hard to remember, are remember-able for how out there and crazy they are. Each one is a otaku in their own way and have different ways of showing it whether it is being crazy about kimonos, to posting old men’s pictures into a scrap-book. A little creepy, but it’s not as bad as it seems. The guy is really cool even if he cross-dresses but he seems normal otherwise. The underlining story is pretty much being true to yourself and never give up on your dreams.
The animation is wonderful even if it lacks in some places. It mostly does this when you look between the two ‘worlds’ and depicts Tsukimi’s world and Kuranosuke’s world. It’s not all that bad, but once in a while when the two worlds meet, it’s sometimes a bit harsh of an art style. I really love the designs of the jellyfish and how they actually have a few facts about jellyfish that are supposedly real. I don’t care much too actually look them up but they sound real so its ether true or the actor is rather good at making it sound true.
The voice acting for the most part is well done. The English is a little bothersome though I really like the cute voice of Tsukimi and Kuranosuke. I’m not so fond of one or two of the characters in the apartments and it made me cringe the first few times I heard them. Now along the way, I ether got used to it, it got better, or I just didn’t even care about what they sounded like because the story was just so good!
All together, it was funny and sweet. Really, if you want funny, This is it! Sadly, it has a very bad cliff hanger right now and I really want to see more! It does make me want to read the manga now but something really tells me that this is better as an Anime then the manga.
It was nice to see really introverted characters like this in an anime. Each character has very defined personalities that can't be related and aren't really stereotypical. The plot advances, but kind of goes off to no where as the manga goes on but the anime just drops off and never picks up a second season. I really love animes with unique art and animation styles. A stale, plain, and generic style to me would be something like fruits basket. Lively colors in the show. I enjoyed how it shows parts of their every day life like cooking and going to the store. People say if you like this you'd like other anime and manga about fashion. I don't think so though. I think it's more about the introvertedness of the cast.