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C: The Money of Soul and Possibility Control Review

July 6, 2011

story 3/10

C: The Money of Soul and Possibility Control screenshot

I imagine the executive meeting that inspired this dull, jabbering insult to my intelligence went a bit like this.

Director: I’ve been thinking lately we should do something deep and relevant about today’s global financial situation. It’s been all over the news and I think the kids would appreciate someone really bringing it down to their level.

Exec: Uhh, really? But finance is like so BOOOOOORING.

Director: Well, of course we could spice it up a little, you know, give it a representational hook or gimmick. I have one or two ideas that I think would really -

Exec: Oh oh oh! I’ve got it, I’ve got it! MASCOT BATTLES!

Director: What?

Exec: Write this down! It’s not often I get such inspirational flashes. I can see it now - economic conflicts figuratively enacted through pet monsters! ‘Cause everyone likes Pokemon, right??

The result, ladies and gentlemen, is this show, the worst possible marriage of everything that shouldn’t exist in anime. Dry, abstract exposition about money combined with utterly mindless battles between metaphorical creatures that have no real-life relevance. Burrow deep enough and C: The Money of Soul and Possibility Control appears to contain a human tale about taking huge financial risks for the sake of loved ones. That this is mere veneer becomes clear the moment we ask why the characters don’t just work overtime, get a second job, or aim for promotion, considering any of these require less effort for more guarantee. The financial battles are vehicles for an impending apocalypse caused by some… thing that gets no explanation. All we know is, at some point, a digitised whatsit begins to sweep through Japan and the hero has to do stuff in the ether to make it go away.

Not that the fights are any good either. Occurring without reason or logic, they generate about as much friction as a limp dick. Just as one combatant summons giant balls of fire, the opponent blocks with an inexplicable beam of sparkling blackness, all the while an electronic voice yells nonsensical financial jargon not even the Wall Street folk would enjoy piecing together (how to counter sensibly when your enemy has just thrown a hail of MACROFLATION!!?). There are no recognisable dimensions to the battles, no identifiable limitations that tell me ‘this person is highly skilled compared to that person’. Thus we must take for granted that Souichiro Mikuni, the cool, mysterious rich guy, is unbeatable because everyone says so; when he fights, I can’t actually tell.

animation 4/10

I’d like to put a message out there for the kids growing up on a diet of C-like atrocities: animated backgrounds full of feeling, atmosphere, and texture do exist. For evidence, look to Mahou Shoujo Madoka Magica or Eden of the East. The polygonal edifices we get in C bring to mind the artistic sensibilities of a McDonalds restaurant - cold, garish, and above all cheap. Effects happen, shapes and colours and patterns zoom past but none of it serves any discernible purpose except to distract us for another five seconds.

sound 7.5/10

In moments when the plot wholly eluded me, the score managed to restore some of the potency of the situation. Unfortunately, sandwiched between unmemorable opening and closing themes, and voiced over by a crap script, the courageous cinematic soundtrack gets entirely lost.

characters 3/10

If there’s anything anime needs more of, it’s teenage boys trying to get stronger. I’m being sarcastic, of course. What anime needs more of are characters I can tell apart from all the others. C’s cast melts into a giant pot of tokenism and archetype that effectively abandons the audience to apathy. I’m surprised, for instance, that the bland, pineapple-haired protagonist (had to look up his name, Kimimaro Yoga) was thought qualified to be one when his only notable features are being nice and harbouring angst about his long-lost father. The only vivid performance belongs to Masakaki, the guide of the alternate dimension in which the battles take place; he is a nod to Willy Wonka that strips away all the child-friendly veneer and replaces it with a chilling pitilessness.

overall 3/10

Colour me spoiled if you will, but I like to spend my time watching things that I understand. I like characters for which I feel empathy doing things I could imagine myself doing if I were in their situation. Most of the financial jargon the target audience will struggle to relate to and anyone who does will snooze simply at the banal abstractedness of it. Instead of a poignant metaphor on the dangers of economic risk-taking, we get a discombobulated mess that farts a host of vague concepts. The only emotion this show inspires in the process is boredom.

Anime Info

Kimimaro Yoga could use a break. At nineteen years old, he's not only a student at Heisei College of Economics, he's also a part time employee and flat out broke. So when an eerie man offers the boy a special ATM card and an exorbitant amount of cash, Kimimaro gives in to temptation – but there's a catch. In exchange for his good fortune, Kimimaro's very future is put at stake, held as collateral by the Bank of Midas and tied to the amount of yen in his bank account. In addition, he must participate in a special battle every week in the mysterious 'Financial District' – a battle where losing against one's opponent can mean bankruptcy, a fate that carries an unthinkable cost in the normal world...


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About the Author

VivisQueen's avatar

VivisQueen

I'll review anything as long as there are words in the dictionary to describe it. Disagree with me? Want to leave feedback? Please do, but take a look at my personal rating scale first.

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comments

beatlesgirl95 avatar beatlesgirl95
Jul 8, 2011

I wanted to watch this series.. but now I'm not so sure.. with a quote like: "Not that the fights are any good either. Occurring without reason or logic, they generate about as much friction as a limp dick." It doesn't seem like notable series... but I'm a glutton for punishment so I might just have to find this out on my own.

SadisticTendencies avatar SadisticTendencies
Jul 7, 2011

Seriously, what is wrong with all the reactions negative reviews receive? I disagree with perhaps 30% of all the AP reviews, but they're still supposed to reflect the opinion of the person who wrote it...

Sothis gave fanboyism-riddled Death Note a negative review, and I found that reasonable although I kind of enjoyed the show.

Sheex gave Shigurui a negative score based partly on the explicit content, and I find that reasonable as well.

There's only one review I've ever read that made me throw up my intestines in shock, and that was a positive review for the OVA "Eiken". I found it kind of hard to accept, but eventually I managed.

Anyways, great review Vivisqueen; I no longer have any interest what-so-ever to see this.

diz1776 avatar diz1776
Jul 7, 2011

I felt the same way about the series frankly.

default avatar Netosmar
Jul 7, 2011

While I think this series is pretty overrated(a lot of people I know think it's a must-watch), a 3/10 is a little low. It had it's flaws, I agree that the battles were completely boring and the animation was weird, but there was an interesting theme and it had some good characters, like the teacher. I'd say it should recieve a 6/10 at best. Maybe it's just that I find economy very uninteresting, but a lot of people may like it.

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