StorySky Crawlers takes off with a stunning action sequence; two fighter pilots engage in a dogfight as speeding bullets rip an aircraft's backside. Don't let the dramatized trailers fool you, this film is anything but a adrenaline-pumping thriller. On the contrary, many will find Sky Crawlers snooze-worthy due to its sluggish pacing and introspective plotline. Indeed, the movie's melancholic tone and bleak, listless characters will leave some confused or bored stiff. With that said, I loved this film.
Sky Crawlers doesn't subscribe to the tried and true formula of entertainment we expect as viewers. It's decidedly slow and it refuses to spoon-feed its themes to the hungry anime masses. Instead, much of the movie's meaning lies beneath the surface of its dialogue, revealed through the actions and unspoken thoughts of its characters. Pilots drink and smoke like fiends, indicative of their apathy for their own health - a moot point when one hangs on the edge of death. From the start, we aren't privy to the information surrounding our protagonist or the endless war he fights, lending an air of mystery to the narrative. Events unfold aimlessly in the first half, and long periods of dreary silence dominate in between battles. However, by the film’s powerful conclusion, the details are slowly pieced together and Mamoru Oshii's message lingers long after.
Some take Sky Crawlers as social commentary on the nature of war and peace, and the philosophical questions it poses are debatable. The more palpable theme, I would argue, would be the loss of innocence. Pilots, or "Kildren", are perpetually young and immortal unless physically killed; they're disturbingly anchored in adulthood through war, sex, and violence. When Commander Kusanagi is labeled "immature", symptomatic of being a child, Yuichi counters, "for people who might die tomorrow, do they have any need to grow up?". Neither children nor adults, these pilots are stuck in an eternal limbo, one in which all hope of change has been abandoned. The anime questions this growing culture of jaded youth, and in turn, boldly asserts that we do something about it. Fortunately, Sky Crawlers isn’t simply a film about war, but rather, a film about humanity.
After the devastating (yet rewarding) conclusion, I could easily forgive the dull, meandering first half. If anything, the lack of a concrete timeline enforces the anime’s overarching message. However, clocking in at two full hours, the movie could trim some of the fat; several long, drawn-out silences and superfluous scenes eat up the time. Not to mention, there's an unceremonious info dump towards the three-quarters mark. That said, watching Sky Crawlers is like peeling a tough fruit; if you have the time and patience to shed the layered skin, you’ll reach the meaty core.Animation99.9% of the time, CGI in anime sucks. The awkward overlap of 2D objects over 3D backgrounds never ceases to make animators look lazy. Sky Crawlers is a noteworthy exception. Production I.G. rendered each exhilarating aerial bout in CGI, and the result looks fantastic. Planes don’t just explode; their tails are ripped apart, engines are blown to smithereens, and smoke trails slash the cloudy skies. At its best, Sky Crawlers' animation looks photorealistic. At its worst, the 2D-3D overlap lasts for a couple of seconds. Purists would ask for hand drawn dogfights, but frankly, the CGI doesn't take away from the overall experience.
The art is stylistically bleak, oppressive, and drained of all color - think Pale Cocoon. Character designs are straight-laced, and for the most part, motions are fluid. The muted color palette suits the cynical atmosphere of the anime, never overpowering the main focus of Sky Crawlers: the story.SoundInstead of using standard seiyuus, Oshii acquired live-action actors such as Rinko Kikuchi (Babel) as Commander Kusanagi, and Ryo Kase (Letters from Iwo Jima) as Yuichi Kannami. I was impressed with Kikuchi’s brilliant portrayal of the cold, professional Kusanagi; her voice projects a sense of desperation and pain that suggests the flawed world of the Kildren.
On the soundtrack side of things, nothing is strikingly remarkable; music is sparsely used and only one orchestrated motif is memorable. For a better score by Kenji Kawai, see Seirei no Moribito or Oshii’s seminal Ghost in the Shell.CharactersDo you like the taste of vanilla? Well that’s exactly the flavor of Sky Crawlers' characters. They are essentially blank slates with little to no personality or growth. And yet I felt sympathy for them, only because they were pawns in a much larger game. Unlike mainstream movies, Sky Crawlers' story drives its characters, not the other way around. The lack of three-dimensional personalities may hurt the plot more than help it, but depending on your reaction to the story, you'll either sympathize with the protagonists' plight or not care about them entirely.
Kusanagi is the only memorable individual, solely because there is more to her than meets the eye. We start to see the chips in her cold armor as she grows intimate with Yuichi, whittling herself down to a self-destructive, emotionally bankrupt person. She is as perfectly capable as she is flawed and fragile. Although I didn't connect with her character, I pitied her numb existence; trapped in a static world, Kusanagi's reality bars her from experiencing humanity.OverallThose looking for light entertainment should steer clear; Sky Crawlers is a dense, moody film that's best when not taken at face value. Some will likely fall asleep from the ambiguity; others will be intrigued by the mysterious atmosphere, long enough to engage with the surprisingly profound plot. The snail-like pacing and flat characters make this movie a hard sell for any anime fan, but for those in search of food for thought, Sky Crawlers may prove to be a welcome feast.