Regardless of your opinion to the series, Welcome to the NHK should be appreciated as a well-made anime solely for the fact that it encompasses so many different genres. You can find a little bit of everything in the series, which is what any great show should be looking for.
Story: 6 out of 10
Welcome to the NHK jumps back and forth between focuses. At times you think it is a series about a Hikikimori, then you think it's about his dream to be a video game designer, then you think it's about his relationship with Misaki. The fact of the matter is, the storyline is all and none of these if you will. Now, now, allow me to explain. All of those elements, and many more play out through arcs in the series, but the bottom line, is when all is said and done, the series doesn't have much of an actual storyline. It's difficult to explain without giving away spoilers, but NHK's final storyline is nearly nothing. Just a slice-of-life for a depressed, young adult.
Animation: 8 out of 10
Animation for NHK is beautiful, and fluid, but it can also be quite patchy. There are budget shots to be seen every now and then, and sometimes the characters anatomy can be really fudged up. Outside of that though, the animation is well above-average.
Sound: 7 out of 10
I don't usually do this, but I watched the series dubbed, and against my better judgment, I will admit that well freaking done guys. One of the better dubs out there. I don't believe anyones voice but Nanako's obviously fake accent through me off. Toss in some catchy opening and ending songs, and we have one hell of a sound department.
Characters: 10 out of 10
Easily the strongest point of the series, this is strictly a character piece series. Whether is be the innocent, and mysterious qualities of Misaki, the brave, and passionate qualities of Yamazaki, or even the at times calm, and then at times schizophrenic qualities of Sato. Even the minor characters are written wonderfully. Senpai is beautiful, but fractured, and the episodes with her on the island were some of my absolute favorites in the entire series. A second wonderful character is Megumi, who appears calm at first, but we quickly learn of all the weight she has on her shoulders.
The storyline spans several years, as as such, the characters not only age physically, but mentally they are constantly growing. It's a real treat watching them overcome all of their faults, and find some sort of happiness in that crazy thing we call life.
Overall: 8 out of 10
Overall, Welcome to the NHK was peculiar, and borderline schizophrenic at times, but the great moments are truly great, and make up for some of the slower moments in the series. It's confusing, NHK, because at first I had thought I was watching a comedy, and then I thought I was watching a show about 2 friends making a living together. Near the end, I thought I was watching a tragedy. However, like I mentioned earlier, it was all and none of these elements, and it made for a truly enjoyable watch.
Welcome to the NHK a story about a hikikimori trying to become a normal person, make a gal game and find love.
Welcome to the NHK follows the story of a recluse or hikikimori and his attempt to over come it. In the process with the help of a friend tries to make a gal game, find love and deal with several other comical situations and heart welming and cramping. The story is well put together and deserves a 8.5/10
Another anime by Gonzo not expecting anything less. They meet all my standards I have set for them. The scenery looks great, character well made, and the NHK deamon doll thingies look just as good. All elements are well put together and Gonzo pulls an easy 9/10 from me with Welcome to the NHK.
This series has great english dub cast.But what makes the sound get the 9/10 is how thye put all the other elements into it. Wether it be his cellphone ringtone, the first half outro song which is insainly awesome or all the other crazy sounds from his conseracy thoughts or the sounds put into the game they are all well put together and tought over.
The chracters for Welcome to the NHK had the ability to make you feel for them, wonder why the hell they did what they did, laugh at them, and just plain get annouyed of them. This story doesn't contain too many minor characters and the ones it does are developed well even if they only show up in a few episodes they did a very great job earning them the 8.5/10
Welcome to the NHK is a must to watch and add to the collection. Its plot is like no other and will keep you watching from episode 1-24. Its ability to have everything from the sad to the histerically funny makes this series great. Like several other animes I cannot say why I rated it only a 8.75/10 without spoiling something never the less I will be purchasing this and adding it to my collection.
(thanks for the suggestion alphabetglue from youtube)
What do a delusional recluse, an obsessive otaku, and a misfit missionary have in common? Utter insanity would be the right phrase to describe the crazy-fest that is Welcome to the NHK!. A black comedy set in modern day Tokyo, Welcome to the NHK! follows the not-so-normal lives of four young adults as they struggle to find meaning in an often unforgiving world.
Sato Tatsuhiro, a lazy and neurotic shut-in, is an unemployed hikkikomori who sleeps 16 hours a day and isolates himself from the human race. Welcome to the NHK! is all about Sato’s exploits, obsessions, and ruminations as he finds himself caught in the dark bowels of Japanese society. Hold on—why would an anime that revolves around the everyday life of a creepy, socially inept hermit make an interesting story? Well, why not?
What makes the story of Welcome to the NHK! so appealing is the fact that it achieves a sense of realism that is often blurred in other anime. As one begins to sympathize with the human dilemmas these characters must face, it becomes easy to relate to the ups and downs of Sato’s progression. This emotional roller coaster is split into multiple arcs that drive along with such perfect pacing; you will cry (more like I cried).
With each new obsession Sato finds himself trapped in a pyramid scheme, lured into the realm of otaku fetishes, and addicted to a fantastical MMORPG all whilst desperately trying to escape his hikkikomori ways. Through Sato’s journey, Welcome to the NHK! explores weighty themes of death, delusion, and suicide—but doesn’t toss them out of nowhere like a sappy melodrama. Rather these themes are insinuated through dark, satirical humor that poke fun at the absurdity of modern day Japan. For example, when Sato reenacts a heroic snowball fight, Yamazaki states, “a drama has a progressive plot, an emotional climax, and a resolution…but our lives aren’t like that”.
Indeed, as in reality, there is no “end” to this story, but merely a continuation of the human struggle through life’s hardships and anxieties. Rather than progressing linearly, the plot builds upon layers of character revelations and emotions to create a cohesive whole. All the themes explored within each story arc converge in a finale that brings Sato full circle.
Despite this, the only gripe I have about the ending was the fact that Sato still relied on the crutch of blaming the NHK “conspiracy” for every setback that occurred. The show took a “glass half empty” approach while the conspiracy motif functioned as a scapegoat for the characters to scorn the world rather than a reason to look inward. Perhaps Sato realizes that the NHK conspiracy is another delusion in his head, and perhaps the very idea that the world is NOT out to get us is the truly fearful thought.
Although it may lack consistently gorgeous animation, Welcome to the NHK! boasts visuals that suit the style of the anime very well. Character designs are clean, and the bright color palette lies in stark contrast to the dark underbelly of the show’s intent. Not to say there aren’t any gloomy scenes—indeed, some of the show’s most hellish moments take place in Sato’s trash-infested apartment. Oftentimes the innocent, brightly-colored art transforms into the bizarre as Sato ventures into the psychotic recesses of his mind. From Freudian dream sequences to outrageous outbursts of the psyche, the slipshod animation emphasizes Sato’s instability and fluctuating emotions. All in all, the animation style complements the changing physical and psychological state of its characters, yet paints a realistic portrayal of modern day Japan.
Voice acting is top-notch, and both the Japanese and English dub are quality work. But the soundtrack is truly the most breathtaking, lighthearted, emotional insanity I have ever heard. Every sweeping ballad, melancholic harmonica solo, and bubbly pop song flawlessly matches the atmosphere of every scene in Welcome to the NHK!. Even when the music doesn’t match the tone, the contrast ties perfectly into the sarcastic wit of the series. For example, the opening credits bombard us with an upbeat J-pop extravaganza—a fitting title song for a depressed and delusional hikkikomori. Pearl Kyoudai composed an eclectic mix of poppy rock, seedy blues, and heavy metal to represent the emotional spikes and lulls of Sato’s deranged psyche. By all means, buy the soundtrack, download it…it is amazing.
The slightly twisted cast of characters in Welcome to the NHK! is truly what makes this anime shine. No matter who you are, there will be at least one dysfunctional character you will be able to sympathize with. Sato is an intriguing character study on his own, but his progression (and regression) is triggered by the influence of the supporting cast. That includes the moe-obsessed otaku Yamazaki, a college freshman set on designing a gal game, Hitomi, a paranoid drug addict full of conspiracy theories, and Misaki, the innocent “do-gooder” set on saving Sato from his hikkikomori ways. Although psychologically disturbed, these social outcasts succeed in pulling my heartstrings in the most charming fashion. It is not out of pity that I empathize with them, but because they are extremely relatable there is no choice but to root for them—hoping that they find some affirmation, some shred of light to catch that elusive “happiness”.
Welcome to the NHK! is an entertaining, yet engaging journey into the both the positive and negative aspects of the human psyche. Moreover, it takes a humorous and sarcastic look at the “bottom-dwellers” of Japanese society. In the end, Welcome to the NHK! simply follows the lives of people caught in a vicious cycle; one must define their own happiness in order to escape the cycle. If you want a hilarious, yet touching story with memorable characters, look no further!
Welcome to the NHK (Japaneese Hikikomori Conspiracy) review.
The first time I heard about Welcome to the NHK was a funimaton add on anime-planet and medicore slice-of-life drama anime was the first thing i thought about after reading, the few uninformative tags on the site did not help alot either.
And then 2 years without giving as much as a thought to this anime untill one day my friend was talking about this hillarious new anime he had been watching called Welcome to the NHK. He convinced me to watch it and I am not regretting even the slightest breaking all my expectations with the awesome weirdness and humor this anime provided.
So, what is it that makes this anime so good?
That is the weird main character satou and the people he meets on his quest somewhat reluctantly to get rid of his hikikomori ways. Satou's social withdrawal get's him involved in alot of dysfunctional addictions or activeties some we might even recognise ourself in. From making ero games to playing mmorpg games and internet suicide meetings makes our sosially withdrawed main character Satou go through alot of comical but psychological filled situations and at the same time bring out the ways of the N.E.E.T, hikikomori and other social problems we dont give much thought to.
Addition to the humor the anime sometimes makes you think, specially about how the whole anime and internet culture is shaping our exsistance today with the closeure of the real world while spending more and more time infront of technological devices and sosial media like facebook,mmorpgs,twitter and the likes that many of us in the anime culture have come across. In the end maybe we all have a little bit of satou in us.
The animation is done by GONZO and is just allright,but some characters might feel bland sometimes compeared to the hand drawn characters of end 90's early 00'. All in all the animations and sync is allrght and in no way horrible.
The opening song is very plesant and unlike most newer animes above medicore . the animation in the sequence is really fitting to the show and so is the lyrics .
The first ending song cought me by suprise as it starts out just ok and then suddenly bam go all psychological, in a good way. At least I ended up humming "abababababa"~ a loong time after I finished the show.
Music in the series is allright jpop but not epic by any means. just right.Voice acting is much better than many newer animes I watched japaneese dub with english subs but according to my friend the english dub is even better!
Overall the OST might be just at the level of Trigun or Irresponsble Captain Tylor wich both are really good.
Satou is the most interesting funny and weird character in a long time. most likely satou makes up most of the interesting part of the plot but the supporting characters are somewhat interesting too.
In the end a noteworthy awesome anime.
What you are still reading? go watch Welcome to the NHK you wont regret it.
Note: Nope, haven’t read the manga yet.
Almost nothing is better than watching a show that exceeds all of your expectations. I jumped into this series expecting a polished rehash of the same old theme that almost all ecchi shows have: namely, one (or more!) cute girls inexplicably falling for an insultingly spineless Keitarou-clone loser. However, this GONZO work is not, by any stretch of the imagination, your average nerd-meets-girl. On the contrary, Welcome to the NHK! is a remarkably strange series – one that happens to be among the best of the year.
What makes the series so excellent is that it manages to work well on not one, or two, but three levels.
The first level is the one most people will enjoy the show for: namely, a witty romantic comedy involving quirky characters in unusual situations. Most of the laughs in the show come from the protagonist, Satou, a loveably dysfunctional shut-in whose tendency to fall headfirst into social problems is tempered only by his relentless paranoia. Most of his personality is developed through internal monologues, which, as with Kyon from The Melancholy of Suzumiya Haruhi, quickly flesh him out into a likeable, albeit bizarre, protagonist. Coupled with some equally strange but equally appealing supporting characters, Satou leaps from one anti-social obsession to another in rapid-fire succession. The bizarre situations Satou finds himself in, coupled with his strange personality, make for plenty of laughs and give the show a good deal of charm.
The second level is less immediately appealing, but is nonetheless fascinating. Alongside the comedy, NHK provides insightful commentary on Japans many societal problems. By unwittingly finding himself in the middle of some of Japan’s most dysfunctional circles, Satou acts almost as a medium through which the audience can see usually distant and abstracted problems up close in frightening detail. From the internet suicide chat-rooms to the NEET shut-ins, the anime gives faces, motives and reasons to these important and alarming statistics. In the end, in addressing real-life problems in Japan, this is probably the most honest and believable anime out there.
Finally, there is a third level that surfaces most near the end. Put simply, NHK is in part a desperate search for meaning in a vast and lonely world. One of Satou’s most telling lines is, "I am alone in the universe." His inability to relate with society almost forces him to be what he is – a lonely, emotionally neutered husk of a human being. This theme carries over to the supporting characters as well; each troubled soul searches endlessly for some hope, some iota of meaning, and always comes up short due to his or her own insecurities and idiosyncrasies.
While this anime could have been good with just the first two “levels” of entertainment, the third level is really what makes the show. There is an underlying sense of poignancy running through the entire work; even as I laughed at Satou’s numerous shortcomings, the sad truth is that I saw a lot of myself in his exaggerated character. As individuals who necessarily live at least somewhat on the fringe of society, I suspect other anime watchers will have similar thoughts.
I was a little apprehensive to see GONZO helming this series. However, unlike other anime by the studio, GONZO doesn’t allow over-p=roduced animation to interfere with the show. While at times the show is quite visually innovative (particularly when Satou is in the throes of some wild personal fantasy), for the most part the studio plays it straight. The result is a visual look that seldom wows, but provides a solid backbone for the story to rest on.
The sound, on the other hand, is great. An impressive array of seiyuu performances is led by Koizumi Yutaka, whose fevered and thoroughly erratic rendition of Satou borders on transcendent. For music, I particularly enjoyed “Purupuru Pururin,” a deliberately inane JPop song that pokes fun at the musical taste of anime-watchers. The rest of the soundtrack is suitably zany, with a solid OP by Round Table and a hilarious ED.
As mentioned in the story section, Satou really steals the show here as the loveable anti-hero. The other characters usually just act as foils to him, but are generally interesting in their own right as well.