I have a deep affection for stupid, ecchi shows. Ninja Nonsense and Penguin Musume Heart rank among my favorite diversions and I'll watch a good, nudity-filled Xebec series any day of the week. Anime with no pretensions that provides amusing, modesty-driven humor forms an enjoyable staple in any male anime fan's diet. Riding high on the moderate success of Ladies Versus Butlers, I checked out Ichiban Ushiro no Daimaou on a whim and only needed two episodes before I was hooked.
Playing out like the bastard child of Fist of the North Star and Ladies Versus Butlers, Ichiban Ushiro no Daimaou concerns the trials of Akuto Sai as he wrestles with his fate. The well-meaning high school student fights his destiny as a Demon Lord until circumstances drive him right to it. At the start, fan service drips from every frame as Akuto's powers and the machinations of greedy classmates surround him with a harem of girls who can't seem to keep their clothes on. These earlier installments burst at the seams with the sight gags, character humor, and punchy one-liners that follow the practiced formula of ecchi hits like Kanokon. But after a delightfully manic two-part beach episode an actual plot emerges. The progression trades heavily on Akuto's personality and surplus of macho as its driving force, and as the show starts to bring more pieces onto the board, the plot holes and logical inconsistencies become harder and harder to ignore.
Of course, the series pluckily bites off more than it can chew in order to engineer a suitably satisfying battle as its finale, and consequently the back half of the anime quickly gets confused when it chooses to ramp up instead of backing down. That the destiny of a demon lord should extend beyond the confines of his high school should surprise no one, but trying to cram a story that contains political intrigue, clan warfare, time travel, and the death of gods into a twelve episode anime would prove challenging even for a series playing the whole thing straight, but Ichiban attempts these contortions while also stopping to show naked students at every possible opportunity. However, only the confused final episodes with their sequel-begging harem ending should leave a bad taste in viewers' mouths, and even then, the over-the-top events should have them laughing and fist pumping right along.
Much like the tramp in your high school class, Ichiban isn't the best looking in the bunch, but it's got the goods where it matters. What it lacks in imaginative design it certainly makes up for in gusto and smartly applied computer effects. Setting aside Sai's clever facial detail, the series' character designs lack imagination. The girls are attractive enough, to be sure, but the costumes lack the garish creativity of Queen's Blade and the animated exhibitionists themselves don't engender the same affection as the delightful and noseless ladies of Xebec titles. But, once the action gets rolling the anime doles out its modest budget to maximum effect. Each of Sai's battles sports at least one moment of sheer animation-fueled adrenaline and the motion, while filled with its share of corner-cutting, communicates Ichiban's underlying devotion to Sai's badassery.
At the time of this review, only the censored prime-time broadcast was available. Due to the heavy reliance of the show on nekkid fanservice, a considerable amount of scenes sported some kind of censorship. While the tiny SD pictures of each character that appear to cover their important bits amused in the same manner as Kanamemo's cat faces or Chokotto Sister's caution tape, the occasional black swaths that covered the screen during some scenes proved to be a considerable eyesore.
When the visuals fall short, the onus of entertainment falls to the voice cast. Ichiban's actors take that charge and run with it up the nearest mountain where they plant a victory flag before performing synchronized pelvic thrusting to the heavens. Aoi Yuuki electrifies Korone and by extension the anime like a pair of defibrillator paddles set to "cook", and becomes an instant source of laughs whenever she appears. The seiyuu's rapid-fire, deadpan delivery can crush three lines of dialogue into cutting, nuanced one-liners that feel like entire routines crammed into a single, breathless bullet point. If the silky-toned straight man act weren't enough, Yuuki-san uncorks a squeaky imouto voice during episode six, which returns from time to time with great effect. Following a close second, Jouji Nakata's Peterhausen shows off one of the best "stand there and be awesome" performances in anime by a man not named Norio Wakamoto. With his gruff pontificating providing dollops of badassery on demand, the remaining cast has little left than to fall in behind: Beyond the sufficiently-shounen Akuto Sai provided by Takashi Kondo, Aki Toyosaki bubbles along in the comfortable role of Keena Soga, dispensing her trademark enthusiastic moe into any scene in which she participates and Shizuka Ito whips herself into a frenzy of lusty proclamations in the role of Etou.
The music, on the other hand, hews closer to the simple-but-effective level of the visuals. Though it's not particularly overwhelming at first listen, the guitar-heavy opening theme matches the manly spirit of the anime and serves as the perfect incidental music when Akuto and the gang gear up for fighting. The tamer end theme trades on the ecchi harem nature of the show and uses a sappy pop track that becomes increasingly out of sync with the darker tone of the series as the episodes pile on.
Akuto Sai starts like a typical harem ecchi hero: kind, polite, and easily embarrassed. Fortunately for the show, he doesn't stay that way. Instead of bending when pushed, the spineful lead pushes back. Hard. With magic. The dizzying inevitability of the plot gets most of its fuel from the combination of Akuto's sense of justice and his growing indignation at the events that surround him. And while his power grows in and changes in a manner more perplexing than Ichigo Kurosaki's, viewers can draw a line between the unassuming and amiable young boy at the start of the series and the energy-blast flinging machine of mayhem on display during the OP.
Akuto might be the main character, but Korone is far-and-away the series' gem. For all her sedate mannerism, the precocious android's motormouth simultaneously provides humor and drives the plot forward. By dancing on the edge between emotionally invested and complete disinterest, she also provides a welcome dollop of quirky mystery in a show that remains otherwise preoccupied with a lot of big questions. The rest of Sai's harem falls into standard anime archetypes without much resistance whether it be the tsundere Junko or the perverted oujo-sama, Etou. Unfortunately, Ichiban's obvious desire to sell R-rated figurines bogs the cast down with a cart of cute, if one dimensional members of the student council. They have some animus toward the end of the show, but their motivations remain completely obscure. While their powers and actions certainly entertain, they steal some valuable screen time from the plenty interesting leads.
For fans who can enjoy a good, stupid action romp wrapped 'round with pleasant ecchi eye-candy, Ichiban Ushiro no Daimaou provides an amusing diversion. The decent visuals and remarkably solid character development displayed by the lead work well with the slapstick humor to create a witch's brew worth checking out if you can swallow the series' deliberate lack of intelligence. Though not as clever as Penguin Musume Heart or as pretty as Kanokon, this anime nonetheless emerges as a sleeper hit from the Spring 2010 season.
Man, I really wanted to like this; I tried. -And the reason I have a problem with this so much is that it’s the favorite of a lot of people? –Who are these people??? This is a Magic School anime… that’s kind of a Harem…?
This guy enrolls in a magic school and finds out that he’s destined to be the Demon King... as prophesied by a fortune-telling bird in the school counselor’s office? When the school finds out what his future job is going to be, rather than fact-checking a talking bird, everyone discriminates against him – man, these people take racism to the extreme!
The Characters are under developed and inconsistent, and none were really likeable. The premise is interesting enough and the animation is pretty okay, but the story is all over the place, littered with plot holes, and the ending left many questions unanswered and was just, straight up, bad. The world building was so convoluted. It was hard to keep track of what was going on from episode to episode. I powered through it because I was hoping I would be pleasantly surprised (which is really easy to do with me). Sadly, it turns out that I sat through it so you don't have to. I think if I weren't stuck in a tent in Afghanistan, I would not have made it to the end. Watch High School DxD seasons 1-4, instead -it is the anime this one wishes it were.
Hoo boy... this show... when people said it started well, and went downhill at the end, they weren't kidding.
I watched Ichiban Ushiro no Daimaou at the recommendation of a friend on Steam; he told me that I should watch it, since I seem to enjoy harem anime. He did warn me about the drop in quality, but I never expected it to end like that.
Perhaps it would have been better for me to give this a miss altogether...
The initial premise isn't actually that bad - local nice guy Akuto Sai has just transferred into Constant Magick Academy in order to become someone who can help towards making the world a better place. However, the academy has a spirit called Yata-Garasu predict their future professions.
Unfortunately for Akuto, Yata-Garasu predicts his future job not as a priest - which he said would have been the closest he could get to what he wanted - but as a maou, or demon lord - a being who will bring mass destruction upon the world.
Now, as I said, this setup is actually pretty interesting, but its pacing more or less destroyed this anime. The last episodes in particular tried to cram FAR too many things into such a short space of time, and it left far too many things unexplained - episode ten especially so.
There really is not a lot for me to say about animation this time around. That or I can't put it into words.
The animation was amazingly average for me. The action scenes were nice to look at, but outside of that, there was nothing that really stood out for me. The character designs were also nothing really special, with maybe the exception of the different hair colours for each of the heroines. Not one of them shared a colour, which was a little odd at first, but otherwise not important.
The background music in Daimaou is one thing I never really noticed. There were some times when it seemed out-of-place, but otherwise there was nothing really noteworthy about it.
The opening song somewhat fits with the anime's style; the ending, however - being a sweet J-pop song that emphasised the harem aspect of the show - , grew increasingly dissonant to the episode's mood after each one.
The voice actors fit the characters rather well in this anime. Takashi Kondo and Shizuka Itou in particular seemed to fit their characters like a glove with Akuto Sai and Fujiko Etou, respectively.
When all else fails, you need to at least have characters to make the show entertaining. However, this may be due to my bad mood when watching the latter half of Daimaou, but I couldn't even really enjoy the characters that much.
While Akuto is a good character, what with wanting to help people yet is always seen as the bad guy even if he isn't involved in something, the real star of the show was most definitely Korone. This single character brought so many laughs to the show, going so far as to adopt a "little-sister" voice from time to time, which brought even more laughs.
Sadly, the other characters leave something to be desired. Junko is a textbook tsundere, while Keena is the energetic airhead and Fujiko is the beloved sempai with a darker side. It certainly doesn't help that Lily Shiraishi, despite being shown in the ending theme, isn't even seen a lot of the time. Which is a shame really, because she was one of the other characters I liked.
I shouldn't have expected much from Daimaou, but with such an interesting start, it was inevitable. Overall, unless you just want some mindless fun with some fanservice on the side, I would avoid Ichiban Ushiro no Daimaou like the bloody plague. Its story - particularly at the back end of the show - is an inconsistent mess, and the characters aren't particularly enjoyable to watch either.
The only thing that really saves this show is the android observer, Korone, and MAYBE the show's opening theme.
Truthfully, this anime needed at least 24 episodes. I wouldn't watch a sequel, but if a reboot were to come about with more episodes to fix the atrocious pacing this anime had, I would gladly watch it.
Story - 2.9
Animation - 6.1
Sound - 6.8
Characters - 5.4
Enjoyment - 3.0
FINAL SCORE - 4.84
I've only watched 2 episodes, so keep that in mind, but the story just appears to be bland, and quite stupid. Everyone takes stuff so literal...
Just my opinion...
The only reason this show would receive such an average score for me would be that it was not long enough. Since there was only one season, much of the story seemed rushed. The way characters were introduced and the way that questions remained unanswered, it seemed to set up the story line to have multiple seasons. However, in the last couple episodes, everything seemed rushed and not thought through. The very end was slightly confusing and unsatisfying. However, despite this unfortunate abrupt end, the story was compelling and entertaining. It was full of humor, censored nudity, action, romance, and interesting characters.