StoryWhat do you get if you cross Lucky Star, with Sketchbook
~Full Colors~ and Hidamari Sketch? Answer: Enough slice-of-life to
entertain a small army of otaku for a few hours, and, apparently, GA: Geijutsuka
Art Design Class.
This latest offering to the gods of plotless slice of life
anime follows the day-to-day lives of (surprise, surprise) a group of five
schoolgirls. Much like Hidamari Sketch before it, Geijutsuka’s setting is a specialist design school, although, in contrast to its
predecessor, this series takes a much more concentrated look at the art world.
The series offers an odd combination of educational content and the standard
wacky antics of any comedy anime. The show bounces back and forth between
somewhat informative subjects like the basics of pictograms, how to improve
your photography, and a brief history of surrealism and more inane sketches
such as the adventures of the ‘Irodorangers’ – an artistic incarnation of the Power
Rangers.
As someone who spent four years of her life studying in an
art college, the more didactic side of the series amused me. Small details,
such as sketching with soft pencils only to find that the side of your hand has
gone black, make me smile because it’s something I’ve done a thousand times
before and can relate to – and yes, bread can actually be used as a makeshift
eraser when drawing with charcoal. Additionally, I want to know where these
girls get their putty rubbers from; stuff that stretchy looks far more
entertaining than the stiff things I use.
Most slice of life series are relatively slow-paced and,
when well executed, it can have one of two effects: it will either encourage
the viewer to marathon the entire anime in one sitting, or each episode leaves
you feeling so distinctly satisfied that you savour it over a longer period of
time. Sadly Geijutsuka doesn’t incite either of these reactions. While
the lethargic nature of gentle shows such as Strawberry Marshmallow or Sketchbook
~Full Colours~ actually adds to their inherent charm, the madcap Geijutsuka merely feels sluggish by comparison and never manages to draw you into its
world. As a result the series doesn’t get the chance to shine as much as it
could.AnimationIn keeping with the artistic theme of the series, Geijutsuka occasionally employs some appropriately creative imagery that gives the
impression of having been drawn with a crayon or painted with watercolours.
This often appears as an abstract background or illustrates a story as told by
one of the characters. I find this a nice little touch that adds extra creative
flair to the show without being intrusive, garish, or out of place.
Aside from that, the series’ character designs and
animation are relatively standard, and while they are in proportion to the rest
of their bodies, I’m not a fan of the stubby hands that each person seems to
possess – how can they draw with fingers that tiny?! Graduated shading also
adds a softer quality to the visuals, which nicely accentuates the show’s
cheerful atmosphere.SoundGeijutsuka is
one of those series that deems it necessary to fill every moment, of its twelve
episode run with music. The score of any anime should aim to intensify the mood
or set the scene, and not just simply serve as background noise – especially
not the kind of racket that is reminiscent of someone repeatedly banging on the
keypad of their mobile phone. Unfortunately Geijutsuka opts for the
latter producing a cheesy and, at times, unnecessary soundtrack that would be
perfectly at home in a Harvest Moon game.CharactersIn any episodic show with zero ongoing narrative, it’s
pretty safe to assume that none of the protagonists will develop from their
first appearance, and in this respect Geijutsuka doesn’t disappoint.
Such is the standard of this genre, each character fills a certain role and
never deviates from it. Noda, as the ‘weird one’, instigates most of the fun
and wacky events that surround the girls, while her partner-in-crime, Tomokane,
steps up as the series’ energetic tomboy. Namiko is the token normal girl who,
more often that not, acts as the ‘tsukkomi’ to Noda and Tomokane’s ‘boke’*.
Kisaragi takes on the role of the archetypal naïve ditz, complete with massive
glasses and kitty fetish, and Kyoujyu fills in as the quiet, mysterious one who
never smiles.
None of these personality traits are unique by any
stretch of the imagination. Sharing practically the same name and a worryingly
similar haircut, it’s no surprise that Tomokane feels like a regurgitation of
Tomo from Azumanga Daioh, while Noda is very much like the non-otaku
version of Konata from Lucky Star. However, in spite of following this
familiar recipe, Geijutsuka’s cast is ultimately likeable and
entertaining to watch.OverallThe key to fully enjoying Geijutsuka is to have some
interest in art and design, since that’s the only unique selling point. While
I’ll still happily – and relentlessly – lap up any similar offerings of the
sort, the whole cutesy schoolgirl thing has been done to death, though few
anime place such intense focus on the world of art as this. Sadly Geijutsuka’s
greatest asset is also its biggest weakness and, consequently, it creates a
niche market for itself. Anyone with even the faintest curiosity about the creative
world may find this series charming; others would probably do best to find
another bevy of wide-eyed schoolgirls to satiate their palette.
* A popular form of comedy in Japan, called ‘Manzai’,
consists of two performers – the ‘tsukkomi’ (straight man) and the ‘boke’
(funny man). The straight man often berates or corrects the funny man’s various
misunderstandings and antics.