After losing her parents in a car accident, Okko goes to live in the countryside with her grandmother, who runs a traditional Japanese inn built on top of an ancient spring said to have healing waters. While she goes about her chores and prepares to become the inn’s next caretaker, Okko discovers there are spirits who live there that only she can see – not scary ones, but welcoming ghosts who keep her company, play games and help her navigate her new environment. The inn’s motto is that it welcomes all and will reject none, and this is soon put to the test as a string of new guests challenge Okko’s ability to be a gracious host.
Source: Fathom Events
Wakaokami wa Shougakusei! Movie or Okko's Inn, is not a film that I held much expectation for. But, in all honesty, the movie is a hidden gem that surprised me in all the right ways! Okko's Inn is about a young girl named Seki Oriko (fondly called Okko) who loses her parents in a tragic accident, so she goes to live in the country with her grandmother, who runs a traditional Japanese Inn. Once there, Okko comes across the ghosts of children, which only she can see. Those ghosts are playful and friendly, and they make her feel less lonely as she learns the ins and outs of helping run her grandmother's inn. She struggles in the beginning with clumsiness and poor judgement calls but she quickly learns that making others happy is the key to her own happiness. Okko's Inn is a film about loss, healing, growth, and acceptance. It's about a young girl who went through something tragic and learned to move forward and make the best of her situation. To move forward with determination rather than dwell on what couldn't be changed. The movie actually reminded me a lot of a Ghibli film. It was very easy to get sucked into and I found myself captivated, unwilling to look away from the story playing out before me. Hell, even the animation reminded a lot of Studio Ghibli! And, while the OST may not have been anything outstanding or remarkable, it fit the movie to perfection. And while the series mostly just focused on Okko, Uribou, and Miyo we get the occasional appearance of different guests, Okko's grandmother, the other workers at the Inn, Suzuki, Matsuki, etc. But I don't feel like that was a bad thing. The movie was focused right where it was meant, circling around Okko and her own personal journey, while taking us on for the ride. It's been a while since I enjoyed a film as much as I did this one and the ending brought me to tears! (though, it's honestly not that difficult to make me cry lol) This is a movie that I HIGHLY recommend you give a chance... it doesn't disappoint and is a true joy to watch!
Okko's inn is a happy story with great animation and sound. I moves to fast not developing the characters. There is one sad point that might bring tears but overall its pretty generic. If you like happy colorful stories it is a most but a warning that there is a really sad point. OKKO's is a girl that just lost both her parents and is going to live with her Grandmother and help with the inn. The Girl literally packs up her stuff says goodby to her old home walks and takes the train by herself to her grandmothers. That is basically how they treat all the bad stuff. It happens for a second to make you emotional then everyone is all smiles.
Okko's Inn, a disarmingly charming, instantly likable Japanese animated feature, is the sort of family-friendly movie rarely seen from a lot of western productions of this type nowadays. While most kiddie flicks I've seen these days tend to go for loud, noisy, in-your-face schtick and disgusting scatalogical humor for the heck of it, this one instead aims to be a more gentle, down-to-earth sort of tale. Whatever humor we get is thankfully brief and of the clean and clever kind. More importantly, it's a film with a lot of heart. Its only weakness may be that it may fall somewhat short of the standards often set by, say, Studio Ghibli, but director Kitaro Kosaka (himself, incidentally, a Ghibli veteran) still manages to make this a delight for kids and adults while emerging as a beautiful work in its own right. The main character of this tale is Oriko Seki (aka Okko), a 12-year-old girl who is tragically orphaned within the first five minutes when her parents' car crashes into a derailed truck while traveling home from a festival. Miraculously surviving this incident, Okko is subsequently sent to stay with her grandmother, who happens to be the proprietor of an inn in the countryside. The inn in question, which doubles as a hot springs house, goes by the name of Harunoya, with a philosophy that all are welcome. Naturally, it does take Okko some time to get settled into this new establishment. She is befriended by three ghosts -- two of which are children who passed away years ago: the spunky but friendly Uribo, and the sassy, mischievous Miyo -- and a pesky "demon" known as Suzuki. With encouragement from these three (invisible to all but the little girl), Okko aspires to be a "junior innkeeper". Predictably, she starts off on the clumsy side and makes some poor calls of judgment, but gradually gets better, learning lessons about selflessness and valuing life. Over the course of Okko's coming of age journey, we meet a variety of other characters, among them a sullen and grieving teenage boy known as Akane, a friendly fortune teller called Glory Suriyo (who takes her on a memorable shopping trip), and a bratty rival junior innkeeper named Matsuki, who treats Okko contemptuously at every opportunity. Of course, at the major core of the story is Okko coming to terms with the fact that her mother and father are no longer with her. A lot of this movie's subject feels strikingly similar to Hiroyuki Okiura’s A Letter To Momo, as well as numerous other animated tearjerkers such as My Neighbor Totoro, Coco, and Kubo and the Two Strings, but Okko's Inn manages to carve out its own niche thanks primarily to its plucky cast of characters. Okko is an easily relatable protagonist, and her similarly likable ghost buddies provide moments of gentle humor without treading into "annoying" territory. Only Matsuki comes across as downright unsympathetic -- at least for a good majority of the film -- until we find out that she, too, has troubles of her own. (As you might expect, the ending is a bit of a tearjerker, but not so much that it makes the movie downright depressing.) In lesser hands, this tale could potentially tread into draggy territory. Thankfully, Kosaka keeps an energetic pace throughout all 96 minutes, making even the more quieter, slower moments flow without draining interest. That said, there are a couple of moments when the development of some moments feels a bit hasty, notably in the handling of Matsuki's character. Some additional scenes where we get to see her being nicer would have been welcomed, but that's honestly my only complaint. Despite being directed by a Ghibli veteran, Okko's Inn was animated at Madhouse Studios, whose output has ranged from gritty productions like Ninja Scroll and Perfect Blue, to somber, friendlier stuff such as The Girl Who Leapt Through Time. If you're not familiar with this studio, these works you at least may have been fortunate to see. Okko's Inn, naturally, being among the more softer offerings of this studio, has a predictably sunny, beautiful look to it. There is a digital sort of look to the animation, but it still offers the sort of warmth that hand-drawn craft is usually known for. On occasion there are uses of computer images, but thankfully they don't stand out in all the wrong ways. I went to see the dubbed version, provided by NYAV Post. It's yet another quality effort, with terrific performances by all involved. Eleven year old Madigan Kacmar does an outstanding job as Okko, providing the character with just the right amount of warmth, spunk, and heart. She has terrific chemistry with K.J. Aikens' somewhat smart-alecky but lovable Uribo as well as her other co-stars. Carly Williams' Matsuki is as snarky and prissy as you'd expect, while Tessa Frascogna's Miyo and Colleen O'Shaughnessy's Suzuki complete the trio of ghost companions for Okko. Glynis Eliis is also great as Okko's grandmother. NYAV Post has turned out excellent work lately, notably in the form of of big hitters such as A Silent Voice, Mirai, and even the flawed, forgettable Fireworks. It's gratifying to see them continue to live up to their standards here. There have been a lot of great contenders for emotionally resonant animated features from Japan lately. Okko's Inn may be among the lesser known of them, but it certainly deserves a following. If you ever decide to check out this charmer, I highly would recommend doing so.
There are no custom lists yet for this series.