Hikaru no Go - Reviews

vivafruit's avatar
May 2, 2007


If Hikaru no Go is to be credited for anything, it would be for practically teaching me the definition of a love-hate relationship. No other anime has been more successful at making me hate the show while simultaneously making me watch more of it. Hikaru no Go, at its best moments, ranked as one of my top animes of all time (a long time ago, the series had a 9.5 on my animenfo account). However, at its worst, an uncontrollable, irrational desire boiled within me to murder the creator with a sack of go stones (or some other similarly ironic implement of death).

As is proven by animes such as Initial D, Hajime no Ippo, and Prince of Tennis, having an especially long anime involving ANY obscure competitive game will pretty much be instantly addictive and fun to watch. The joy in watching each animes individual subculture is almost indescribable; a certain fascination arises by watching a sport that so many people know nothing about. Thus, when I first started watching Hikaru no Go, I expected it to be good. However, despite this, the show surpassed even my very high expectations. In episodes 1-56, HnG is arguably one of the most masterful animes ever made.

At the beginning of the series, the storyline is absolutely terrific. One wouldnt think that an anime about Go would have such a captivating and addictive storyline, but Hikaru no Go definitely does. As Hikarus skill at the game improves more and more, one becomes increasingly interested with his upcoming battles. Though a few blatant filler episodes are present, most of the episodes have to do directly with the story and never cease to be absolutely enthralling. Although I had been a mild admirer of Go in the past, this section of the story changed me into an avid fan of the game. If I were to base my opinion of the story solely off of episodes 1-56, I would undoubtedly give the storyline a 10.

The events that occur in episodes 57-70, however, are a completely different issue. In all of the anime that Ive ever seen, this stretch of episodes contains some of the worst, most unpleasant and most tedious filler that I have EVER seen. I dont want to give anything away, but the episodes have Hikaru doing practically NOTHING. Probably the most glaring fault is the lack of what makes the series so great - the go matches. The paltry few that are played at all are inferior in just about every way to the ones that occured earlier in the series. Then, in episodes 71-75, just as the anime is getting good again... the series simply ends abruptly. As a result, episodes 57-75 feel like an complete waste of time. At the end, I felt almost as terrible as I did after finishing Berserk - like I had been somehow conned out of my emotional investment.

So why am I writing this review now, months after I finished watching the main series? The answer, quite simply, lies in the 2004 New Years Special. Thrilling, action-packed, and constantly interesting, this 1 hour, 15 minute special is a brilliant return to form. While watching it, I felt a distinct twinge of nostalgia, a remembrance of why I originally loved this anime in the first place. I strongly recommend this special to anyone who even faintly liked the original series.

Essentially, the special reminded me that when HnG was good, it was spectacularly good. As a result, despite mixed feelings about the storyline, I still feel like the entire experience is worthwhile as a whole.


One would expect the animation of an anime based on Go to absolutely suck, but I found HnGs animation surprisingly pleasing on the eyes. Most of the character designs are bright and fairly easy to remember, and various special effects are used during a go match to keep the anime exciting. I found the fact that the character designs changed over time to be a very nice touch; the process does a good job of representing the characters growing maturity over time.


In addition to the animation, Hikaru no Go's sound is also surprisingly good. The opening sequence changes several times over the course of the series, and I liked each and every one. The background music is not particularly listenable, but does an excellent job of maintaining the mood of the show.

Additionally, I found the voice acting to be surprisingly competent. Hikarus character could have easily had a cheesy and melodramatic voice, but his (as well as others) voice remains believable throughout the entirety of the show.The voice acting is also very convincing.


The characters are terrific - Sai and Hikaru are perhaps one of the most loveable duos ever. Sai, in particular, lights up the screen; he is fantastic in so many ways, its difficult to describe them all. Oftentimes hes absolutely hilarious, other times he effortlessly draws empathy with his angst ridden past and his burning desire to practice what he loves. His relationship with Hikaru is touching in an unimaginable way. After a while, Hikaru and Sai have bonded so completely that they are arguably the same person. As for Hikaru, he does an excellent job of being a universally likeable hero; like many of us, he has not found his true passion at the beginning of the show, and watching him discover the joy of playing what he was born for is an incredible treat. The rest of the characters, including Touya Akira, are somewhat one-sided, but remarkably effective all the same. The cast of supporting characters is huge, but somehow all of them manage to be both memorable and loveable. They do an excellent job of keeping the storyline fresh; with their huge assortment of personalities, merely meeting the opponents that Hikaru will face is entertaining in and of itself.


For the beginning episodes alone, I have to recommend the show. The first 50 or so episodes are brilliant, a wonderful conglomeration of sharp writing, likeable characters and an addictive premise. However, just like Kare Kano, I would issue a strong warning to anyone who thinks that an anime needs to have a good ending to be worthwhile as a whole. Hikaru no Go is all about the journey, not the destination.

7/10 story
6/10 animation
7/10 sound
7.5/10 characters
7.5/10 overall
Arcanum's avatar
Jun 12, 2007


Hotta Yumi's Hikaru no Go is an anime about "Weiqi", an ancient Chinese board game which is now more popularly known in Japan as "Go". Because Go is perceived as neither an easy game to learn, nor an entertaining one to watch, its popularity had been waning in Asia, especially among the younger population. It was beginning to be identified as a game played by elderly men over cigarettes and tea.

It is easy to dismiss this anime as uninteresting and dry, but nothing could be farther from the truth. Hikaru no Go was almost single-handedly responsible for the sharp resurgence of interest in Go all across Asia. The pacing of the story is extremely good and never slows down, except for three rare filler episodes. After all, if an anime is able to make an old man's board game into something young, exciting and compelling to watch, it says a lot about the storyteller's skill.

The story of Hikaru's introduction into the world of Go can be divided into two parts. The first is the one most audiences will appreciate - a straightforward account of a young boy's aspiration and rocky journey to improve his skills in the world of competitive Go. This is a commonly used plot and likely to be familiar territory for fans of Naruto or Bleach. It is, however, the second half of Hikaru no Go to which lovers of quality anime will really be drawn. Hotta Yumi recognises the inherent problem in a "character improvement" story - after the main character becomes all-powerful or all-skilful, there is not much of a story left to tell. Rather than go down this road, she masterfully steers the plot away from Hikaru's technical progression in Go and focuses instead on Hikaru's development into a young adult. At this point, the story turns allegorical. The latter part of Hikaru no Go can best be described as a tale about growing up, the eternal reach for perfection and a young boy's bittersweet encounters with loss and discovery. To me, this is what raises Hikaru no Go far above its peers. The story goes beyond showing the need for constant improvement, to suggest – ever so subtly – a meaning and purpose to the struggle for perfection.

I am loath to discuss the original manga story in an anime review, but truly, my deepest regret about Hikaru no Go is that the anime finished a few episodes short of the manga ending. This is extremely tragic because Hotta Yumi's original conclusion was, in my opinion, a magical and memorable one, befitting the high standards set by the rest of the story. Alas, this was not to be, and as such, I can only rate the anime story as it stands. Even so, the story in this state is still excellent and quite entertaining. It is one I would have no hesitation recommending to anyone.


Attention to detail was definitely a hallmark of the visual quality and animation in Hikaru no Go. The time elapsed in the anime spans about three to four years, and during this time, there is a distinct change in appearance of the young characters. For example, Hikaru grows from being shorter than his peers and slightly chubby to being tall, slim and lanky. The growth does not happen over the period of one or two episodes, but rather stretches over all 76 episodes and is barely noticeable from one episode to the next.

It is not uncommon in anime to have characters in the same clothing all the time, to simplify the drawing and ensure visual consistency. Yet Hikaru no Go does not fall back on this safety net: characters in the anime rarely wear the same clothes from day to day, and each character's wardrobe is well considered to complement their personality and even their mood! For example, when Hikaru is feeling very much passionate about learning Go, you will see him wearing T-shirts showing the number 5, which in Japanese is pronounced "Go", just like the game.

The urban scenery is well-drawn and quite detailed. Often, as characters move through the city, the background will include little details (newspapers, coffee vending machines, subway ticket machines) which reveal what city life feels like in modern Japan. In fact, there are quite a few references to popular Western franchises like McDonald's and Starbucks - these add to the authenticity of the background scenery.

The use of shadows and shading was extremely effective in the anime as well - enough so that I actually took notice of this level of detail. Clothes and hair interact very well with bodies and faces in all many types of lighting conditions, and actually added to atmosphere of the scene.

The only disappointing aspect of the visual quality was the occasions on which a character is drawn differently than he or she normally appears, resulting in a slightly distorted look (though it is not glaring). Thankfully it does not occur frequently enough to detract significantly from any enjoyment from watching the anime.


The anime has a decently wide selection of music to complement the dramatic moments in the story. While it amounts to many variations of a few main tunes, I do not believe this to be necessarily negative, as too much variety leads to overload, and detracts from the moment. When watching the anime, I never felt music to be out of place. In fact, I noticed that there was quite a bit of thought invested into selecting the soundtrack to maximize the intensity of each match of Go.

The seiyuu of the main characters all pull off very decent and convincing performances, especially during dramatic moments. A particularly standout performance was that of Naya Rokuro portraying the old and crotchety Kuwabara Honinbo. I do however recall one or two instances of overacting by the seiyuu of secondary characters, which were unfortunate mood breakers.


The characters of Hikaru no Go are unique and imaginative, but remain compellingly human and genuinely believable. Apart from their distinctive personalities, each character also reacts deeply to the changes in the other characters around them. Though this sounds like a basic requirement for a story, I am continually surprised at the number of anime which present characters completely insulated from each other, and whose actions do not garner much more than a superficial response from those around them.

The characters seem to be quite deep and well-researched too. The lives of aspiring and professional Go players cannot be normal, as they must revolve around the all-important examination and tournament schedules, often having to put aside their school, work, or families in order to attain their goals. This is a problem that is recognized and addressed in Hikaru no Go; even in her eagerness to promote the game, Hotta Yumi does not neglect to acknowledge the sacrifice necessary to achieve success in the Go world.

Since there seems to be a lot of general confusion and controversy about the character of Sai, I will also add my own take on this issue. Because he hails from the Heian era of Japan, it should be no surprise that Sai is dressed in effeminate attire, including purple lipstick and earrings, as this was perfectly normal and accepted in that time. In fact, Sai's feminine mannerisms and exaggerated weeping are an accurate reflection of the behaviour expected of an intelligent and cultured man in the Heian period. Therefore, it should go to credit Hotta Yumi for her appropriate portrayal of Sai; whether the audience is of open mind to accept a man behaving like a woman is an entirely different issue.


Among the anime I have watched, in terms of overall quality and polish, I believe Hikaru no Go to be the only long anime having the potential to rival Monster. I cannot help but feel that Hikaru no Go was the victim of a single poor production decision to leave the story unfinished, as compared to the original manga. As such, I am assigning Hikaru no Go an overall rating of 8.5, behind Monster's rating of 9.0. I feel that the anime community has been robbed of an exceptional finished product. But even incomplete, Hikaru no Go stands out as truly special anime, and well worth the time to watch.

*To those who feel like they want more of the series after Episode 76 (the New Year's Special), I would recommend reading the manga from Chapter 166 onwards.

9/10 story
7.5/10 animation
8.5/10 sound
8/10 characters
8.5/10 overall
ThatAnimeSnob's avatar
Jul 10, 2012

Tell someone that you liked a 75 episode series about some kids playing with black and white pebbles and chances are he will think you are kidding.

Hikaru no Go is an anime made to promote one of Japan’s oldest and most famous games, that of Go. Now I wouldn’t want to go into details of how the game is played; basically you place black pebbles, while the opponent places white pebbles, on a big squared board, and the objective is to take the opponent’s pebbles by surrounding them from all four sides with your own. I could mention how it resembles Siege or Othello but both are quite simplistic to count. For there are various sub-rules, such as specific areas granting extra points, the second player being given a few points just for playing second, and so on, and so on. The point is this is not a game that it’s as simple as it looks.

Game-based anime are nothing new at the time it came out. Six years ago there was Pokemon, and around the same time there was YuGiOh!, both prompting people to learn and buy the games. But the thing is, all such anime are to the most part nothing but propaganda, as the actual games have nothing to do with what you see in the series. Pikachu never levels up and Yuugi keeps using cards that don’t work like that in the actual game. But in the case of Go, that is not possible because there is no optical trickery. The pebbles don’t have superpowers; they are just positioned in a cross-section and remain there permanently, unless surrounded, where they become the opponent’s points. So what you see is really what you get. There is of course a ghost of an ancient Go player following the main hero around and telling him ways of how to win, but that is not cheating in the longrun because even that is following the rules of the game down to the tiniest detail.

Which is another thing that makes this show great. Unlike Pokemon or YuGiOh!, where the opponents cheat all the time or don’t play as the normal rules dictate in general, in Go there is no way to be unfair. The pieces are not hidden or moving around every time you turn your head, cards don’t drop out of sleeves and dices are not fixed to always show 6s. There is even an official referee and many on-lookers that further prevent you from even trying to move around the pebbles. That creates an extremely realistic and fair game.

Another plus is how the game is purely based on strategy and not on luck. You don’t draw cards hoping to get what you want or you don’t use electroshock, hoping to get a critical. All pebbles are equal and revealed to you from the start. In this regard, it is like chess where all the pieces are revealed from the start and there is zero chances of winning out of luck.

All the above create a very realistic approach to the game that doesn’t make you think that every match is rigged or conveniently happens as the scriptwriter wants to. Of course, it also means that it lacks too much of superficial entertainment for those who expect lasers and huge monsters o fill the screen all the time. Nope, there is no such thing present to make little kids wowing with brainless battles that have nothing to do with the actual game. It does however have a huge amount of internal monologue and a rather high amount of “depicted mentality”. That means that we are constantly shown what the characters are feeling with weird background colours or told by listening to their strategies and worries. There is a lot of that too in other game-based series as well but the retarded action is eventually making you care more about that than about the characters’ strategies.

Of course, this is still a shonen title and it still has some elements for the target audience to feel a connection to. The main hero for example is Hikaru, a boy who has no idea of how to play Go but after he releases the ghost of an ancient Go player, he is gradually more and more interested to learn and improve in the game. Initially he learns how to play thanks to the ghost, basically becoming its pupil as it can’t play on its own, and later as he learns he can now do his own strategies and thus follow his own path. That is an almost standard procedure for any shonen lead. He even has a permanent platonic girlfriend, a main eternal rival ala Kaiba, and various bystanders constantly interrupting the flow of the matches in order to comment what they think is going on. So it is not exactly a groundbreaking show full of originality; the difference is mainly at how more focused the show is on the characters and not on the promotion of the game. You can see how Hikaru is gradually improving and how he is not a mastermind from episode one. He even grows old later on. Well, all that don’t actually change him as a personality, since he is still the same hyperactive edgy shonen lead as in the beginning. It will probably feel bad for most.

The worst part is eventually the story, since it is too heavily focused on building up tension slowly and eventually ending half-way. Many episodes are made to slow down progress with the scene constantly switching to something other than the match or the main characters, such as commentaries by others or flashbacks and irrelevant every day events. That can count as skyrocketing your interest by feeding on your frustration to know what will happen next. It is like in Dragonball Z, where a whole episode is spent on just powering up and shouting without progressing the battle. It works, although it does feel like it overdoes it at times. This is not a story about the salvation of the universe but a simple journey of a boy going from one match to another, pitted against other Go players and not demons who want to rule the cosmos or something. Plus it doesn’t really end; it is left incomplete as a story. Although one would wonder what the ending could be. Him becoming the Go Emperor of planet Earth?

I leave for last the production values that felt just average for such a show. Nothing great or bad but nothing memorable other than Hikaru’s weird double coloured hair. And I find nothing to write about them.

It is a very good anime at making you care to learn about the game. It even teaches it to you as it really is and not in a way that matters only in-series, thus I consider it the best in its subgenre. Other than that it is not exactly a show with great characters; just colourful ones. And its story is quite tedious and incomplete. Plus years later shows like Akagi and Kaiji took the whole board game to far greater heights of excitement. Still worthy of watching, since there is no other Go-based anime and definitely no other so fair and honest boardgame-based one.

And now for some excused scorings.

General Artwork 1/2 (generic)
Character Figures 1/2 (generic)
Backgrounds 1/2 (basic)
Animation 1/2 (basic)
Visual Effects 1/2 (basic)

Voice Acting 2/3 (corny but fitting with the feeling of the series)
Music Themes 2/4 (typical)
Sound Effects 2/3 (ok I guess)

Premise 1/2 (simple)
Pacing 0/2 (too slow)
Complexity 1/2 (outside some game mechanics, not much)
Plausibility 1/2 (so-so)
Conclusion 0/2 (open ended)

Presence 1/2 (generic)
Personality 2/2 (rather cheesy but well founded)
Backdrop 1/2 (generic and simplistic but it’s there)
Development 1/2 (overblown but it’s there)
Catharsis 0/2 (not there because of the open ending)

Historical Value 2/3 (quite famous)
Rewatchability 1/3 (low because of too little plot)
Memorability 3/4 (quite successful at what it aimed to accomplish)

Art 0/1 (looks typical)
Sound 0/2 (sounds typical)
Story 0/3 (feels generic)
Characters 2/4 (they are standart)

VERDICT: 4.5/10

3/10 story
5/10 animation
6/10 sound
5/10 characters
4.5/10 overall
LadyPsychic's avatar
Dec 30, 2017


This series is about a boy named Hikaru who releases a ghost named Sai, who played Go back when he was alive and wishes to play yet again.  Sai then talks the initially reluctant Hikaru into helping him play Go (since Sai is a ghost and can't move the stones by himself) and Hikaru quickly meets his rival, Akira.  As the story progresses and Hikau learns more about Go, Hikaru becomes more interested in playing Go himself instead of just moving the stones for Sai.  He then eventually follows Akira into the world of professional Go. 

The story does earn some points for having some unusual subject matter (the anchient board game of Go).  The pacing is also pretty good for the most part (except for a few episodes fairly late into the series that I felt kind of dragged a little).  My biggest critcism of this series are two filler episodes that were randomly jammed in the middle of the series (episodes 64 & 66).  To be fair, they are not bad episodes (in fact, I thought they were pretty good), but the part of the series that they were put in was a bit jarring (and made that part of the series seem to drag even more than it actually did).  That said, this was an overall enjoyable experience.


The animation is (for the most part) fairly good for an early 2000's series.  I also like the character designs.  There were a few moments fairly late in the series that I thought that some of the faces looked slightly wonky to me, but other than that, the animation was solid.


All the opening and ending songs were really good, in my opinion.  I also have to give credit to the background soundtrack (especially during the Go games).  The music really helps make the Go matches seem exciting and epic.


It was really interesting seeing Hikaru progress from not being very interested in Go (and just letting Sai play by moving the stones for him) to wanting to play the game for himself and gradually becoming stronger to eventually becoming a pretty good Go player in his own right.  I also liked the dynamic between Hikaru and his rival, Akira.  Sai was also a pretty likable characters.  There is also pretty good size supporting and minor cast, with some getting more development than others.  There were a few characters that I wish had more screentime, but overall I like the cast of this series.


This was an enjoyable series.  In fact, if there was anyone in the area that I live in that actually played Go, I would've considered learning and playing Go myself.  Alas, I don't think there are many Go players in Texas.  Oh well, this series was still fun to watch.

Secret Santa 2017 review #2

7.9/10 story
7/10 animation
9.5/10 sound
8/10 characters
8/10 overall
JakCooperThePlumber's avatar
Oct 27, 2017

Quick warning, there might be major spoilers in this review, so read at your own desecration.

Welcome to a new show on my channel called Anime Favorites, where go in depth analyzing some of my favorite anime series of all time! First on my list is Hikaru no Go, a 75 episode Shonen, Sports, Tournament, Coming-of-Age anime series from 2001.

First I wanna say, I really wish I watched this when I was a kid. It has a lot of that classic Shonen feel, and honestly, it’s far better than most of them. The story revolves around Hikaru Shindo, a middle school boy who finds a Go board in his grandfather’s attic; after noticing blood stains on it, a spirit manifests into the world, known as Fujiwara no Sai, a Go Master from an earlier time. While Hikaru is reluctant to play Go at first, he eventually relents and visits a Go Salon; his first opponent is Akira Toya, the son of the national champion, and everyone is shocked when he wins; although it wasn’t actually him, it was Fujiwara no Sai. This is when HIkaru’s journey to learn more about and improve at Go begins, Sai being right by his side along the way.

The character’s are what makes this show; while each Go match is very detailed and elaborate, I wasn’t able to keep up with them personally, so the only draw for me to continue was the cast, and thankfully I wasn’t let down. Hikaru no Go provided me with some very complex, likable, flawed characters who I could really relate to and rally behind. My favorite was Sai himself. He was a Go Master from the Heien period. After being framed for cheating during a Go match, in which it was actually his opponent who cheated, he was shamed and fell into depression, walking into the river and never again emerging. Due to his unceremonious death, his soul bonded with the Go board he last played on. He awakened one other time, to inhabit the body of a person named Honinbo Shuusaku and help him one of the greatest Go players ever, just like he would eventually do with Hikaru.

Sai works on so many levels; he clearly cares for Hikaru, but isn’t afraid to tease him, (which can be pretty funny), and is unbelievably badass whenever he plays Go seriously; this is how you create complex characters, give them several different personality traits without them any of them contradicting each other, and continuously reinforce them throughout the show. And Brad Swaile’s excellent voice work definitely helps bring life to this character. Seriously, I love this guy. And I’ll be honest, I almost cried during episodes 60-70 when Sai disappears and Hikaru gets depressed.

I also loved Hikaru as well. It’s so easy to fuck up angsty kids in anime, and Hikaru is done well. He does have moments of being angry for seemingly no reason, even at his childhood friend Akari, and he does have his own depressive state for 10 strait episodes, but it never compromises his likability. For most of the series, I just got the impression that he’s any normal kid; I’ve personally seen countless kids exactly like him. And the depressive state he sunk in after Sai vanished was also justifiable because of how likable Sai was; both aspects made him very relatable, and not just another angsty, douchy teen.

Hikaru’s lowest point in the show is made even more sad by the fact that nobody else knew about Sai. Both Akira Toyo and Toyo Meijin felt like there was someone else inside of Hikaru giving him strength, but even they didn’t know the full story. If someone else did know Sai’s disappearance would’ve been easier on him because he’d have someone else to lean on for emotional support, but he has nobody, because nobody knew why he was acting the way he was, even though it was reasonable.

I also really liked Akira Toya and his father Toya Meijin. At the beginning, Akira Toya is a child who is attempting to go pro in spite of his age to follow in his father’s footsteps. After loosing to who he thinks is Hikaru at the Go Salon, with everyone watching, it affects him on an emotional level, and his primary goal throughout the story becomes not only improving as a professional Go player, but also to play Hikaru again, and win. He’s so selfishly desperate for a rematch that he joins the Go Club at Hikaru’s middle school in spite of his skill being far beyond theirs, and gets visibly angry when he feels Hikaru isn’t giving it his all--that is, when Hikaru is actually facing him instead of Sai--and when Hikaru disrespects the practice of Go.

Toya Meijin was supposedly the greatest Go Master in the world. He’s fascinating for several reasons, but the biggest is how they depict what I like to call “The Burden of the Master.” Digibro already discussed this concept in a vlog which I’ll link down below, but the general theme is when someone masters their craft, whatever it may be, it makes them unrelatable to others. This is clearly seen regarding the Meijin’s relationships with others; his own wife is baffled by him, and can’t understand why he would stake so much on what she sees as a “simple game,” and the nurse who looks after whilst he’s hospitalized feels the same way. The only ones who he can converse with as equals are the other Go Masters on the show, and his son.

I view all the other characters below those four; none of them are terrible, but they aren’t as good or memorable as the ones I just mentioned. Akari’s the generic childhood friend, whose only reason for playing Go is because of Hikaru, and at a certain point becomes less and less prominent as the series progresses, only showing up at the most important moments; Yuki Mitani was crucial for just like a few episodes early on, but started being almost non-existent after his development concluded; and no others are worth a mention. The story very much belongs to Hikaru Shindo, Akira Toya, Sai, and Toya Meijin, and the rest are just support for their development.

The best part of the show are the intense, exciting Go matches, which take up it’s largest duration. On one hand, it had the risk being horribly uninteresting to me because I don’t care at all about Go. However, I don’t care any more about Go than I did before watching, it remained interesting by delving into each player’s mind as they competed, and showing their strategies in full. I’ll admit most of it went over my head, but I don’t have to understand something to know how smart it is. And even if I did, the intensity is also apparent; especially when two pros are facing each other, such as when Toya Meijin is facing Kuwabara Honinbo, Seiji Ogata, or ESPECIALLY Fujiwara no Sai.

Hikaru no Go feels like three types of anime combined; Shonen Battle Anime in terms of the intensity and creativeness of the battles, sports anime regarding the tournament format of the show, and, to a lesser extent, a gambling anime, which covers the stakes of the matches. While the stakes aren’t as high as in, say, Kaiji, in which characters reguarly gamble body parts, precious belongings, or their very lives, the stakes are still pretty high because loosing means one of two things; early in the show it meant Hikaru wouldn’t become a Pro, and later in the show too many losses would mean he’d get his Pro status revoked. If either occurred, that would not only mean several years of Hikaru’s life would’ve been completely wasted, but he also had no backup plan, so he’d basically be fucked.

There were a few side plots that I wasn’t a fan of and I felt needlessly extended the length of the show. The biggest offender is Isumi Shinichiro. It’s not like he’s a bad character, but did we really need 4 episodes of him training in China? It wouldn’t have been that bad if it happened during the earlier episodes, but it happened right after Sai disappears and the most crucial part of Hikaru’s character arc begins, but we have to keep going between his story and Isumi’s story, and it really bothered me.

In addition to that, there was also the character arc of the compulsive cheater Yuki Mitani. Not only was it an unnecessary distraction from the main plot, but it was also just poorly written in general. It would’ve been better if they attempted to give him a, maybe not justifiable, but understandable reason for cheating. Let’s say, for example, if he had a sick relative, such as a sibling, parent, or grandparent, and he needed money to help them get better, and to do so he was determined to win Go no matter what the cost, even cheating. Yeah, it’s cliche, and it would take a bit more work to turn him into a truly great character, but it still would’ve been better than what we got, which was a selfish child who just cheated for the sake of cheating; sure, a lot of kids are like that, but it makes him very shallow and uninteresting. Not to mention, his change of mindset wasn’t properly developed either, it just kind of happened.

Probably the most interesting theme in Hikaru no Go is the difference between those with talent and those without. I already talked about Toya Meijin above, whose the prime example of someone with immense talent becoming disconnected with the rest of the world, but every character with what it means to be truly skilled at Go, and contemplate on multiple occasions if they’ll ever be able to become Masters. Of course all of the main characters do end up becoming Pros, because this is a Shonen anime at the end of the day, but it doesn’t happen without shit loads of trials, and characters almost giving up. I don’t think I’ve ever seen an anime that talks about talent and the struggle of both those with and without talent in this way, and I really loved it.

In all, despite it’s flaws, Hikaru no Go is one of my favorite anime. It’s a great show, with likable, complex characters, and the fascinating theme of Go which serves as a unique backdrop to explore these characters. Hikaru no Go can be viewed in it’s entirety in both sub and dub on Viz and Hulu, and I do recommend it. It can be kind of slow at points, but it’s an overall worthwhile experience, weather you’re a relative newcomer to anime, or a vitrine whose watched anime for years. 


?/10 story
?/10 animation
?/10 sound
?/10 characters
9/10 overall