In the spring of 2010, Kimi ni Todoke charmed many viewers with its floral visuals and stunning performance by Mamiko Noto as Sawako Kuronuma. Like a rarefied picture of high school romance, the series drew out the bittersweet anticipation that comes from not knowing how your crush feels about you, and turned it into a kind of delightful torture--for viewers who were into that kind of thing. Sadly, the second season didn't understand that a heart (and attention span) can only handle so much tension and tried to cram in too many extra episodes before giving us sweet, sweet resolution.
As season two gets underway Sawako seems in a good place. She’s gone on a date with the ever-cheerful and quick-to-blush Kazehaya and seems to have weathered the machinations of Kurumi. So, the stage SHOULD be set for sloppy make-outs and episode after episode of gooey fawning, right? Not really. Instead of trudging forward and exploring a developing relationship, Kimi ni Todoke Season 2 backpedals from the first installment, retreating into the same painful pattern of misunderstandings that shaped the prequel. As a result, the first half of this series plays out in a painful exercise of “been there, done that” that seriously stretches Sawako’s credibility as a character.
Luckily, as time grows short near the end, the best parts of the cast (no, Kent, you are not included in that group) press the two leads towards the conclusion for which all of us have been waiting. These final episodes capture the hand-wringing anticipation of high school romance and showcase the nuggets of sincerity hiding underneath the overblown melodrama. In the end, however, the show drags out too little content to be worthy of its twelve episode run, regardless of the warm feelings that Kimi ni Todoke brings forth.
Production I.G.’s sparkles are back in force as the second season makes use of the same decorative flowers, bubbles, and stills to highlight key emotional moments. The vivid color palette and detailed school backgrounds also return, all of which make this series easy on the eyes. Lastly, charming shifts between chibi and realistic characters once again forms the cornerstone of the show's humor and helps the animation retain a manga-seque senseibility
In a small twist, this show seems to feature more silhouette shots than its prequel, which draws attention to the characters' odd appearances. Their small, smooth noses and bulbous lips conjure the appearance of humanoid dinosaurs (I didn't believe it until I saw it, but look for yourself).
Once again, Mamiko Noto animates Sawako through an extremely nimble performance that anchors the cast. Sliding from saccharine highs to throaty lows suits the wild emotions of the series just fine and ensures that even as her character development stalls a touch, the show’s lead remains entertaining. Following Noto-san’s, example, the rest of the cast delivers in the same strong turns that set them apart last season.
"Sawakaze"--the opening theme--conjures the same intimate kindness of the first season's opening and the fits--despite it's electric instrumentation--with the collection of piano-based incidental music that adorns the each episode. The simple themes suit the pastel visuals well, conjuring a sense of idyllic high school life. Sadly, the ending, which is named after the series, feels a bit too stuffed with schmaltz. While this sits with the show's melodrama, it lacks the endearing sincerity of the prequel's ending number.
Sawako remains much the social cripple and Kazehaya the insecure nice boy. These roles worked fine in the first season, but threaten to flatten the leads when they’re locked in their holding patterns in regard to each other. While the protagonist does learn from Kurumi's machinations that she has a group of sincere and steadfast friends, she remains overly concerned with Kazehaya's reputation and continues to clam up in the face of misunderstandings. This character trait serves as the entire force behind the plot, but that seems a weak excuse when viewers are treated to an indentical set of anxieties in this show as what we saw before.
As a result, it falls once again to the antagonist to create some sparks and forward motion. Kurumi spices up the proceedings in season one, and her scheming pushes Sawako to examine her feelings for Kazehaya. After her confession, the blonde rival slides into the background requiring this season to produce a new catalyst in the form of Kento Miura. Where his predecessor has an solid motive, considerable cunning, and the delicious voice of Aya Hirano, Kent relies heavily on whimsy and mystery. Not a terribly strong combination. Since he lacks malice and refuses to reveal any goals whatsoever, his actions never rise above annoying meddling. The kind of hatred he inspires comes from his underlying uselessness instead of anger at any deliberate harm he does to Sawako. In this case, a deep snow or power outage would have proven a more compelling villain.
Thankfully, everyone else knows how to dance the dance, acting in the second season like a group of sophomores returning to school (see what I did there?). Chizuru and Pin, in particular inhabit their skins comfortably, blundering into the right or wrong actions with such unflappable confidence as to further endear them to the viewer. These developments act as salve against the painful possibility of stagnation that looms when Sawako ties herself up in knots about whether she can be more than friends with her crush.
Kimi ni Todoke Season Two still manages to delight the ears and eyes but overstays its welcome. By dragging out its meager plot allotment longer than believable and trying to make a villain out of a decidedly vanilla antagonist, this installment tarnishes much of the magic so adeptly conjured by the prequel.
This was a well executed 'girl and boy fall in love and get together' anime.
My only complaint is that they turned a 9 episode anime into a 12 episode anime (thats just considering the 2nd season, but I think the first season is about the same way). Its very slow paced, more so than I think it needs to be for the type of anime it is. I know that its suppose to be generally slow paced since its a romance story with heartfelt moments. I just think they abuse it in an attempt to prolong the anime.
Some things to note:
A) This anime is not filled with ecchi. (YAY!!!) This means that they dont have to substitute ecchi in for their terrible story and characters.
B) Its light hearted with very little violence. It doesnt have high strunged little whiney bitches every other scene.
C) I found myself screaming at the indecisiveness of the characters, but i learned to appreciate the humor of it and just sit back and called them names during the long sparkly scenes... like "baka" and... "dum hoe"... etc
I think this anime would appeal more to females; however, i think anyone can watch and enjoy it. For the record... I am a male and im not gay. I thought at one point in time... I would like to have a gf that i could watch stuff like this with. Then again, i would like to have a gf to watch death note or code geass with too. lol! peace you people.
When I watched the first season I fell in love with it so I decided to watch the second season, still in love with this anime the main character love story drags out for a long time some people might get bored of it cause it drags out for a long time but once you reach the last few episode, you will really feel that it was worth it especially the end they bring you so close to the character that you start to understand how they feel and why they react the way they do, this love story is easily one of my favourite romance anime of all time(clannad, angle beats and sword arts online being my top 3 romance animes) i recommend this anime highly if you love or just getting into romance anime
I enjoyed the second season more than the first one but I still feel it was too slowed paced for my liking. Despite that, I still loved the characters and the humor of the anime!
I think it is something powerful about loving someone for who they really are. The fact that the main character is bullied is something than many can relate to including myself. Thus, I could not help but shared some of the feelings and be happy for the happy ending.
As many animes that are abstract and artzy, it is frustratingly hard to put into words the flood of emotions that a viewer experiences. I'll give it my best:
Heart-warming is the best way to describe the story. It takes things slow allowing the viewer to appreciate the smallest details and tender tale of youthful innocence. Some might argue that the slow pace drags Kimi ni Todoke out. However, I for one think that this is one of the things that make this anime so special and a delight to watch. A scene from Kimi can have so much symbolism and meaning behind every little movement and detail that everytime a viewer watches it, they discover something new. The simplicity of its story is a virtue.
One of the major complaints of the first season is that not enough attention was focused on the two protogonist Sawako and Shota. I am delighted to report that the second season concentrates on nothing but developing these two characters and their relationship.
The last episode was particularly well done, and it left few loose ends. The very last line of the last episode was a masterstroke that completely drew everything from these past two seasons together in about 10 words. I know it sounds weird, but if you pay attention for it, you'll know what I'm talking about.
The animation is similar to the first season with lots of colors and a distinctively different style from strictly mainstream. The character models are unique and interesting with extra large mouths to display more emotions. Lots of still images that added to the affect. I can't describe it better then calling it slightly artzy and surreal.
I have cared little for sound. I don't listen to music. Don't own an ipod. Never bought a cd player for anything other than a computer in my life.
Despite this, I am enthralled by the sound and the excellent use of music in cementing the mood of important moments. Opening and ending are quite excellent. Kimi is the first anime in a long time I haven't skipped through them. Japanese voice acting was superb.
Any fan of the romance genre will tell you that characters are by far the most important aspect of a romance anime. Kimi ni Todoke has a solid lineup of some great characters and interpersonal relationships.
Everything has revolved around Sawako and Shota. There character growth, and their gradual acceptance of their own feelings is amazing to watch. Nothing is rushed giving the viewer ample time to saver the exact moments when the two make a breakthrough in comprending their own emotions. There relationship is just as much about discovering themselves as well as growing closer together.
While the other important characters are more or less sidelined, they still are expertly used in a supportive role and provide incite for the benefit of the main couple as well as the viewers.
Leave the weaker segments of season 1 behind (Ryu and Chizuru arc), add an extra dose of character development, and you get Kimi ni Todoke season 2. Things are slow, so if you can't stand slowpace animes look elsewhere. However, I find its intense and virtually exclusive focus on the relationship of two people a nice change from typical explosions and 300 characters seen in anime produced these days. I really want a third season due to how good this season is, but I'm worried that they might have peaked here as there is a very satisfactory conclusion.
Bakuman is the only other series from this past year that could match up to this in sheer overall quality. While I have raved about how good Bakuman has been, calling it the best show of the year, I'm not so sure now. Kimi ni Todoke Season 2 could give it a run for its money. This anime has made me feel good after every watched episode. How many animes do you know can do that?