Tiger & Bunny

TV (25 eps)
3.942 out of 5 from 8,237 votes
Rank #1,280

In Sternbuild City, corporate logos not only cover billboards, but also the costumes of the super-powered heroes that act as its protectors. Veteran and newcomer warriors of justice alike compete in a reality TV show that offers points for apprehending criminals while giving champions' sponsors a chance to promote their brand. When the low-ranking Wild Tiger loses his backing after a string of outrageous, botched rescues, he finds himself paired with an up-and-coming spotlight-seeker called Barnaby. But with their wildly different personalities, will the pair be able to save their beloved Sternbuild City and win the game show, or will their constant tension be the undoing of the world's first hero team?

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Reviews

Hesse
7.5

StoryMy first impressions of Tiger & Bunny were skeptical at best; a show about mascot superheroes plastered with corporate logos brings to mind some dubious product placement anime. Or even worse, the cutesy title could've foreshadowed some hybrid ecchi fest involving bestiality. Luckily, T&B isn't as shallow as it might suggest; instead, it's an unabashed parody that celebrates its superhero roots as well as deconstructs them. In the corporatized world of Sternbild City, commercialism is king; heroes not only fight crime, but they also play up for TV ratings, their CEO's expectations, and "profit-points". With the companies calling the shots, these superheroes seem more like walking ads for Pepsi, Amazon, and Bandai rather than selfless Samaritans. Only 30-some-year-old Kotetsu Kaburagi, aka "Wild Tiger", remains the old-school hero who puts peace above profits. As a man "past his prime" (and with a daughter back home), Kotetsu must adapt to the changing times where heroism has become a commodity; all the while, a younger, savvier crime fighter named Barnaby steals the limelight. Despite the cynical twist in its premise, T&B is an action-comedy first and foremost; the show playfully pokes fun at itself at every turn. The first arc of T&B is your typical buddy-cop show starring the eponymous duo, Kotetsu ("Tiger") and Barnaby ("Bunny"). As expected, the old lion veteran get paired up with the naïve, reckless rookie. There's a clash between ideologies, the odd couple fights, and hilarity ensues. The situational comedic timing in T&B is brilliant, and several scenes made me genuinely "lol". Comic book fans may savor the subtle nods to X-Men, Batman, the Joker and Harley Quinn. Due to its tongue-in-cheek attitude, the anime's first half feels more like a spoof of Marvel comic duos rather than a serious critique on heroism. Although T&B executes its comedic bits fantastically, the same isn't always true for its drama. The show gradually evolves from the buddy cop antics of the first arc into more serious plot developments and characterization. Barnaby's tragic past involving his dead parents, already an unoriginal angle, comes off angsty and cliché. Kotetsu's conflicts are rarer and more compelling; not only does he face competition from a younger breed of heroes, but he also struggles to be a decent (albeit absent) father. The tension between the two partners in crime becomes a litmus test of trust while a darker, sinister plot brews just beneath the surface. All too often, the show lapses into contrived situations in order to get viewers emotionally invested. Barnaby just happens to fly in at the right moment to save his falling partner; a miraculous typhoon creates the perfect rescue mission and the duo (surprise!) share the exact same powers. The show is full of convenient coincidences that just deflate the drama and dispel any sort of tension. As such, even though T&B has some genuinely funny and exciting moments, it also has some eye-rolling ones. Despite the sloppy (and at times illogical) writing, I nevertheless found the show wholly entertaining. Sunrise succeeds in executing the anime well enough to keep it fun, despite its narrative laziness. In the end, I didn't cringe from the cheesiness so much as I enjoyed the show as earnest entertainment. Due to the excellent direction and pacing, T&B manages to juggle action, drama and comedy with great ease.AnimationSunrise's superheroes look like they were cut straight out of a Western comic book – and that's a good thing. Character designs are refreshingly crisp and colorful; each one is distinctive and bursting with personality. There's also a nice contrast between the heroes' flashy, sponsor-splashed costumes and their unassuming day clothes. The actual animation is somewhat of a mixed bag; occasionally, the quality drops due to some sloppily drawn stills. I'm not a fan of the CGI transformation sequences, and the clunky costumed fights don't exactly thrill. T&B is packed with these action scenes, but where it lacks in style it redeems itself in fluidity; motions and movements are quite natural throughout.SoundT&B's soundtrack is smartly placed; slice-of-life portions are accompanied by rustic, bluesy guitars while drama scenes are suitably orchestral. During crime busting sequences, there's a jazzy, heart-pumping theme reminiscent of James Bond or The Incredibles. Newsflash jingles act as constant reminders that we're literally watching a show within a show, and Hero TV buzzes like a proper media microcosm. Although not download-worthy, T&B's score always answers its call of duty. Shounen fans may recognize Barnaby's seiyuu (Masakazu Morita) as Bleach's Ichigo and Kotetsu's (Hiroaki Hirata) as Sanji from One Piece. In T&B, these two perform flawlessly, playing off each other with hilarious repartee. Even tense, dramatic scenes are well-acted and naturally convincing. Rounded out with a solid cast ensemble, voice acting in this series is stellar.CharactersAs expected, Tiger & Bunny's main duo drive the machinery of the plot. The dynamic between the heroes creates the perfect double act; Kotetsu endears himself as the dorky "funny man", whereas Barnaby is the naturally stoic "straight man". Their banter translates into comedic gold, but the show elegantly breaks down this stereotype as the two grow to trust one another. Kotetsu, in particular, is an extremely likable character; he's a washed-up ojisan whom everyone mocks, but his confidence and selflessness make him genuinely sympathetic and easy to root for. The colorful side cast of superheroes adds an extra layer of perspective; minor characters are given spotlight episodes revealing the person behind the persona. How he/she became a hero and what motivates him/her are explored, forming a group of charismatic, lovable personalities. From the oblivious "King of Heroes", Sky High, to the "Dragon Kid" Pao-lin, T&B sports a lively, affectionate cast of characters. My only gripe is that Rock Bison and Fire Emblem didn't get enough attention while the Blue Rose episodes were by far the weakest; the skimpily clad superheroine seems more like fanservice fodder rather than a fleshed out character. Alas, T&B's villains are mere caricatures in comparison to their heroic counterparts. The plot begins with a rogue-of-the-week format that fails to develop the bad guys beyond your average thug. The morally warped Lunatic is a disappointing vigilante whose twisted sense of justice feels like a cheap imitation of Light Yagami. Although Jake Martinez is a crafty opponent, his character is stereotypically evil and frankly unmemorable. Not until the final act of the series does a worthy villain emerge.OverallTiger & Bunny offers a brilliant twist on the classic superhero genre while remaining faithful to the charm of its conventions. Still, T&B doesn't quite escape the pitfalls of predictability or the bland, uninspiring villains throughout the show. Although it's by no means perfect, T&B is consistently engaging with bucket-loads of energy, a refreshing premise, and genuinely likable characters. In essence, Tiger & Bunny simply feels like good ol' fashioned, "back to basics" entertainment at its prime.

ThatAnimeSnob
4.5

T&B is basically a buddy cop show with superpowers, coupled with a theme of multi-national corporations working as their sponsors. They pay for the expenses of a hero’s costly equipment, and glamorous lifestyle. In return, they advertise their products and increase the sales. That means you get lots of product placement like PEPSI and BANDAI, which unlike Pizza Hut in Code Geass, is excused in-series. The introduction to the setting was close to amazing as each hero needs a manager for his public relations, as well as to maintain popularity by being cool in the eyes of the audience. Heroism is more about entertainment than protecting the world from villains, and I was really interested to see where they would go with such a premise. It could be about the exploitation of marketing, the vanity of commercialism, or the façade of a secret identity. Sadly none of that happened. The show belongs in the same vein as One Punch Man and My Hero Academia, that is, making a comical version of western superhero stories, with a few hints of getting serious and dramatic that are quickly rendered meaningless. As soon as they set the stage for an aging hero who lost his glamour and wants to do a comeback, everything turns to a semi-episodic comedy, filled with breezy missions and not much exploration concerning the premise of superheroes being the same thing as superstars.It’s not like there is no redeeming value, since the show spends a lot of time in showing us the lives of its characters instead of being a braindead storyless action flick. Each one of them has a life outside of being a stereotype that needs to look cool in front of cameras. Everybody gets a decent amount of fleshing out. Too bad it’s not used in an overarching plot, or doesn’t play any part in their superhero missions. And boy, are the superhero parts bad. They are just poorly orchestrated action scenes with bad CGI, no sense of choreography, and easily defeat-able villains. They are more silly than exciting and they end up damaging the show by making everything feel stupid. If the show is supposed to present more down to earth superheroes, it is all ruined with villains who toy with the heroes instead of killing them, and improbable comebacks that have no consistency in power scaling. An energy beam that can blow up a powerful robot in one scene, doesn’t do shit when it hits a hero in another. Also, the superpowers are abused way more than they should. Even if you like the characters, when you have powers like mind control and amnesia, their personalities mean nothing. They are puppets that behave in any way the plot wants them to behave. The final conflict was cheap since it was basically a villain mind controlling the heroes to fight each other, and the resolution was lazy since all it took was using a superpower than negates other superpowers. There was no strategy or diplomacy, and on top of that it was forced.I liked the premise, but the presentation was random nonsense. There is no tension or drama, and it’s not rewarding when resolutions are all about deus ex machinas instead of wits and personal choices.

Archaeon
8

Superheroes have long been a staple of popular culture, especially in the West, and over the years characters like Superman, Batman, Spiderman, and even The Hulk have become household names. With their popularity at an all-time high thanks to video game tie-ins and movie adaptations, it's only natural that pretenders to the thrones that Marvel and DC sit upon should crawl out of the woodwork. The most obvious attempts to capitalise on the success of these comic-book creations have come from television and cinema, but while shows like "Heroes", "Chronicle" and "Misfits" have found a degree of success, the majority of attempts to reinvent, reboot or revamp the superhero genre have ended in ignominy. Which is where Tiger & Bunny swagger onto the stage. Set in Sternbild City (a fictional version of New York), the story begins 45 years after super-powered humans known as NEXT first began to appear. In the decades that followed, individuals with superhuman abilities took on the roles of heroes and villains, and over time the constant to and fro between both sides became a form of entertainment. Fast forward to NC 1978, where the forces for good have their own specialised broadcast - "Hero TV", corporate sponsorships, and a chance to accrue points in order to win the coveted title of "King of Heroes". Every day brings new challenges for these intrepid do-gooders, but Sternbild City has been built upon many secrets, and when Barnaby Brooks Jr. takes his place amongst those who stand for truth and justice, the shadows of the past begin to move once more. At first glance Tiger & Bunny may seem like nothing more than a super-powered "buddy" show, and to a certain degree that's a fair assessment. The plot is relatively straightforward (but also rather predictable), and although there are several elements that add a veneer of complexity, none of these affect the pacing or progression of the storyline - mainly because it has been split into two major chapters. This has the effect of setting a "deadline" for the conclusion of certain arcs, which in turn adds a brevity to the narrative that prevents the atmosphere becoming stale. Unfortunately some viewers may find themselves annoyed by the fact that certain episodes appear to deviate from the main plot by focusing on one or more of the supporting characters. Now while this usually a valid complaint, these "fillers" often serve as a platform to introduce themes, characters or events that may have a lasting effect on the story proper. In addition to this, the episodes in question have very little impact on the flow of the narrative, and in a very real sense this show is a good example of how "fillers" can add to the whole story. When it comes to the visuals, Tiger & Bunny certainly looks the part, but it's not without its flaws. The artwork is of a good standard, with a nice variety of character designs, settings, and outlandish costumes that uphold the reputation of superheroes everywhere. The series is well animated for the most part, and while there are the usual (and very minor), anime-related problems when it comes to wardrobes, one particular issue continues to crop up throughout the show. Technology has progressed to the point where computer generated imagery can often be blended with more traditional animation to good effect, but for some reason Sunrise has decided to be a little more ostentatious in its approach - which has led to a few complications. The main problem lies in the movement of the heroes after they don their costumes, and in several action sequences the studio's attempts to exaggerate the actions of the characters can make the entire scene look more than a little ... odd. That said, many viewers may forgive the slightly weird feeling they get from the CG, but only because the overall look is decidedly refreshing and the show makes very good use of some rather nice visual effects. Tiger & Bunny features two opening sequences, both of which introduce the main heroes (with particular attention paid to their sponsors), alongside a few short scenes that display their powers. The only real difference between the two OP's are the songs attached to them - "Orion o Nazoru" by Unison Square Garden (a rather upbeat rock song), and "Missing Link" by Novels (a surprisingly bittersweet rock ballad). The series also features two closing sequence, the first of which is a fairly simple affair that focuses on the characters of Kaburagi Koutetsu and Barnaby Brooks Jr. while "Hoshi no Sumika" by Aobozu plays out. The second ED is much more in keeping with the great traditions of the anime industry as it uses still images of the characters alongside some fairly basic visual effects - all to the J-Pop stylings of Tamaki's "Mind Game" When it comes to background music it seems like Tiger & Bunny is on firmer ground, and much of the soundtrack is littered with anthems that echo of heroism, action, and good old comic-book cheese. In addition to this there are a wide range of well defined audio effects, and overall the series is remarkably balanced in terms of its choreography. As one might expect from a superhero tale, the dialogue is awash wish one-liners, catchphrases and other sentences that tend come out of the mouths of costumed vigilantes. That said, the script is surprising in both its intelligence and humour, and although there's the ever-present shadow of cheese, it's not enough to deter the voice actors from delivering some fine performances. Hirata Hiraoki and Morita Masakazu are in good form as the laconic veteran Kaburagi Koutetsu (a.k.a. Wild Tiger), and the fiery young Barnaby Brooks Jr., but while the two have a good on-screen rapport, the cornerstone of the dialogue is the camaraderie between the heroes as a group. One of the nice things about Tiger & Bunny is that the characters represent a wide range of ages and backgrounds, and although the majority of them are adults, the show also tries to offer some insight into the personalities of the more prominent teenaged heroes. Koutetsu is a particularly interesting individual - a widowed father who rarely sees his ten-year old daughter (who lives with her grandmother), because of his "work", and this lays a very strong and unusual (for anime that is), foundation for development. A big plus is that rather than travel down the Ikari Gendou route towards a "bad end", the writers have decided to adopt an approach that's more akin to "Lethal Weapon", with Koutetsu in the role of the aging veteran. On the other hand, Barnaby Brooks Jr. is Batman. No, seriously. The problem is that where Barnaby is concerned, nobody has tried to think outside of the box (as they do with Koutetsu), and it's for this reason that his background is one of the biggest stereotypes in the world of superheroes. Because of his origins, many of the changes in his personality over the course of the series can feel derived, and this is especially true where his relationship with Koutetsu is concerned. Thankfully the show has a pretty good set of supporting characters, and unlike many other anime, the series uses the relationships between the majority of the characters rather well. If one compares Tiger & Bunny to its Western counterparts then it manages to hold its own, but only just as the weight of the superhero genre in America and Europe is enough to crush almost any challenger. That said, the series is a refreshing change from the shounen fare that's being served these days, and one of the most laudable aspects is that Sunrise haven't been afraid to take inspiration from Western media. Which brings up one small but important point. The majority of popular heroes were created decades ago, and since then there have been many attempts to update them so that they always appear to be in keeping with modern trends and tastes. Unfortunately these changes are only skin-deep, and aside from recent titles like "Heroes", "Misfits", "Kick Ass", "Chronicle" and "Super", the majority of Western tales don't really serve as a good reflection of modern times, even if their core message remains valid. It's in this particular area where Tiger & Bunny stands above many other stories, mainly because of its focus on "reality TV", celebrity culture and corporate sponsorship. In a very real sense the anime highlights a direction that has been blatantly ignored, and while the whole concept may seem alien to diehard fans of Western comic-books, the simple fact is that modern superhero stories tend to follow the same formula that has been the mainstay of the industry for decades. Overall, Tiger & Bunny is an enjoyable take on the genre that blends several old ideas and puts them in a setting that, while futuristic, is more a reflection of modern society than many people might initially believe. The mixture of super-powered shenanigans, comedy and drama is very much in keeping with the best traditions of action movies everywhere, and in all honesty that's probably the best way to approach the series. But that doesn't automatically make it no-brain entertainment.

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