Neon Genesis Evangelion was extremely popular in its time (some would say, it still is) and I believe the main reason for this is its captivating storyline. While the idea of humans riding around in giant robots wasn't particularly new when it was released, with series like Gundam and films like Roujin Z preceding it, Evangelion does successfully bring new ideas to the "mecha-table". We're given the impression right from the very first episode that the Evas aren't fully under the control of the humans who created them - that there is something more to their existence than meets the eye. The same can be said for the Angels, the enemies who seem intent on destroying the human race, though it becomes apparent during the series that they are an unknown enemy. Shinji, the main character, finds himself frequently asking why he is fighting them, and at one or two points, the border between friend and foe becomes noticeably blurred.So why not a higher score? Admittedly, despite the "enemy of the week" format that is never really explained (the attack in episode 1 is said to be the first in 15 years, and then they happen nearly every episode after that - why the increased frequency? Who knows...), it would have achieved a much higher score - without the final two episodes. What ruined this series for me, quite simply, was the ending. Without spoiling (though there's not a lot to spoil), I detested the way the director felt it necessary to alter the tack of the series in order to explain his overriding philosophy. I much preferred the small anecdotal philosophies that had subtly been dotted throughout the series up to that point - but in the home straight, all plot was thrown out the window in favour of some arthouse nonsense, that didn't seem to deserve the time spent watching it.What annoyed me most is that this was considered "an ending" when nothing ended at all. The series ends in stasis. It ended more because the 26 episode limit was up than because there was a reason to end it.
I'm afraid to say that Evangelion is feeling its age now. I acknowledge the fact that this was the last cell animation of its kind (before CGI was introduced into anime production) but it is found to be lacking at times. A number of occasions, I found myself staring at a still image for what seemed like an eternity for no apparent reason - sometimes even without dialogue! I admit that some of the scenery is still stunning (the forest landscapes and Tokyo 3 when it's in lockdown in the Geofront) and, in its right place, even the "arty" ending scenes could be inspiring - but (and it's a big but) I feel the only well-animated scenes are the Angel battles. If it wasn't for their extravagance, this series might as well be a slideshow.
One of the few things that Evangelion gets right most of the time. Yes, the music is reused a lot of the time (especially the Angel battle music) but it suits it well, and there's a genuine feeling of menace behind it. I also felt that the inclusion of Beethoven's Ode to Joy was a nice touch and one that becomes weighted between two of the characters late on in the series. The opening song deserves an honourable mention as well, purely because it's a great piece of music, which is quite rare for anime openings these days.
I'm often torn on this subject, though I feel it's largely because I'm looking at the characters retrospectively. Because of series like Bokurano and Now and Then, Here and There, the idea of depression and trauma in characters doesn't seem as new to me as it did when I first watched Evangelion in the late 90s. However, the motivations are key to what makes this anime worth watching. Shinji's hatred for his father is dissected, analysed and re-evaluated several times throughout the series, and it becomes more interesting than the Angel battles themselves. Similarly, this is one of the few series where you're more interested in how the characters don't interact with each other rather than any possible romance that could form. From very early on, you get a good idea of character and while there's progression, they never stray into the land of stereotype. Coupled with the most reluctant hero ever to grace the screen, and you're onto a winner.My only regret is that Rei Ayanami (who I maintain is by far the most interesting character) isn't explored as much as she should have been. There are a number of revelations about her that are somewhat eye-opening if confusing, but they never really amount to anything in the series, and it becomes a frustration that you never find out what the truth behind her actually is.
Considering how much I enjoyed the beginning of the series, this is a low score, but I'm afraid the ending just killed it for me. It made me feel as though the director had given up on the plot, that the plot hadn't actually been important at all, and that all that remained was a driven philosophy that I had little taste for. This series would have been so much better with a well-thought-out ending that actually tied together some of the loose ends left from earlier in the series. It's fine to delve into character motivations, but Evangelion does it with a blinkered eye, and all its good points are lost when you reach that final episode.I still recommend Neon Genesis Evangelion, as it is a thrilling watch, and at points, you will be carried away by the story. However, brace yourself for a disappointing ending. The director released two movies to rewrite the ending, so the series is far from complete, and I can only hope that in watching those movies, I will find the conclusion I feel this series deserves.
In the future, a devastating event known as Second Impact destroyed Tokyo as we know it, giving rise to the current day Tokyo III, a city under siege by mysterious lifeforms known only as Angels. Mankind's only defense are Evangelions, man-made machines piloted by Rei, Shinji, and Asuka, all who are the tender age of fourteen. The fate of Japan and the entire world now lie with these children, though they might not have the power to save the most important thing of all: each other.
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Honestly I don't understand how you people could stand the characters. Well, one in particular. SHINJI. I HATED HIM. I was literally screaming at the TV for him to stop being such a baby. He pretty much ruined the series for me.
Evangelion was one of the first animes I watched, and I LOVED it, until the end. I felt that it wasn't necessary to watch 24 episodes to get to know the characters, just to watch 2 episodes to get a moral lesson. I probably would've also given Eva a higher overall score, but not by much, all because of the ending.
Terrible ends in anime make it feel like you watched everything for no reason, and NGE's ending ranks among the top 5 worst in my book. Also you are right except for the Evangelion battles the animes was mediocre, the sound was fitting, but nothing epic except for the op. I think I would've rated it a 6.5/7 just because the characters were done so well in the anime.
Who said it knocked it from a 9/10? I never said that. I actually thought the story was one of the weaker aspects of the series - I personally kept watching for the characters. And the ending is important when it comes to the story section - most series rely on the ending to make the story worth a damn, so if the ending messes up bigtime, everything before it becomes inconsequential, pretty much wrecking the whole story. That's what happened here.
The art is generally no better than series from several years before it (and it doesn't even hold a flame to things like Akira, though admittedly that had a different budget) and as I said, it's only really the Eva battles that are visually stunning. The rest of it is pretty non-descript and generally uninspiring. Age doesn't help it, true enough, but when you watch a whole minute of the same still... well, that's not what I consider "good animation".
NGE is my favorite anime of all time. I understand why people do not like Shinji but if you cannot treat him as a real character and sympathize with him then, why watch the show? Imagine if this were real, i know its not but pretend your Shinji. If you were doin anything but shitting your pants then, just wow, your about as badass as chuck norris on meth fighting the A-team in the thunderdome. In all reality your not supposed to like the characters. Anno meant each major character to represent a different serious mental issue. shinji; you can guess but (complete introvert, mommy issues: Oedipus complex). asuka; narcissistic personality disorder. Misato; daddy issues... the list goes on. So really unless you can relate to them in anyway then you should not like them at all. I hope to not come accross as attacking but i have watched alot of anime and most of which are not marked on my profile (first time accessing a site of this nature) and was shocked to find this rated so low. Also the series is meant to have the movie attached which expands upon the ending its not truly all that different. Also 2, the story is actually well defined its just harder to get. i personally dislike anime that just throws it out there like lelouch (the twists are great) but have no real sense of mystery and the characters have i no way a realistic personality. Thank you for your time...