StoryAhh, Bleach. I don’t know how it does it, but despite
filling my heart with absolute rage at its terrible fillers, I inevitably find
myself anticipating each new movie in the same way that Kon desperately awaits
his next glimpse of Orihime’s ridiculously massive rack.
So, what calamity has befallen Soul Society this time?
In Bleach: Fade to Black – Kimi no Na o Yobu two
mysterious intruders break in to the twelfth squad’s laboratory and escape with
Kurotsuchi’s latest invention, but not before partially wiping some of his
memories and obliterating a third of Seireitei. Meanwhile, the two nameless
antagonists kidnap Rukia and erase her memories – thus obliterating everyone’s
knowledge of her. While Ichigo initially suffers from this enforced amnesia, he
soon remembers her and embarks on a quest to travel to Soul Society, find out
what is happening, rescue Rukia, and restore the status quo.
Sadly, Fade to Black suffers from one of the same
pitfalls as the series. It starts out with an interesting premise that then
fizzles away. In this case, I found the whole concept of erasing all
recollections of one particular person, thus wiping out her existence,
intriguing, not because of the actual memory loss but because of its
repercussions. The idea that, if Rukia hadn’t existed, none of the shinigami
would have met Ichigo is captivating, though I must admit that the saccharine
explanation about memories being linked through strong bonds had me reaching
for the sick bag on occasion.
While all starts out well, Fade to Black soon takes
this appealing foundation and mixes it with the antagonists’ lacklustre motive,
before eventually descending into a series of uninspired shounen battles. By
the time I got to the appearance of a bizarre tentacled blob creature (which
reminds me of a cross between Dr Zoidberg from Futurama and a Pac-Man
ghost), I was rapidly losing interest.
Also, in true Bleach fashion, Fade to Black likes to dig its own little plot holes. For instance, if Ichigo never meets
Rukia, he’d never encounter Kon. So could someone please explain to me how,
when he suffers from ‘Rukia-amnesia’ Ichigo isn’t completely freaked out by the
funny little lion? I’m pretty certain that if one of my stuffed animals started
talking to me I’d be running to check myself into the nearest psychiatric ward!AnimationAfter witnessing some rather dismal animation in the series,
Fade to Black’s impressive visuals come as a refreshing change. The
majority of the film’s colour palette remains fairly muted. Grey cloud-covered
skies help establish the ominous tone of the film, while the striking nighttime
settings illuminated by moonlight heighten the dramatic nature of many scenes.
The film boasts smooth movement throughout, and the fight
sequences display superior animation as each character leaps, dodges and dives
across the screen. Equally impressive is Renji’s zanpakutou, which moves in a
remarkable whip-like manner while still managing to retain its obvious weight.
The end result injects such realism, that it feels like it could be an actual
weapon rather than a fantastical fabrication. Overall, Fade to Black provides a pleasing ocular experience.SoundI find it difficult to judge the sound in Fade
To Black, since I’ve heard it all
before in every other incarnation of the Bleach franchise. The film
works on the philosophy of ‘if it ain’t broke, don’t fix it’. Thus, I perceived
the exact same score that appears during the series each and every week, and
while Shiro Sagisu’s soundtrack works well with the tone of Bleach’s storytelling, it would be nice to occasionally hear something a bit
different.CharactersBy now, fans of Bleach are already familiar with the
regular cast and their backgrounds; therefore one would hope that any new
characters would be the most interesting, right? Wrong. Fade to Black’s
two new ‘movie-only’ antagonists failed to hold my attention, and instead feel
flat and rather annoying. Call me a hard-hearted wench, but while obvious that
I was supposed to sympathise with them and their upsetting past, these two
nameless enemies – hereafter referred to as ‘cry baby 1’ and ‘cry baby 2’ –
simply felt like whiny, spoiled brats. Instead of actually caring about their
plight, and reasons behind their actions, I tried to use my (non-existent)
psychic powers to get them off of my screen and return to someone more
compelling.
The best part of Fade to Black’s
characterisation emerged from the chaos of Soul Society’s situation. The
effects of removing certain memories from the cast range from a decline in
confidence, to self-doubt, and even loss of hope. As such, with some characters
behaving in an unexpected manner, I was taken out of my comfort zone. For me,
watching Kurotsuchi’s complete breakdown towards the beginning was the
highlight of the film. Seeing one of the most composed, sinister, and predatory
of Bleach’s protagonists mutating into a terrified victim, wildly
swinging his zanpakutou around, was truly enthralling.OverallFade to Black’s
strength lies in demonstrating the side effects of the imposed memory loss
inflicted by crybabies 1 and 2. Regrettably, this doesn’t last long, and
instead of developing it a little more, the movie retreats to a safer and more
comfortable arena. While not a particularly bad film, Fade to Black doesn’t specially impress either. As shounen goes, it’s relatively good, and
certainly better than some of the fillers that make it into the main series.
Screenshots
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