Koyomi Araragi can't stop thinking about Tsubasa Hanekawa, the brilliant-yet-modest class representative who always follows the rules, but what the boy doesn't know is that beneath her facade, Tsubasa harbors an extraordinary amount of pent-up stress. Things change one day for the girl when she encounters a supernatural feline that allows her to break free from her normal self... causing immense chaos in the process! Luckily for Tsubasa, Koyomi will do anything to help a friend and he sets forth on a mission to return her to normal by any means necessary, leading to an unforgettable Golden Week.
Oh Nekomonogatari why do you piss me off so? But let's get back to the beginning. A few years back, my friend lent me his copy of Bakemonogatari singing all kinds of praise about the series. I have to admit I was kind of curious because it was made by studio Shaft and the main character was voiced by Kamiya Hiroshi who did so well in the Sayonara Zetsubou Sensei series. I've watched the first 2 episodes and though "That was kind of cool, but pointlessly erotic.", but upon reaching the third episode I found myself bored with all the talking. After that I just skimmed through the rest of the episodes and confirmed that there is even more talking and questionable content there, so based on that I decided to drop the series. My anime tastes did change a bit over the time and I decided to give the Bakemonogatari series one more chance, though rather than starting with the first released series, I decided to go for the first series in chronological order that was released, namely Nekomonogatari. Was it good? I guess it was in a way, because I did enjoy watching the thing, but at the same time the series made me feel annoyed. There are 3 main elements that I found annoying. First of all are the dialogues. I know that clever dialogues are suppose to be the selling point of the series and the authors try really hard to make them clever, yet they don't feel clever to me. I enjoyed some dialogue driven series before like Spice and Wolf and The Melancholy of Suzumiya Haruhi (though in case of that series it was more about the sarcastic monologues of the male lead), but the dialogues in the Bakemonogatari series don't seem to work (at least for me). Another annoying element is the animation. I'm not saying it's bad, in fact it's very good, but the pseudo-artistic style cultivated by studio Shaft is starting to get on my nerves. When they introduced it in Sayonara Zetsubou Sensei it was all the rage and it really fit the absurd and style of the series. However as the studio started producing more series, the style, which they felt the urge to incorporate in every single one of them, it simply started getting old. So what is wrong with that, you may ask? Anything and everything can happen on the screen at any given time. Characters may have the most boring conversation ever, but will be shown using bizarre camera angles, boards containing nonsense and non-nonsense text will appear for a fraction of a second and you won't be able to read them unless you pause the playback, drastic changes in animation style happen out of blue etc. Similar effects are also often applied to sound, for instance one of the characters will be filtered to sound low quality for no apparent reason while everyone else will sound normal. After a while it becomes tiresome to watch and distracts you from the supposedly clever dialogues. The worlds shown in Shaft anime can also be tiresome. We have some abstract location existing in an abstract space and there we have the characters talking with one another. The problem is, those locations are very empty, there is not another soul there and it feels very unnatural. It's really annoying if you are familiar with the source material, which most often doesn't resemble this style (though I'm not familiar with the Bakemonogatari source material). The last annoying element is an easy one to figure out. As I mentioned before, the Bakemonogatari series (at least in the anime version) is pointlessly erotic. If all the random stuff happening on the screen didn't distract you from the dialogues, the fanservice might do the job. As weird as it may sound, I wouldn't really associate the word "erotic" with fanservice and ecchi, yet it's the word that describes very well what Bakemonogatari (or in this particualr case Nekomonogatari) has to offer in that department. End of rant.
Nekomonogatari (Kuro) o (Black) es una serie de 4 ovas que funciona como ¿precuela/secuela? Algo así. La historia nos ubica antes de los hechos acontecidos en Bakemonogatari, las 4 ovas abarcaran a Hanekawa y su familia, narrando lo eventos ocurridos durante la “Golden Week”. Con esta serie de ovas volvemos al estilo ya visto en Bakemonogatari, ósea, densos diálogos aderezados con piquetes de fanservice (Esta vez hay mucho, MUCHO, menos que lo visto en Nisemonogatari gracias a la vida) ofreciendo momentos brillantes, fuertemente argumentados y ensanchando y desvelando más sobre este peculiar mundo. También volvemos a encontrarnos con escenas violentas, casi gore, porque de verdad la escena de la pelea es bastante hardcore. Que dicho sea de paso tampoco es que es una pelea sublime, no es algo que este anime acostumbre a enfocarse. Si hablamos de su animación no es algo que sobresalga más allá de lo mostrado, pero sigue manteniendo un alto standard en él, su música aquí cobra menos peso que en las pasadas entregas, sin embargo cuenta con un opening y ending muy bien ejecutados. En su historia como ya dije, gana mucho, pues sus personajes siguen ensanchándose y se siguen desvelando más datos de eventos pasados; en especial sobre lo acontecido con Hanekawa que a este punto creo que arrastra bastantes fans, y no es para menos, pues su historia es la más jodida, cruel, y triste de todas las protagonistas. Nekomonogatari (Kuro) es a resumidas cuentas un simple complemento más al mundo argumental de la serie Monogatari, que dicho sea de paso ese es el nombre que lleva su próximo anime, en el que abarcara a un más novelas, pero esta vez ubicadas donde lo dejamos en Nisemonogatari.
I feel the art direction tries to go back to what the first season had to offer, it's a little bit more creative and indepth than the second season but not quite a stunning as the first season. The season is pretty dark and a prequel to season one, highlighting the life of a young student who lives in a large house with her family but who don't consider her to be part of it and also don't want to give her a room to call her own. She keeps putting on a fake smile and even defends her parents after being slapped around. Due to all the stress, she becomes a cat spirit that 'just wants to have fun'. Koyomi is worried about his friend and tries to help her. What's interesting is that Koyomi goes through a strugle himself in the season where he's not sure if he loves Hanekawa or not but we know that a day later he falls inlove with Senjogahara after catching her from the staircase scene the season ends on. The relationship between Shinobu and Koyomi is explained a little bit which is something they don't really touch on in the first season but do explore more in the second season.
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