One of the most highly contested pastimes in the Rin household is deciding which anime series to watch next. Going into the show with the glimmer of a child’s eyes, I remember the sci-fi brilliance from my early years. My fiancé, however, needs the latest HD animation, top quality voice actors, action by the bucket load and no space opera. Sadly, Ulysses 31 only delivers on one of his unreasonable requirements.
With a relatively complicated build-up succinctly explained in the first episode, the stage is set for the bulk of the show. Manning the spaceship Odyssey is a crew consisting of the heroic Ulysses, his son Telemachus, Yumi the token alien, an annoying robot named Nono and a room of floating corpses. Travelling through the stars, they meet other poor-unfortunates who have felt the wrath of the Gods, even meeting the divine beings themselves as the adventure continues. With some highly amusing moments (such as Dad being thrown into a giant pinball machine), and some quite touching (Sisyphus condemned to a lifetime of repetitive and pointless graft on the whim of Zeus), the show ultimately suffers from bad-guy-of-the-week syndrome.
Very loosely based on “The Odyssey” by Homer, the ancient Greek mythology is treated to a sci-fi facelift. Taking the moralistic stance with a happy ending, instead of the bloody and gory storytelling of the original, it feels as if the tales fall short of their true potential. I acknowledge that anime adaptations will by necessity wind up a little different to an original epic tale; not all mythology can make a seamless transition to the animated medium without undergoing changes, and sometimes a few story tweaks can do wonders. However, as the confused direction careers away from the traditional you’re left with a beautiful car wreck; nice to look at, but would probably be better with all four wheels on the road.
Judging by current standards, the awkward character movements, blurry contrast and eighties futuristic styling look downright terrible. bearing in mind that the show is almost thirty years old, some of the special effects are extremely impressive for their day and even the lack of HD quality is forgivable. Shyrka, the ship's computer has what would have been breathtaking effects in the day, and some of the other warp type effects look almost like that of a big budget retro romp. Originally drawn in Japan, the pilot episode was completely redesigned with a European flavour – making Telemachus a much more beautiful golden haired boy, and Ulysses faithful to the image in Grecian history. This brash combination of styles is strange, but works very well to give the show a unique flavour.
A game of two halves in the sound department, the dubbed version of this show reminded me why subtitles are more appealing. The over the top reactions to some mild peril had me in stitches; with young Yumi as the worst culprit, she constantly bleats about saving her poor incapacitated brother, using a terribly faked and forced English accent. Combine this with the whiny nasal tones of Telemachus and the unfolding drama seems a little less dramatic and much more overacted. With light sabre sounds straight from Star Wars and the familiar swishy sounding doors of Star Trek, the series gives an overall nostalgic feel of the late seventies.
In complete contrast, the rocking opening theme certainly did not disappoint. Playing religiously through the upbeat tune in every episode, the robot dancing continues as the final track is the same as the first! The fusion of atmospheric acoustics interspersed with a rocking guitar riff gives the soundtrack the momentous flair of Flash Gordon, and eighties rock tracks almost as epic.
The unique and diverse cast gives the show a colourful family appeal. Ulysses, the bearded paternal captain, has somewhat of a sexy and attractive aura. He is consistently brave almost to a fault, with his protective nature frequently getting the ship into trouble. Children will love the adventurous Telemachus; a blonde haired, blue eyed poster-boy for Greek mythology with looks much older than that of a pre-pubescent male. Bearing in mind his age, he acts with a certain measure of maturity; never complaining about the crew’s predicament, he keeps his youthful and spunky charm throughout.
The sapphire skinned alien, Yumi, shares a mysterious psychic bond with her species and a natural aversion to violence. Causing her fair share of misadventure whilst trying to wake her brother, the young Zotrian usually acts completely selfishly, giving Ulysses no end of headaches. Nono is comedy relief typical of the era’s view on the robotic fuelled future. Reminiscent of R2D2 and C3PO, it seems his only real purpose is to chip in occasionally with a witty one-liner. Although there is no real character development throughout the twenty-six episodes, you can’t help but feel a certain amount of empathy, and belonging with the mismatched Odyssey crew.
With a view clouded by the shows brilliance during my childhood, I was probably a lot more forgiving of its glaring imperfections. Even if it wasn’t the diamond my 5 year old self remembers, the charm and allure of space adventure has stood the test of time. Truthfully, Ulysses 31 will not be a show to everyone’s tastes. However it will find a place in the hearts of sentimental children of the 80’s looking to be a kid and have some fun again. And space opera haters? My fiancé’s advice is to steer well clear.
It is the 31st century, and mankind has taken to exploring the stars. Ulysses, captain of the spaceship Odysseus, takes his son Telemachus on a space journey for his 12th birthday. When the children onboard the ship are kidnapped by an alien race to be sacrificed to a giant Cyclops, Ulysses rescues his son and in turn angers the Gods. His interference is punished severely – his entire crew are left frozen in stasis, and his ship’s computer, Shirka, has her memory erased so she can no longer plan a route back to Earth. Cast into the depths of space, Zeus commands Ulysses to find the realm of Hades before being allowed to journey back home. Along the way, the scant crew meet travellers who have felt the wrath of the Gods, and others who have been commanded to impede or even kill those onboard the Odysseus. Will Ulysses ever make it home, or do the Gods have a much more twisted plan in mind for the space explorer?
As a not-so-closet perv, I love watching anything involving panty-shots, handfuls of cleavage and an innuendo fuelled plot. Although most of my reviews will err on the risque, I also love the obscure, the twisted and things that make you think - drop me a line if you want to discuss any of them!
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