Alt title: Aggressive Retsuko

Web (10 eps x 16 min)
4.015 out of 5 from 8,014 votes
Rank #940

Frustrated with her thankless office job, Retsuko the Red Panda copes with her daily struggles by belting out death metal karaoke after work.

Source: Netflix

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Aggretsuko follows the titular character Retsuko: a single 25 year old red panda during her stressful experiences working as an accountant. She secretly sneaks refuge in a karaoke bar to blow off some steam with her death-metal (yes really, and it's awesome). Thing is that this anime is more than the marketing gimmick. This’ll be less of a review and more of a short thing on why it made me feel feelings. The ONA as a whole does a very, very good job at being emotionally resonant. I empathize with Retsuko’s anxiety from being overwhelmed. To my surprise it doesn't sugarcoat anything she confronts, including dealing with blatant misogyny from her sh*tty boss. The metal stuff isn’t just a running gag, she has every reason to be pissed off and it’s a believable catharsis. The music juxtaposes her being an otherwise sweetheart. Throughout the series she’s a people pleaser, making her a doormat to be exploited. Retsuko’s arc is her learning to be more assertive, both in her professional and eventual romantic relationships. I can’t reiterate enough that the show’s more than it’s shtick. The series loves it’s characters (mostly) and that makes me happy. Retsuko’s circle work off each other like friends would. It’s a balance between cartoonish and multidimensional. Fenneko’s deadpan snark to Haida’s neurotic dorkiness just work. Even the unlikable characters are great ‘cause they’re great at being unlikable (I’m paraphrasing Arkada). Their small victories are always satisfying because of their relatability, which is why it works so well as a slice of life type of thing. The animation is lively and only enriches such a character driven story. It’s simplistic and expressive. While cutesy and marketable the animators managed to capture a wider range of emotions, even if it’s not subtle, but that’s the kinda show this is. Both the English and Japanese VAs do a solid job in their roles, and unlike Devilman: Crybaby Netflix actually translated the lyrics to Retsuko’s songs. As a whole it’s a great example of aesthetic being apart of a show’s narrative. I’m not used to seeing anime about Millennials in the workplace, so it’s nice to see one well executed. The last one I could think of was Shirobako, but another comparison I’d make is to My Lesbian Experience With Loneliness. Aggretsuko took a simple gimmick and made it an empathetic story about the confusion of learning to adult, I can't think of a better compliment than that.


The real world is a tumultuous place. The life of a worker can be rather stressful in the wrong situations. The people in your life can be unbearable little shitstains that make you wanna beat them until they beg for mercy. The days are long and arduous sometimes, and the work can just keep piling on until you back breaks. It becomes such a blessing we always have resources to help keep our sanity at bay. We all have hobbies; we all have friends. We all have a reason to keep going with the cycle of days that make up the majority of our lives.Aggressive Retsuko is a commendable achievement. Its characters are so fully realized, fleshed out, and relatable that they are more human than most animated shows can even dream of. Their situations are as classic as they are comically relatable, and the way the show tells them is as genuine and endearing as it can get. Everyone except for that fucker Komiya gets some time to impress, even those whom we and Retsuko all saw as mind-numbing caricatures that embody everything we hate about peers and coworkers. Fenneko, Haida, Washimi, and so many others are a blast to watch, both in terms of seeing them interacting with each other and in witnessing their hobbies. Even if some moments are more out-there and convenient, what we are presented with is both entertaining, charming, and most of all, beneficial. Having such a fun cast to work with only seals the deal on making this uproarious piece of edutainment work.More people need to see this show. As discouraging as it can be for someone to see what a pain the work life is, it's more than worth it for them to see what kind of wonderful environments, relationships, and hobbies await everyone. It also serves as surprising reassurance that everyone is just a person dealing with things their own way, and that we just have to find those who connect with us to make our daily lives worth it all. The best part is that the show does this without constantly spelling out what it’s teaching. Honestly, even with the coarse language and booze, this show should be fun for the whole family. The Sanryo merchandising and style that Fanworks worked with so expressively, adds a layer of accessibility to the show. The dub being a real treat extends that reach even further.We watched The Simpsons and Transformers as children, so there is no excuse to not see this at any TV-consuming age.

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