Hyouka

TV (22 eps)
4.036 out of 5 from 24,711 votes
Rank #852

"If I don't have to do it, I won't. If I do have to do it, make it quick," is the basic principle by which energy conservationist Houtarou Oreki lives. But after his sister convinces him to join the Classics Club, Houtarou's life is turned upside down when he meets Chitanda, a perpetually-inquisitive girl who challenges the boy's easygoing existence. Intrigued by the slightest hint of a mystery afoot, Chitanda doesn't hesitate to pester the reluctant yet highly analytical Houtarou into satisfying her curiosity at every turn, no matter how small the problem. Alongside fellow members Satoshi and Ibara, the group tackles cases ranging from a self-locking classroom door, a strangely-popular library book, and even the shadowy history of the very club to which they belong!

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Reviews

LindLTailor
5

Well, it tried, I'll give it that.Hyouka, also known as "Hyou-ka: You Can't Escape" (a title that basically means nothing) is the latest series by acclaimed studio Kyoto Animation, who, despite their huge fanbase, generally produce work of more style than substance. Hyouka unfortunately follows this trend, though superficially it doesn't fit in with the rest of KyoAni's back catalogue very much. Hyouka is generally very dry in tone... which pairs up somewhat poorly with KyoAni's signature over-the-top style.Hyouka is a mystery series, revolving around four high school students in the Classic Literature Club (an aimless club that happens to end up solving mysteries a lot). The students in question are main character Oreki Houtaro, whom I am about 99% certain has some form of autism. He has zero interest in socialising, fun, or... well, anything. He deliberately tries to live life as uninterestingly as possible. This is hampered a bit by him being insanely gifted at solving mysteries. This gift goes untapped until he meets Chitanda Eru, a plucky, cheerful girl with an insatiable curiosity who refuses to let the even the smallest of mysteries go unsolved. They are joined by Satoshi Fukube, a cheerful happy-go-lucky human database simply full of useless facts who is seemingly Oreki's only friend prior to the series, and Mayaka Ibara, a library assistant who's known Oreki since childhood, who is probably the most level-headed member of the cast.Now, remember how I said Eru refused to let even the smallest of mysteries go unsolved? Well... that's the big problem Hyouka has. The mysteries really are the smallest of mysteries. Each and every one revolves around a very trivial subject, and just about all of them could have gone unsolved without any real problems. Something so down to earth could in theory have been a good idea, but unfortunately Hyouka doesn't really deliver. As a result, Hyouka is, in a word... dull. With the exceptions of one or two mysteries, Hyouka totally fails to be entertaining.But that isn't to say they didn't go the extra mile to make Hyouka more interesting. KyoAni's huge animation budget is flexed quite a bit. Random quirks in the presentation show up every now and then when Oreki is explaining his theories, sometimes in rather trippy fashion. The unusual techniques in the directing aren't limited to these, though. Hyouka plays around with angles and closeups a lot, to try and make every scene more dramatic.It doesn't work.While they occasionally spice up a scene a little bit, they really don't do much to save Hyouka from being very, very bland. And often, the harder they try, the worse it gets. It's most "dramatic" moments end up being, if anything, idiotic for how hard they're trying to sell something so insignificant.Directing techniques aren't the only thing in Hyouka intended to spice things up, though. Character-driven subplots are also involved. All of Hyouka's cast members are likeable, if nothing special... though Oreki's disinterest with everything can be irksome, and Chitanda can be more saccharine than cute sometimes. Romantic subplots flare up between the characters, as well as some mild feelings of envy from Fukube towards Oreki, and these would all help a lot more if it wasn't for the fact that all of this goes absolutely nowhere and amounts to nothing. Just like the directing techniques, it's an attempt to spice it up that at best is a mild amusement, usually falls flat, and at worst, is simply idiotic.With all that having been said, Hyouka is not bad. But it certainly is not good either. At the end of the day it is simply very average. But there are really much better wastes of your time out there than Hyouka.Final Words: For the biggest of mystery enthusiasts and diehard KyoAni fans only.Story/Plot: 5/10Characters: 5/10Animation/Art: 8/10Music: 5/10Acting: 7/10Overall: 5/10For Fans Of: UN-GO, Gosick

ThatAnimeSnob
5.5

In the late 2000s there was this weird explosion of a subgenre most didn’t care about. Anime with loli detectives begun to sprout like mushrooms all over the place as if all of a sudden they were the coolest brand new trend that every animation studio just HAD to be part of it. Here is the list: I.G.: Loups=GarousJ.C. Staff: Tantei Opera Milky Holmes, Heaven's Memo PadGainax: Dantalian Bones: Un-Go, GosickSilver Link: Tasogare Otome x Amnesia There was no indication for making anyone to assume such a thing would work, and not even one of them ended up being above average. After a few months of ridiculous hype most in the fandom didn’t care about them either. It’s as if a representative of every studio gathered around the same table and made a bet on who’s going to create the most unmemorable show. The last one who entered the competition was Kyoto Animation with Hyouka, and the thing we all know about that studio is that it attracts ronery virgins and pedos who are totally not into real girls with their K-On moe style. And yeah, these people are really watching Kyoani shows for the theme exploration and not for the cute girls doing cute whatever. Beyond the Boundary: I am totally watching this for the ghost huntingSound Euphonium: I am totally watching this for the musicDragon Maid: I am totally watching this for the dragons Violet Evergarden: I am totally watching this for people suffering from PTSD There is a third type of people attracted to these type of shows and those would be the sasugafags, people who only care about pretty colors and disregard everything else. Why do you think Demon Slayer won the anime of the decade award? For its amazing plot? It was the animation. Kyoani shows are known for that and they overall look much more detailed, lively, fluent, and cute than their contemporaries. Voice acting and music pieces are also good for what they aim to accomplish (making you feel fluffy inside). But in case you are looking for something out of the ordinary in terms of plot or themes, you are not going to find it here, because moe shows are comfort food for tired people who want to fall asleep after another day of exams, deadlines, school bullies, demanding teachers, nagging supervisors, gang shootouts, and insane otakus burning down your studio. You only get more of the same high schools and generic looking moe chicks that would you get everywhere else, and that’s the only thing you care about. And now that the basics are out of the way, let’s talk about really unimportant things, such as the detective aspect… in a detective show. You heard right, it’s completely unimportant although that what the show is supposed to be about, since the mystery cases are some of the dullest, first world nonsense you can imagine. Their seriousness is of the same level as “Why did the chicken cross the road” and the answers will always be something like “Because it saw a worm on the other side.” The only thing they do for making you give a damn is having the waifubait of the show looking at the camera with those huge starry eyes of hers and saying as if she’s talking to you “I really wanna know”. Even if there isn’t much to know, since it’s just a chicken crossing the road. The animators are just luring you in with moe and let the horny males to imagine she is asking them to answer where do babies come from. She is willing to use her body as a test subject, guys, show here how it’s done. Most of the duration is obviously spent on the slice of life aspect of the show, where you get to know the characters. It’s supposed to be motivational for making the viewer being more active with his life, since the main character is bored and uncaring and doesn’t want to do anything with his life. Until the dream pixie girl appears and spurs him to be part of activity clubs, and mysteries, and stuff no sane person wouldn’t be bored of after a couple of hours. The catch here is that the main waifubait is thrilled with how smart he is and can figure out the answers to bottom of the barrel mysteries, so she is constantly begging him to give her explanations. And after a lot of internal monologue that amounts to “You can’t say no when a cute girl is asking you to do favors for her”. Talk about patting a certain type of people on the back in a too obvious way. Are you an anti-social person, with a rosy but otherwise boring life? Someone who deep inside feels you are charismatic and cute girls should be very interested in you, even if you act like an uncaring person that would normally make everybody to be fed up with you? Then Hyouka is the show for you! Obviously the only thing that remains after the nonsense mysteries and the waifu begging you to do her favors, is what you learn about the characters as the episodes gradually flesh them out more and more by having a lot of internal monologues that dig deep into their psyches. The thing is there is very little psyche to dig into, as most of the show is just about carefree moments and the characters can be summed up in three lines at the most. You are not going to remember much once it’s over, especially if you watched Oregairu that does the exact same thing in a more memorable way. So ultimately, the show suffers from the same problem most moe anime suffer from. They don’t focus on something other than being cute, and as a result that is the only thing the audience remembers. There is not much of a plot, hardly any gripping mysteries, and the characterization is fairly basic. The moment the next moe show comes your way, it won’t be hard to get over Hyouka. With that said, as far as loli detective shows are concerned, a subgenre nobody ever cared about, it’s the best of the lot. There is no magic or fringe technology that would make the solution to a mystery nonsensical. The missions are not murder cases solved in 10 minutes and treated like nothing much has happened. The mysteries are also a light excuse for the characters to do something, open up to one another, and it gives them a goal other than studying for school and growing old without doing anything with their lives. It does it in very subtle and eventually superficial ways, yet it’s still more than what the other loli detective shows were doing. Thus Hyouka is the best of the worst in a fad that came, left, and nobody gave a damn.

Howlorihara
8.5

There is something genuinely shocking to me about how highly I think of this anime.  I stumbled upon it believing it would be fun for a couple of laughs.  Yet, I feel like I have actually stumbled onto one of my favorite animes this year.   The story begins with Houtarou, a boy with no other purpose in life but to conserve energy.  He eventually ends up joining the "Classics club", and meeting Chitanda, a girl so fascinated with all of life’s mysteries that Houtarou ends up having to find an answer to all of her curiosities.  At first, I thought this story would be a watered down Sherlock Holmes.  It's a bunch of high school kids solving small time mysteries.  Yet, as the episodes go along I found myself drawn into these little mysteries.  They don't have to over sell themselves.  These high school kids aren't trying to find a murderer or save the world from certain destruction.  They’re solving mysteries in their school, their community, their families etc.  These feel like realistic every day mysteries that most people often ignore, accepting that these little inconsistencies are just part of life.  This show has brought out the charm in the mundane. The animation snuck up on me with the realization of how brilliant it is.  The settings and characters are average normal places and people.  On the surface they may not seem like much.  However, the amazing amount of detail put into the animation is astounding.  I rarely see animation where the animators bother to have a character change gears on his bike, let alone let the audience see the inner mechanisms of the bike reacting to the gear shift.  In another episode, the lighting changed slightly due to the setting of the sun.  Yet it changed everything about the scene.  The characters all of a sudden seemed to glow with an inner light and it changed the focus of the whole scene.  I am an art major and I have done some animating before.  It has made me realize that simple things like light changes can actually be a pretty major undertaking as well as animating the small details that most people don't notice.  Ultimately, most animators let the little things go by the way side because it’s too much effort to animate that little change in the sun, the boy changing his pencil lead, that little reflection off the window etc.  However, this anime has taken great care to animate the small actions that most take for granted.  Once again, even in the animation the creators are elevating the mundane to something almost glamorous. The voice acting is pretty wonderful in my opinion.  Each character feels distinctive to me without feeling overworked.  Anime, for me, is usually like taking the amp on real life and cranking it up to 10.  This anime doesn't do that.  It scales everything back and settles you into this world.  I feel like the voices do that really well as well as the music.  It doesn't call a lot of unnecessary attention to itself and really blends well with the scene as a whole. The characters really grew on me.  In the beginning, the characters appeared very one dimensional and stayed that way for the first few episodes.  I had resigned myself to the characters being mediocre until they started to change.  Their personalities begin to alter in small ways that some may not notice.  However, I pay special attention to characterization so it really stuck out to me.  Now that I have finished the series, I actually went back and watched the first episode over again just to see how much the protagonist had grown.  Ultimately, this is a story of a boy who is coming to understand that he has a gift.  He has denied any sort of skill whatsoever so seeing him learn more about his own talent is actually pretty fascinating.  This is one of my favorite aspects of the series; its choice of main character.  Houtarou is very introverted and chooses not to talk to other characters about himself.  Yet, he is likeable enough that other characters end up talking more, which makes potentially boring characters more interesting.  However, since he is the main character, we also have access to his inner thoughts, giving us a deeper understanding of his character than the people around him.  Chitanda's character needed some work.  She spends a vast majority of the series feeling more like a plot device to cause drama within the story.  She is the one who, a majority of the time, forces the other characters to solve the mystery by harassing them into it.  She actually does get a lot more depth to her character, but only in the last episode.  If they had started bringing out these plot threads in the 6th or 7th episode I would have probably loved her character.  As it is, I dealt with over 20 episodes of this character and the addition of actual depth came far too late.  I am incredibly fascinated with the relationship between Houtarou and Satoshi.  The creators did an excellent job of developing a straining friendship and what it actually feels like.  Ultimately, I don't love Satoshi's character by himself.  The only part of his character that comes out in other scenes tends to be that he is an encyclopedia of facts and that he is outgoing and generally pretty positive.  But as soon as he is put in a scene with Houtarou, it becomes truely fascinating.  Houtarou simultaneously brings out the best and worst of this character, which made me absolutely love any interaction between them. I will admit that this is not a typical anime and I can see how some people would call it boring.  There are no fight scenes.  There is no melodrama.  There aren't any villains... or heros for that matter.  What this anime does have is an appreciation for real life.  It reminds me of the days when a gust of wind will blow by and I will stop walking out of sheer joy to feel it across my face.  Like I said before, this anime appreciates normal life and focuses on everything we stopped paying attention to because we saw it every day.  This anime is perfectly summed up by Chitanda's catch phrase "I am curious!"

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