Story
The story of the OVA is pretty much the same as any cyberpunk story. Basically Gally is restored as a big-haired human head atop an incredibly creepy biomechanical body, realises she has a residual memory of how to kick major bad guy ass, and goes ahead kicking major bad guy ass and accidentally falling in love. People in the Scrapyard go around ripping people's organs out through their skin to sell on; it's a pretty violent place to live. The story is all about Gally's relationship with Yugo. However, the relationship is doomed to disaster because of Yugo's obsession with reaching the idealistic city of Zalem. Overall I felt that the pacing of the story was poor. Gally meets Yugo way too early, and her past is not satisfactorily explained. All the really important stuff happens right near the end. The reason for this is that Battle Angel is really a manga and the manga is a lot longer and goes into more depth; the OVA's are apparently just like a teaser.I enjoyed the storyboarding in that various important scenes, such as Chiren donating blood to Yugo, and that black guy extracting Chiren's organs, were not actually shown but alluded to.AnimationBattle Angel is from 1993 and looks it. The character designs are besmirched with scribbles and black lines, and the characters all look more like caricatures, with wildly varying designs. It works well in some cases, but bombs majorly in others, to the modern eye. The animation is really nothing special either. As previously stated, the core of the franchise is the manga, however, so it's not so much a condemnation.SoundI didn't really like any of the Japanese voices; in fact, in a rare occurrence, I much preferred Gally's English voice. She sounded a lot more throaty, earthy and interesting, and since the story is about her personal journey, this is fitting. I enjoyed the ending theme greatly though: it plays like eighties R'n'B and captures the spirit of Gally's desire for Yugo.CharactersI will confess that I didn't really watch the first half of it properly, but, while I paid no attention to the character development, I don't think there was that much of it. This didn't stop me from caring about Gally and Yugo during the final segment of the OVA, though. The character development seemed to occur when Gally and Yugo got together in various abandoned factories to talk about reaching Zalem and/or their feelings for each other. On the whole, I was slightly annoyed that Yugo didn't grow as a person and realise going to Zalem isn't the be all and end all, but maybe that wasn't the point they were trying to make.The other characters in the story exist to illustrate the "industry" that reaching Zalem creates. Zalem is wealth and power, the castle in the sky that serves as the heaven of the
religion of materialism, and which literally shits all over the
characters who serve it in the Scrapyard. Zalem remains something of a
McGuffin in the story and there is a clear moral in there about how no
matter how hard you try, there will always be something you die reaching
for. I can't tell if the characters' worship of the city, despite its
treatment of them, is a commentary in itself of people's attitude to
wealth, or if they are trying to say that it's good that we have
motivations such as Zalem to drive the world on.OverallI'm not the world's greatest fan of cyberpunk: I think it's depressing and hard to relate to, and I absolutely despised Ghost in the Shell. Despite being utterly terrible in almost every technical aspect, I found this OVA a relatively moving experience and certainly enjoyable, and I can't really put my finger on why. It may have been the pacy storyline. The moral of the story was also refreshingly simple, yet remained slightly ambiguous. Wikipedia tells me that James Cameron is looking to adapt this to the big screen in 2013 in the same vein as Avatar and I would definitely be going to see it: I think it would adapt well as a film.