Thinking about Code Geass: Lelouch of the Rebellion R2 opens up some unpleasant internal conflict on my part; indeed, the ending is emotionally satisfying, but getting there requires twists of such unnatural contortions, that even I get cramp just thinking about it. Don’t get me wrong, Code Geass R2 is enjoyable overall, but I get the feeling it cheats its way out of providing what most fans actually deserve i.e. interesting characters and meaningful plot developments.
So what exactly is the problem?
In a nutshell, R2 gets struck halfway through with a bad case of Sudden Shambolic Misdirection; this downturn in quality happens so inexplicably that I’m convinced the original production team got sacked and replaced with animation students on crack. Even in the beginning, R2 displays a couple of minor irritants which aren’t present in S1, such as incessant ecchi shots of Kallen and an unnecessary influx of new and powerful characters. At first, these are easy to dismiss as temporary blips (after all, just watching Lelouch in action is exciting enough!). Eventually, though, things begin to catch up with Code Geass – characters start doing things that don’t make sense and most of the shocking “twists” actually turn out to make no difference to the story later on.
Above all, what really hurts the series is the eventual sidelining of strategic interplay in favour of mecha battles so excessive that the show might as well rename itself Code Geass: I Wanna Be Gurren-Lagann So Bad.
Having said that, Code Geass has always been a franchise obsessed with results – it will sacrifice almost anything to deliver an almighty twist at the end of each episode. The same can be said of R2’s story as a whole; plotting and characterisation (and yes, even the rules of chess) are crudely manipulated to make sure the series can deliver its ace in the hole. What’s surprising is that R2 actually gets away with it; in those final few moments, the pointless twists and directionless progression become vague memories lost in a single moment of pure ‘awesome’.
Indeed, for some this will be the only vindication necessary, or the miracle cure so to speak. However, I retain a healthy dose of scepticism for one very simple reason: while the final episode provides some delightfully poetic moments, simply knocking out a few great scenes can’t ever compensate for ten episodes of ill-conceived nonsense.
The character designs and backgrounds are bright and colourful as befits a CLAMP production, and Code Geass R2 generally boasts smoother motion and more exciting action sequences than S1. Unfortunately, there are still two elements which keep this series from looking perfect, namely the gratuitous ecchi shots sprinkled throughout the first half, and a few episodes towards the end in which the animation noticeably deteriorates (my guess is due to budget restrictions).
Although the voice actors deliver an accomplished performance throughout (yay for Lelouch’s seiyuu!), special praise must also be reserved for the score. Many of the scenes are perfectly accompanied by haunting choral pieces or thrilling instrumentals which should make for a soundtrack worth spending a few pennies on. My only reservation here is in regards to the opening and closing themes; unlike S1’s catchy ‘Kaidoku Funou’, R2 brings rather nondescript pop themes to the table.
Nobody can claim that the cast of Code Geass has ever been superbly realised; in R2, however, they become downright incomprehensible. The best example of this is Lelouch himself. His goal at the beginning is clearly to protect Nunnally, but later, he starts to bounce from one contrived motivation to the other, confusing not just his companions, but also any discerning viewer. If Lelouch wasn’t so single-mindedly compelling, his final development would be a textbook example of how not to characterise a protagonist.
With that said, what also doesn’t help is the existence of two characters so annoying that I constantly wished they would die, die, DIE! I’m speaking of Nina and Suzaku, of course. While I can just about forgive Suzaku for being an essential element both symbolically and plot-wise, Nina is ninety-nine percent useless and seemingly exists just to be an eyesore.
As for Cornelia, Kallen, Xinque and the rest of this colourful bunch, feel free to pick your favourites – it really doesn’t matter, because chances are they won’t end up doing much anyway. Too many times what appear to be brilliant new additions to the cast only end up hanging around like deadweight and even veteran cast members turn out to have no meaningful roles whatsoever. With each one falling prey to the story’s fickle whim, the ultimate effect is that too few of them remain interesting to watch in their own right.
Code Geass S1 is from beginning to end one of the most enjoyable anime of all time; conversely, Code Geass R2 is predominantly a big fat anti-climax. Conveniently, it delivers a hefty emotional punch at the last minute, ensuring in the process that it will be remembered with great fondness rather than bitter disappointment. In that sense the final episode could be read as a masterful move, although I think it’s more like skilful cheating. When all is said and done, any emotional connection made with R2 is only possible because of S1’s outstanding groundwork; for example, Lelouch remains sympathetic for miracles he used to perform as opposed to any of his actions here. As a standalone series, R2 is shamefully lacking; as part of a set of two, however, its worth lies in delivering the only thing S1 was missing – a spectacular finish.
Area 11 is still under Britannian rule and the Elevens remain brutally oppressed; what’s more, their saviour, Zero, is nowhere to be found and all of Britannia believes the rebellion is finally over. Elsewhere, having lost the battle, Lelouch sets his sights upon winning the war – but the task is no easier since the Britannian forces have learned some valuable lessons all of their own. Not only have they discovered his identity and captured many of his Black Knights, but they now manipulate the memories of all of his friends. Worst of all, they have taken the most precious thing in his life – his dear sister, Nunnally. With his hatred for the Britannians stronger than ever before, Lelouch must now recuperate his forces and bring their rule of terror to an end.
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I'll review anything as long as there are words in the dictionary to describe it. Disagree with me? Want to leave feedback? Please do, but take a look at my personal rating scale first.
VivisQueen: I would like to thank you for at least taking the time to read my comment, even though I'm afraid we will nevertheless have to agree to disagree.
I think it's important to point out that my words weren't exclusively meant to be a response to your review but were intended, primarily, as a general overview of my thoughts about the show and a criticism about how others appear to perceive it throughout the web. In other words, I wasn't trying to only address your particular views so there are several statements that may not, in fact, be entirely applicable to this particular context.
I don't believe you are insincere or unintelligent, not at all, but perhaps that's where the principle you've just mentioned applies: If you don't like or enjoy something, you're going to be more critical about its flaws and, if necessary, cynical about its virtues. If you do, then you're going to be more forgiving and appreciative. I hope we can agree there.
The show certainly had too many ridiculous moments, even from my own perspective, but just as you might conclude that they were disastrous for both your enjoyment and suspension of disbelief, in my case that wasn't an issue. I was able to tolerate or, more importantly, understand the point of superficially absurd occurrences because there was, whether immediately or retrospectively, an apparent sense of basic coherency to the overall plot even if specific details were blatantly sloppy and messy. I may have read too much into certain things, yes, but perhaps there were also occasions where you read too little and missed something. Either way, that's not outside the realm of possibility.
This doesn't mean that you are wrong and I am right, nor vice versa, but it is simply my own conclusion after having seen the series twice and thinking about it. You're quite free to support an entirely different line of thought, most certainly, just as I will stick to my own.
PS: For whatever it's worth, I completely agree with your recommendation for Legend of the Galactic Heroes. It happens to be my favorite show, as a matter of fact, and is definitely one of the few shows with a real sense of political and ideological maturity that, naturally, makes not just Code Geass but far too many anime series look absolutely primitive and superficial in comparison.
Now that sothis has removed the crazies, I'd like to address some of the more interesting responses:
Souther: "First, there's the evident fact that many now place the first season in a golden pedestal it never deserved precisely because they want to make R2 look not just worse, which it is, but inherently useless."
I watched both S1 and R2 as they aired. I rated Code Geass 8.7 months before the second season aired so its rating is not relative to R2. Code Geass is one of my favourite mecha shows because I genuinely enjoyed every moment of its corny, fast-paced, if verging on ridiculous journey. R2 flopped because it didn't verge, it crossed the borders of ridiculous with a mighty leap. I did see some of the recurring flaws in S1 but thought the show had a refreshing gall and daring in its breakneck execution, but also allowed me to feel thrilled to bits because I didn't have to worry about its basic coherency. My ratings and opinions are always sincere, and not because I'm overly emotional, irrational, have an ulterior motive, didn't pay attention, or am stupider than an 11-year old. I will also clarify that I never saw this show as 'useless'. In fact: “As a standalone series, R2 is shamefully lacking; as part of a set of two, however, its worth lies in delivering the only thing S1 was missing – a spectacular finish.”
koogco: You made a point about the difference between enjoyment ratings and 'review' ratings. I make no claim to separating the two ways of looking at an anime (cassiesheepgirl and ThePatches do, however). In my view, if you enjoyed an anime, you look at why this is so and stress it's good points. If you don't enjoy the anime, you do the reverse. If you think you are the wrong audience for a particular show, then don't review it in the first place. Bottom line: I did not enjoy this sequel, and when I looked critically at why, I found many valid reasons. As such, it scored dead average (yes, AVERAGE - see my rating scale).
SluggaSlamoo: "The reason i want to comment is because this review by-far biases its rating on minor inconveniences like fan-service, over a story which would require a genius author well grounded in fields such as war strategy, diplomatic relations, history, psychology, Sun Tzu, and so on."
I can't comment on your understanding of real war strategy, diplomatic relations, history, psychology etc, but speaking as a Politics graduate who has dabbled academically in most of these fields, I'd say Code Geass has no meaningful relation to any of them. For a genuinely outstanding political warfare sci-fi with intellectual depth and plenty of moral grey areas, look to Legend of the Galactic Heroes.
Re: my Overall ratings... they're never mathematical calculations because Animation/Sound usually count far less towards an anime's quality than Story/Characters. The reason I use decimals is mainly to rank the anime. R2 5.4, Kurozuka 5.5, Black Jack Movie 5.6, FMA: Shamballa 5.7... I base the specific ratings on where I think a show ranks in comparison to other shows I've reviewed. Believe it or not, what made me eventually rate R2 5.4 is how I saw it relating to FMA: Conqueror of Shamballa. Similar disappointing experience - great ideas, poor execution, lacklustre characters.
Thanks to everyone for their feedback - the constructive comments, critical and positive, are all taken on board and will hopefully help make me a better reviewer in the future. :)
It was good. Amazing... far from amazing. But I enjoyed it thoroughly. The emotions in the series was shallow in my opinion, but the action and twists were good.
I kinda disagree with this rating. I actually just finished watching both seasons back to back over the past few days, and I must say I think R2 was better than the first. The animation was crisper, tensions and emotions were raised, and a lot happens without any of the boring foreshadowing you see in most anime.
Of course, there were a few bad episodes thrown in there full of fluff (such as the Lelouch Love episode), but the majority were dramatic and action packed at the same time.
If you gave the last season an 8, I'd think this season is worthy of a 9.
I'd have to take some points off the sub though... some of those lines flew by fast and furious! I might have to rewatch it dubbed to make sure I understood alot of the heavy stuff they were talking about in the last 5 or so episodes.
This deserves a 10/10 in my opinion. I've never been so on the edge for an anime, waiting, wanting, and thinking "Holy SH**, what's next?" The characters weren't developed A LOT as in an anime such as Clannad, but they develop a lot. The story has never been as intriguing as it was for any other anime I've ever seen. I don't know about you, but 8/10 for sound is just plain ridiculous. You must tell me another work with a better soundtrack and voice acting, that can meet your expectations of a 10/10. Like come on. This will be known as one of the best animes of this time. It will be a classic that is not without flaw, but what isn't? I agree that a lot was sacrificed for the sake of dramatic twists at the end of each episode, but I rarely felt it was forced or a WTF moment to me. Your overall score of Code Geass was disappointing, in my opinion, and is BS through and through, no offense to you.