Legend of the Galactic Heroes is a retelling of Yoshiki Tanaka’s beloved science fiction novels of the same name. While many may remember the anime from the late 80’s-90’s, Die Neue These attempts to set itself apart with modern animation and a new format; the bulk of the story will be released in theatres as a film series. This season serves as a prologue, and focuses on the ascension and development of two brilliantly opposed protagonists. By telling both sides of the story, LotGH provides an in-depth study of the different types of characters and scenarios that have influenced the history of war itself. It has the feel of a classic war film and the look of a space opera, but at its heart it is a historical epic.
Yoshiki Tanaka (also the author of The Legend of Arslan) is an avid history wonk. He has a wide-ranging knowledge of conflict across the ages, and he focuses on how poor management influences the course of battle and compounds the tragedies of war. The two protagonists, both genius strategists, take out lesser characters with an ease that can stretch believability; but every battle in the series is inspired by true events, and many of the characters are reimagined generals and conquerors. Like any war film, a good amount of time is devoted to battle and strategy, which can be a bit of a slog for anyone not interested in great military endeavors. However, an equal portion of the series is focused on political maneuvers and character development. This combination leads to a somber look at human affairs with little to no humor or unnecessary feels.
Absolutely no expense was spared in the making of this series, and that includes hiring an all-star cast of well-known seiyuu. Reinhard, the protagonist most closely resembling Alexander the Great, is voiced by Mamoru Miyano (Light from Death Note and Tamaki from Ouran), while his counterpart Wen-Li is Kenichi Suzumura (Naruto’s Kakashi and Sougo from Gintama). The rest of the cast is no less impressive, as most of them have extensive credits to their name. It is not unlike an American mega-project filled with famous cameos and special appearances. The soundtrack, featuring the composer from Attack on Titan, is generally beautiful and gives the show a solid and well-rounded sound.
Perhaps the most spectacular feature of Die Neue These is the art, which uses a blend of classic and computerized animation. While the mixture may seem jarring at first, the end result is a stunning visual display. Landscapes that are only viewed for a few seconds contain millions of minor details, and the space battles are dazzling but not overwhelming. However, what really makes the scenery so enchanting is the lighting, which is almost always used to the maximum effect.
The brilliance in animation carries over to the incredibly large cast of characters, each one with unique facial features and expressions. Reinhard and Wen-Li are both likeable and easy to route for, and the audience is not forced to agree with all of their decisions or choose one over the other. Some of the smaller parts can come off as caricatures, if only because so little time is devoted to them, but the main players and extensive ensemble of secondary characters are multi-dimensional and deeply relatable. On top of that, a number of different ethnicities and body types are represented without prejudice. The world looks and feels diverse, especially because every face has its own distinctive features.
Unfortunately, as a stand-alone piece, the season’s plot is somewhat lacking. Though designed as a prologue for the films to come, it concludes on a cliffhanger that is rather unjustifiable for the end of a series. The ensemble and scenarios that have been put in place promise for some excellent movies, but make this season feel like the first few chapters of an otherwise lengthy book (which it likely is). You might want to wait for the movie’s release before you dive into Die Neue These, but it is a rewarding experience overall.