Pandora Hearts

TV (25 eps)
4.083 out of 5 from 19,042 votes
Rank #1,183

On the eve of nobleman Oz Bezarius's fifteenth birthday, he and his loved ones gather to celebrate in a coming-of-age ceremony. But after Oz steps under a long-stopped clock and the hands finally move once more - thus fulfilling a mysterious prophecy - he is violently thrown into the legendary prison known as the Abyss by three cloaked intruders. Existing in another dimension, the Abyss is home to lifeforms born within its walls known as Chains; these beings can only live in the real world if they make contracts with humans, binding their power to the person's body. However, there's a catch - in time, the human will be overcome by the Chain's power and then thrown into the deepest level of the Abyss. When Oz wakes up in the Abyss he is quickly attacked by hungry Chains, only to be saved by one named Alice - a Chain who appeared just before he was thrown into the prison. Together, the two make a contract and return to the real world, where they are enlisted into the Pandora organization - a group researching both the Abyss and the trio that threw Oz into it.  Along with members of Pandora, the duo searches to find Alice's lost memory fragments that are scattered throughout the world, to discover the secrets of the Abyss, and to determine if there's a way their contract can be broken without killing either Oz or Alice.

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Innocent Calm

Episode 1

Innocent Calm

Tempest of Conviction

Episode 2

Tempest of Conviction

Prisoner & Alichino

Episode 3

Prisoner & Alichino

Rendezvous

Episode 4

Rendezvous

Clockwise Doom

Episode 5

Clockwise Doom

Where am I?

Episode 6

Where am I?

Whisperer

Episode 7

Whisperer

Question

Episode 8

Question

Malediction

Episode 9

Malediction

A Lost Raven

Episode 11

A Lost Raven

Welcome to Labyrinth

Episode 12

Welcome to Labyrinth

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Reviews

ThePatches
7.5

StoryEvery so often, you stumble upon an anime that tries very hard to ruin itself: School Days, for example, almost runs for too many episodes; Code Geass takes a turn for the overly-complicated in the end of its first season; and Shakugan no Shana allows Kazumi to open her mouth. In all these cases, the foundations of the show prevent its failings from overwhelming the experience. 2009's Pandora Hearts falls into this category, with its setting and cast overriding its animation and plot shortcomings. This one takes about four episodes or so to sink its hooks into you, but it soon proves worth the short wait. Set in an European alternate world, Pandora Hearts weaves a tale spanning one hundred years and centered around an event called the "Tragedy of Sabrie". As the narrative unfolds both in the present and copious flashbacks, viewers follow the cast as they uncover more and more about the terrible event. This backward-looking bent strengthens the plot as continual discoveries prove more interesting than the mediocre action sprinkled through the series. In addition, the pervasive Alice in Wonderland references both provide a point a reference for English-speaking viewers and a wealth of striking imagery that the show puts good use. Significant pacing missteps almost bring the beautiful thing down around its ears, however. The series opens with an introductory arc that poses too many questions while providing neither suspense a la Higurashi no Naku Koro ni nor as much action as the opening salvo of a show like Canaan. While these initial events further the plot and establish important setting details, they also leave the viewers alone with the least interesting character for long stretches. Sadly, even after Pandora Hearts enters its main story, these silly plot hiccups continue. The show tends to bundle its major reveals and seminal events into single installments which it brackets in boring plot fluff that serves either as the build-up or denouement for each minor story. Consequently, the week-to-week experience leaves much to be desired, since throwaway episodes of lesser quality bookend each gripping offering.AnimationPandora Hearts boasts some of the most interesting character designs I've seen. The European setting brings with it sartorial bliss in the form of ruffles, long coats, ties, and dresses that resemble tea cakes. In addition, the angular faces and large eyes of the characters allow their expressions to modulate from attractive innocence or heroic resolve into creepiness or melancholy at the drop of a hat, which helps to add extra dimension to the cast. The well-suited backgrounds help maintain the continental flavor of the visuals, but their limited number sometimes creates confusion (when town #1 looks exactly like town #2, I get disoriented). Unfortunately, substandard execution ruins much of the lovely atmosphere and interesting subject matter. In an attempt to mimic the ethereal feel of the manga, the series uses a softening filter on the animation that deadens the otherwise vibrant colors and blurs the edges of the action in the foreground. Through this lens, the deep blacks of the Mad Hatter's cape and the recesses of the Abyss appear mottled, like a dusty computer monitor and the faint shading washes out so that many surfaces appear flat (especially a crime when it happens to Sharon's lovely dresses). In addition, the action sequences, though filled with interesting adversaries, are also rife with abbreviated motion and awkward angles.SoundWithin the first episode, Pandora Hearts makes the importance of music to the series plain as day. From the haunting music-box melody that comes from Oz's watch to the stellar opening theme, the soundtrack matches the epic sweep of the narrative. Leading things off, "Parallel Hearts" stands almost head-and-shoulders over many of its contemporaries' opening tracks, eclipsed in Spring 2009 by only K-On!'s "Cagayake! Girls", and the second Saki OP, "Bloooomin'". Closing out the first half of the season, Savage Genuis' "Maze" also lays strong female vocals over synth-rock, and its plaintive strains capture the series' spirit. The same artist also provides the second ending theme, and its sweeter, more relaxed tone echoes the gentle relationship between Oz and Alice which features more prominently as the show progresses. Picking up where the excellent theme songs leave off, the in-episode music features thick orchestral arrangements which help immerse the viewer in the 19th century setting; the score does contain a lone anachronistic electronic track, but it complements the high-tension action sequences it accompanies so well that the viewer can easily forgive this one transgression. Nor does the high-quality of the audio end with the music. The nuanced characters of Pandora Hearts require sensitive readings and the voice actors prove more than equal to the challenge. Whether it be Break's subtle wrongness or Oscar's over-the-top affection, each emotion comes through lound-and-clear, picking up much of the slack left by the sometimes stiff character animations. As the leading lady, Ayako Kawasumi's memorable performance in the role of Alice anchors the production. While Rie Kugimiya's loli readings of diminutive tsundere characters have begun to inspire imitations of late, Kawasumi's full-throated interpretation fits her charge's personality and history far better than a bratty reading would have.CharactersIn a season packed with tsundere leads like Senjogaraha Hitagi (Bakemonogatari) and Sazenin Nagi (Hayate no Gotoku!!), Alice stands out as one of the most interesting characters of her archetype. Instead of showing overwhelming bravado and other obnoxious tsun-tsun tendencies to overcompensate for her emotional weakness, Alice exudes strength because, as a living weapon, might is her lingua franca. Her simplistic worldview imbues her with a sense of genuine honesty because, for Alice, life IS simple. With no memories, a straightforward goal, and power to spare, her childlike outlook and forthright nature make her both likable and true to her background. Sadly, the entertaining rabbit comes part-and-parcel with a typical sidekick in Oz. For most of the series, he whines, frets, wanders into trouble, harbors suicidal thoughts, declares his intention to change, and round and round again without end. While the plot gives ample reason for his feelings of inadequacy, the litany of pathetic moaning grows stale and his real change takes too long to arrive. Oz does demonstrate some interesting traits behind his crybaby exterior, however. When he displays his considerable cunning or great sensitivity to the feelings and motivations of others, even he can play a convincing hero and charm the audience. Should Pandora Hearts get a second season, he has the potential to grow past his more irksome traits and into a compelling lead. Luckily the series also provides a rich, but under-characterized secondary cast to distract the viewer from Oz's lamentations. While some of these guys receive significant back story treatment, others--most notably the villains--behave more like walk-ons while Oz, Alice, and Gil wrestle with their personal demons. With so much narrative ground to cover, it comes as no surprise that intriguing people like Charlotte Baskerville, Eliot Nightray, and Rufus Barma spend only the slightest time in leads' orbit before the eye of the plot turns its gaze to other matters. Even so, each of these characters demonstrates depth and complex motivations in their short span on screen, making these auxiliaries one of the more memorable aspects of the show as a whole.OverallAll told, Pandora Hearts exceeds its narrative shortcomings and almost achieves greatness. Sure, it could look a lot better and the plotting is a little spotty at times, but more often than not, I reach the end of an episode satisfied and even a little excited for what comes next. With the fascinating setting and epic storyline, this anime is a must-watch for fantasy fans. Add a charismatic tsundere lead and some laugh-out-loud humor to the mix, and you have the recipe for a sleeper hit. If you thought Spring 2009 was only about K-On! and Higashi no Eden, then you you owe it to yourself to check this one out.

MikaShinigami
10

Imagine your reality falling into pieces on your fifteenth birthday, pushed into a broken toy box and relentlessly pursued by people you barely know. Pushed aside and left broken, do you accept death in the name of saving another's life, desperately looking for pieces of yourself to confirm your existence? Knowing nothing about yourself, wanting to find out, yet scared of finding out, how do you move on? How do you protect something you once lost, in fear of losing it again, suffocating it with your loyalty and inability to let it leave your sight? Pandora Hearts explores the story of Oz Vessalius ( or Bezarius, as I'm used to ), a boy whose life is thrown into chaos on his fifteenth birthday, at his coming-of-ceremony. The anime, I'd say, has an overarching theme of loss and self-discovery. The Abyss is a deep, dark place where sinners are dragged into-a place that Oz stopped believing in until he was thrown in. With the discovery of a pocket watch that sings a haunting tune, strange things begin happening and Oz meets a young girl called Alice, a Chain from the Abyss with the form of a black rabbit once her suppressed power is unleashed, who is searching for her lost memories. I won't reveal anymore. The whole charm of the anime is found in the characters and the past shrouded in mystery. Oz, Alice, and his faithful servant, Gilbert, begin their quest to search for pieces of memory that Alice is searching for. On the surface, it looks like a normal anime. Questing for memories while defeating enemies but that's exactly where we're misled. The pieces of Alice's memory are intertwined with others', and for the most part, the plot involves flashbacks of the characters' pasts. One fragment only leads to more questions. Pandora Hearts' strongest point is its characters. The characters are never one-sided and they are so skilfully woven that we see begin to slowly see the flaws in them. Why does Oz accept everything so light-heartedly? Nothing seems to bother him at all but as we move on, we see a darkness emerge, once layered and locked away. Despite all that, the anime retains its timely comedy, providing a light-hearted adventure for the person watching. Alice and Gilbert are constantly fighting for Oz's attention, coming up with nicknames like "Seaweed Head" and "Stupid rabbit". Oz leaves them to their own antics, only to be unwillingly dragged in and pulled from both sides. Oz, disturbingly calm about everything, with a policy to accept everything as it is because anything can happen. He has also been shown with a tendency to flirt, much like his uncle. Alice, while meat-loving, sarcastic, tsundere-like and shows some signs of sadism, has a sweet and vulnerable side. Gilbert, while short-tempered and sensitive, is gentle and hold a fierce loyalty to Oz. The only time Alice and Gilbert cooperate with each other is when yet another interesting character, Xerxes Break slips in ( quite literally ). Break is one of those manipulative characters who believes in using others and being used. He also likes to pop out of the strangest places, but he, too, has a larger part than simply being a "minor" character. His mistress, Sharon, is a deceptively sweet-looking character who, in punishing Break, shows no hesitance. Vincent Nightray, a man who, at times is, sweet while other times, scarily crazed and shows an alarming obsession for his older brother. Then, although he didn't have much screen time, Eliot Nightray and his attendant, Leo. Eliot was truly a crucial character who played a large part in Oz's development. There also some undertones of hinted romance but that doesn't play a large part. The episodes passed by too fast for me to realise that I was almost at the end. Oz, as a character, peels away the protective layers he had unconsciously wrapped around himself and slowly starts to face himself. He, Alice and Gilbert have grown undeniably closer and it's time to face past demons. The mystery behind what truly happened in the past is left as a question mark and in that aspect, I believe the anime could have ended off better. Even then, the plot did a great job. I'd say, honestly, it didn't feel like there was "evil" like in some anime, there's pointedly evil people who do the most horrible things. But in this, you slowly start to realise that things are not as they seem and that's exactly what makes this a classic watch. The plot wasn't perfect, I admit, there were certain clichés but the idea of building something with pieces of memories and at the same time, building the characters' pasts solidly, they did a wonderful job. I did cry once, at that important part of Eliot and Oz's meeting. Moving on to the OSTs, they were perfect. I love Kajiura Yuki's music and using the English piece "Everytime You Kissed Me" by Emily Bindiger really raised the quality of the anime. The OST is one of the things that gave me goosebumps. One thing I had a problem with, though, is that it tended to become repetitive. At some point, I realised that the same OSTs were repeating and it didn't have as much impact as it should have. Even so, the OST really did help to make this a top-notch and haunting anime. The voice acting was great. There were times when it kind of slipped and you start to wonder if Oz's voice actor is a female but I think she did a really great job of voicing Oz. It was deceiving because I always thought it was a male ( except for those few times she had to scream ). The voice actors manage to bring out the feelings and the characters they are. The animation appealed to me, but in today's standards, it hardly stands out. The animation, however, holds this certain fluidity and childishness in young characters, showing that, perhaps, the story isn't as deep as it seems and we shouldn't look too much into it. The animation remained smooth throughout so I don't think it was much of a problem. Pandora Hearts is worth your time and effort. But I wouldn't say that it would appeal to all fans who might be more inclined to other genres. I really enjoyed it, hence the full score. It's still a great watch so give it a try!

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