Monogatari Series: Second Season

TV (26 eps)
4.348 out of 5 from 11,076 votes
Rank #94

The bee apparition is now gone, and summer vacation where the phoenix apparition averted harm is over-- Around Koyomi Araragi and the girls who started a new trimester, apparitions, or perhaps threats even worse, were creeping in ever closer. Tsubasa Hanekawa, Mayoi Hachikuji, Suruga Kanbaru, Nadeko Sengoku, Shinobu Oshino, and Hitagi Senjyogahara. Their soliloquies, confessions – and farewells.

Source: Crunchyroll

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There's really only one reason why you should watch Monogatari Series: Second Season (Monogatari II). Figure 1: Mai waifu In all seriousness, Monogatari II has catapulted the franchise to new heights in terms of its legacy as a post-modern anime. In my opinion, Bakemonogatari on its own was simply an intriguing experiment, an anime that featured unique animation, a quirky set of characters, and way too much dialogue for its own good. I thought it was about on par with other experimental anime such as Cat Soup or FLCL, which, while very good, seemed too inconsistent to place among my favorite anime of all time. Monogatari II, on the other hand, brings a consistency in quality that its predecessor did not. Having a much bigger budget due to the success of the previous series and a certain magical girl franchise doesn't hurt either. The animation is a step up even from the improvements of the side stories Nisemonogatari and Nekomonogatari. There is a definitive identity to the animation, which seem to take its influences from western modern art as well as Akiyuki Shinbo's personal style. However, the anime continues to experiment with its cinematography, providing angles to shots and stylizing settings like I've never seen before (sometimes for fanservice but usually not). And of course, it doesn't run out of budget at the end, which makes the finale of the series a spectacularly fun watch. It's not my favorite style of animation ever, and it's certainly not for everyone, but I can't deny its creativity. Figure 2: Mai waifu The consistent quality that Monogatari II brings is with the story arcs and the development of the characters. The characters that we know and love already are given a chance to grow and show a more rounded side of themselves. Some characters narrate their own arcs, which allows for a more intimate connection with them. However, not all the characters who tell the stories are heroes. In the final arc with Kaiki, who has grown to be one of my favorite villain/anti-heroes I've ever seen in anime, he flat out admits that he's unreliable, and plays games with the viewer as you try to guess just how genuine his intentions are. No character is acting completely morally; most realize that even if they are firm in their principles, sometimes their principles are wrong and they have to change. Other times they have to weigh whether or not abiding by their principles is worth missing an opportunity for some other gain. Still again there are stories that involve characters having to choose between two seemingly equally valuable principles. These are all tropes that have obviously been explored before in media, but I hardly see them tackled with this level of detail (and dare I say maturity) in anime, and the Monogatari series does have its own lessons to teach on the human condition. Figure 3: Mai waifu I would love to go into detail about why I enjoyed each and every decision regarding character development in this anime, but it can really be summarized in two ideas. The writing of the second season makes the characters you love even more lovable and turns the characters you hate into characters you love. Since the anime is 26 episodes (minus a few for recaps), the pace doesn't seem rushed, and since the arcs are focused on a certain character's story, the pace doesn't drag at all. The all star cast of seiyus put on their best show yet. Chiwa Saito, Maaya Sakamoto, Yui Horie, Emiri Katou, and Kana Hanazawa are absolutely superb (seriously, look at their pages, these people are all-star veterans of the industry and it shows). When the script calls for a big emotional moment, they deliver, but they also do an excellent job of just speaking the normal dialogue (which, again, there's a lot of) while maintaining their characters. Figure 4: Mai waifu After all my gushing, what could possibly be wrong with this anime? Two major things come to mind. First, Araragi seems to be left behind by the character development train (so does Kanbaru, but she's getting her own arc soon in an OVA so that's excusable). As a lead character in the series, he seems relatively weak compared to in the previous season and spin offs. He spends significant portions of the series off screen and in those arcs where he just has to show up at the last minute, it's more of a disappointment than anything. One should expect more from the lead male character, especially after the new role he assumed at the end of the previous season. To be fair, this did allow for more focus on the other characters, but I was disappointed with how Araragi developed during the screen time he had. Second, the story can be all over the place at times. While each arc definitely has its focus, there are moments that seem to have no context, characters introduced that seem out of sequence, and of course, plenty of things that happen and were never explained. I presume a lot of this is due to the asequential format of the Monogatari series, but there were many holes left at the end of the season (hopefully indicating a season 3, especially by the ending) which blemish the storytelling. I would call the Monogatari series the “Clannad After Story” of the franchise. It knew how to take advantage of already established characters. It improved the anime overall in almost every area. I'd go so far as to say that it makes watching the first series worth it for those who didn't really love the first season. Sure, if you can't get past its overall style Monogatari II isn't going to give you something completely different, but it realizes the potential that I believe the first season was trying to reach. Figure 5: Mai Waifu


This season is a bit darker than the last few seasons in my opinion, the action does feel slower but the face to face conversations are more intense which shows how much the characters care for each other and the situations they're in. The story arcs are focussed on envious apparitions and also what negative impact changing the past can have. The dialogue in the first story arc between Tsubasa Hanekawa and Hitagi Senjyogahara is pretty brutal but amazing at the same time, where Senjyogahara analyzes everything Hanekawa does while Senjyogahara also took Hanekawa into her home after Hanekawa's home got burned to the ground. The same goes for the dialogue between Koyomi's sister Karen and Nadeko Sengoku. Karen understands the feelings Nadeko Sengoku is struggling with but tells her that she can't just keep living the way she's living and takes a certain approach that doesn't allow Nadeko Sengoku to hide anymore. The time travel story arc turned from trying to help a friend into a dark situation and tries to teach Koyomi and Shinobu that messing with the past just ain't a good idea. The character development is insane, characters we got to enjoy as quiet characters are being pushed to the limit and I'm sure there is a lot more to come. The last few episodes are the end of a story arc relating to the Nadeko Sengoku arc from earlier in the season, told from mainly Deishuu Kaiki's perspective. Hitagi Senjyogahara's role is absolutely fucking amazing, she asks Deishuu Kaiki is he can help her to stop Nadeko Sengoku from killing her, Shinobu and Koyomi Araragi. I wasn't a fan of Kaiki when he was first introduced but this story arc developed 'm into a pretty interesting character. The ending was somewhat predictable but it did feel really out of place. Almost like a tribute to another anime that I saw not too long ago. Overall, the whole season was pretty dark with some amazing character development and some really silly but funny moments.

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