After robbing a casino and finding out the entire take was counterfeit, Lupin and Jigen are off to the duchy of Cagliostro to find the source of this trickery, and to stop it. Upon arrival, the two become entangled in a car chase between a woman in a wedding dress and several men in a black car. Before she is kidnapped, this woman passes off a ring to Lupin, a ring that sparks his interest more than counterfeit money ever could. Unfortunately for Lupin it also grabs the attention of those who want the ring back, and would kill him for it in a heartbeat.
StoryI am about to speak heresy. Ready? Here goes. I didn’t warm to Spirited Away. Yes, yes, string me up, burn me at the stake and so forth, but there’s only so much meandering whimsy I can take before the cynic in me starts to square up in protest. I just don’t enjoy being whisked away on childish flights of fancy like I used to; I crave heavy characterisation, sombre plotting, stuff that plays hockey with my intuitions in an irreverent style. In fact, after Spirited Away, I mutinied and crowned Satoshi Kon as the new overlord of my anime universe. Nevertheless, having stumbled across Lupin III: Castle of Cagliostro, I find myself once again bedazzled by Miyazaki’s magic. As his first attempt to direct a feature film (preceding his founding of Studio Ghibli), Castle of Cagliostro is a rare chance to judge how far this seminal animator has come and to witness some of the traits he’s left behind. Much of the world looks recognisably fanciful as bubble cars drive up walls and the toy-like autogyros rattle across a backdrop of oddly-proportioned towers. Furthermore, this movie evidences the same incredible attention to detail in backgrounds and characterisation that newer fans will be used to. However, Castle of Cagliostro is also part of an ongoing franchise; thus the slapstick sketches and crime-oriented sequences carried from the Lupin III series feature strongly in the mix. Prepare for car chases, explosions, gun fights, zany gizmos, subterfuge, and convenient trap doors all vigorously stirred into a heady action-adventure that’s closer to Inspector Gadget than Princess Mononoke. All these things aside, the story retains a meaty heart and never sacrifices depth or subtlety for cheap gags. There is still the tragic injustice of Princess Clarisse’s imprisonment; Lupin also displays an innate sense of fairness and a touching (if – as fans of the series argue – uncharacteristic) pure love towards Clarisse. At no time are these themes warmer than at their second meeting in her bedroom, when Lupin’s manner of comfort evokes not just hearty giggles but a stark appreciation of her joyless existence until that point. With such smart and funny writing at its core, emotionally connecting with the frenetic narrative becomes as easy as stealing candy from a Count.AnimationWhile the characters look basic, the fluidity of movement and the detail in the backgrounds more than hint at the quality we now expect from Miyazaki. Particularly the action in this show still has the power to wow a modern audience. Take the sequence during which Lupin leaps from roof to roof on a moonlit night – note the stunning detail in light and shadow, the perfect comic timing of his limbs, the creative camera angles to add a touch of vertigo. This enshrines Castle of Cagliostro as a paragon rather than a victim of its age.SoundCastle of Cagliostro offers a classic, jazzy soundtrack much like a lot of Hollywood features of that era; it’s effective in the moment but rather generic to the Western ear. The audio shines, however, once the characters open their mouths. The late Yasuo Yamada (Lupin III, Dr Slump) brings a compelling dichotomy to Lupin’s personality – his voice takes on a high-pitched rasp when portraying the silly, cartoony Lupin, and a smooth tenor when showing the character’s suave side. The voice actors for the sardonic spy Lady Fujiko and the callous Count Cagliostro also deliver sparkling performances. In a shocking twist, Manga’s American dub turns out excellent too, delivering emotion almost as effectively as the original; for those who dislike reading subtitles, this will be a welcome reprieve from the usual vocal blunders. My only quarrel is with the addition of profanity in the American dub, which, although not terribly offensive to a young twenty-first century audience, still sounds unnatural amongst the otherwise family friendly dialogue.CharactersAfter robbing a casino and discovering the bills are fakes, the hunt for the origins of the counterfeits leads Lupin to steal an even greater treasure – a beautiful princess. The moral problem is that he’s a thief and thieves aren’t generally admirable kinds of people. The practical solution is to make the princess want to be whisked from her terrible circumstances, meaning his act is not theft but rescue. Couple that gallant act with oodles of charisma and Miyazaki’s incarnation of Lupin III represents one of anime’s most unlikely and most successful heroes. One memorable scene has the evil Count open a trapdoor beneath Lupin’s feet, causing him to fall into the tunnel beneath. Lupin’s expression never changes from a self-satisfied smirk even during his fall – heck, I don’t think he takes his hands out of his pockets. Now, if hurtling a hundred feet into an abyss with God knows what in it doesn’t make you flinch, you’re either insane, courageous, or both. Anime fans will adore him. Clarisse, whilst secondary in importance only to Lupin, is passively so; her role satisfies the story’s need for a brave, feeble damsel in distress but nothing more. Rather, coming second place for most enjoyable performance, Count Cagliostro, a stony-faced brute, is a man who steps down from his autogyro using his servants as footstools. He’s so dastardly, so insidious and creepy, that his interactions with fragile Clarisse turn my stomach. Although one-dimensional when compared to Miyazaki’s more recent antagonists such as Lady Eboshi, the Count’s outstanding scripting and Japanese voice acting ensure he remains grippingly hateful.OverallCastle of Cagliostro reminds me why I fell in love with Miyazaki’s work all those years ago. A tour de force even by his standards, it brings to life an exciting, heart-warming tale that defies its age and glows with old school charm. No doubt it will thrill a wide spectrum of viewers, from connoisseurs of comedy to those wanting a nostalgic treat without sacrificing excellent visuals. Unfortunately, Miyazaki is too busy winning Oscars to create further slapstick films of this calibre so grab your copy while you can.
First of all, I would like to say I lied in my watch count. I have not watched this 7 times. I've watched this 7 times since I've started counting, but I watched it a lot more when I was younger! This movie is a great stand alone, I've never seen the series it's attached to or any other movies related to Lupin III, but this film does a great job explaining things just by showing. Characters you instantly feel for, solid art for the time, lots of emotion, and great laughs! I wouldn't tag this seinen, because it's seriously for all ages, male or female. I typically shy away from seinen because that tends to be gross wish-fullillment stuff for old guys? I've learned my lesson there, lol, but this is a classic. I would happily recommend this to anyone just looking for a good film. I find new details I missed almost every time I watch it, but that might just be a comment on how observant I am (not) and all... Without spoiling the movie, there's not a whole lot I can say, but. If you're looking for a cute, but not overly cliche whirlwind adventure to last you a little bit, please take the time to watch this. You won't regret it!
Fluid animation and a distinctly dated sense of style are ruined by a poor story. Lupin III sounds like a fun adventure: a set of highly trained thieves led by Lupin, a master thief with a heart of gold, invade a small nation state to steal the blue prints for the best counterfeit money ever made. The Cagliostro family has influenced world finance for hundreds of years and the current count will do anything to unlock the mysterious treasure of Cagliostro. Lupin and friends try to save a princess, there is a cat burglar named Fujiko, the International Police led by investigator Zenigata comes in to arrest Lupin and bust the Count of the small nation state. Improbable adventures ensue! The style of Lupin III is a goofy 1970s impression of James Bond with emphasis on the improbable achievements of the cast. Characters pull the right gadget out of nowhere, they will make jumps and survive damage that would kill anyone a hundred times over. I’m not a fan of spy/thief fiction, but I was excited to watch this because renowned director/animator Hayato Miyazaki of Studio Ghibli directed this movie. I was a fool to expect much from this movie… My problem with any spy/thief story is that most of them are illogical and expect the audience to go with the story without thinking at all. My favorite stories can captivate me regardless of how poorly written or illogical they can be. Cagliostro’s problem is that the script is boring. The movie assumes that the audience is familiar with the cast and their relationships, because this movie does nothing to establish any of the characters. Their personalities are easily read, but this is a poor movie to introduce anyone to Lupin III. The characters are shallow, the jokes are excessive and grow irritating, the story is convoluted without setting a rhythm and the pacing is leaden. I should not be watching a ridiculous action scene and want to take a nap. I can see why people think this movie is fun, but this is a very forced sort of fun. Don’t expect much of Lupin III: Castle of Cagliostro and you’ll probably enjoy it. I’ll be moving on and probably forgetting that this movie exists.
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