When I was 21 and a great deal more naive, I was in a relationship that I shouldn’t have been in, with a man who was not right for me. He was a player, spoke sweet nothings into my ear and set off multitudes of red flags in my mind; nevertheless, I couldn’t resist, and was drawn to him like a moth to a flame. It ended, of course, in a less than desirable manner, and I questioned myself for some time as to why I let myself become involved. If you are a woman, odds are you’ve had a similar kind of experience.
Perhaps it’s for this reason that watching Paradise Kiss resonated so strongly with me, and depending on your own experiences, may resonate equally as strongly for you.
The story follows a high school senior named Yukari, as she struggles to live up to her mother’s unrealistic expectations of her. Like a coat of armor without a soul, she lives her life from day to day, studying endlessly and working her way towards graduation; but something is missing from her life. After a chance encounter with Arashi, a pierced and eccentric art student, Yukari is thrust into the world of fashion design, and soon her shaky ambitions and dreams come crashing down around her. Faced with the option of becoming a model, our heroine must decide whether she will live the life her mother desires for her, or follow a new path.
First of all, the premise of Paradise Kiss is quite unique; how often have you seen an anime that focuses on the fashion design industry? Deeper than that, though, is a rich vein of character development that is unearthed from beginning to end. At the crux of the series is a relationship between the naive Yukari and the almost narcissistic George, who she can’t resist. He treats her badly, and she distrusts her own emotions, but yet they continue their dysfunctional dance. Other relationships are also showcased, and each contains similar melancholy themes. I’ll refrain from going into detail here, as I discuss this to some length in the characters section, below.
Paradise Kiss, like a handful of other series before it, portrays a very realistic look at adult relationships. In a typical anime, the climax of an entire 26 episodes is the moment when two characters, in a long term relationship, finally decide to kiss. I don’t know about you, but that’s a little too middle school for me. Paradise Kiss is also not shy about broaching the topic of sex, something which is rarely mentioned in non-hentai and non-ecchi anime. In general, seeing that the characters are acting like adults (as they are adults) makes the relationships and the emotions much more real and ultimately believable.
I personally loved the dynamics, flow, and content of the story. As a realistic drama, the relationships between the characters make Paradise Kiss definitely worth a viewing.
As a preliminary note, I have to say that I was sucked into Paradise Kiss from the first few minutes of episode one. As someone who wears cyberpunk/industrial-style clothing, Harajuku is one of my favorite places to visit and shop at when I go to Japan. Imagine my delight, then, with seeing real footage of places like La Foret (a large shopping mall that used to house a branch of Fotus, my favorite designer). Moment of delight #2 soon followed, when random animals were shown traversing the streets of Japan for no apparent reason (and revisited the screen, subsequently, during scene transitions and the occasional commercial break).
Similar to older Leiji Matsumoto anime, the character designs for Paradise Kiss are very different than the norm. Long, detailed faces accompany thin bodies and realistic movements. "Camera" angles are effective and help draw attention to the dialogue. For example, there is one scene where two of the characters are eating dinner, but all we see, visually, is bowls of food on the table and how they are being manipulated. There is plenty of chibi-styled animation, though unlike the usual chibis, the ones in Paradise Kiss look almost like something out of Charlie Brown.
Like the story and animation, the audio of Paradise Kiss oozes style. The intro song is incredibly catchy, a 80s-sounding dance track with poppy vocals. With a J-pop, metal, and punk flair, the songs in-series are also fantastic. Voice actors all did an excellent job, though Yukari’s seiyuu sounded a little old for her character.
With a varied cast of eccentric characters, it’s easy to become attached to the stars of Paradise Kiss.
The self-conscious and naive Yukari is the perfect, if not melancholy, complement to the self-centered, egotistical, and artistic George. Yukari has always felt like a failure because of her mother’s reactions, and finds solace in the notion of a new and more exciting life with George and the other members of Paradise Kiss. Her lack of self esteem is crushing at times, and has a strong effect on both her friendships and relationship with George; a relationship she knows she should end, but can’t bring herself to do it.
Themes of broken relationships, jealousy, and co-dependence extend beyond Yukari and George’s relationship; in fact, these themes are entwined in almost every relationship we see. George’s mother is portrayed as a mentally younger version of Yukari, who struggles with the same co-dependence and self consciousness. Miwako and Arashi, the two main secondary characters, share an equally as troubled relationship due to misunderstood motives and unwarranted accusations. Even the mature and level-headed Isabella has her own skeletons in the closet.
While other reviewers found the characters to be beyond redemption, I found the roles to be compelling and at times, heart-wrenching. The last episode of the series is a perfect wrap-up to the characters’ lives, providing a bittersweet ending for the characters who we have watched grow and change.
I found Paradise Kiss to be a wonderful blend of style, characters, and relationships. This definitely isn’t a happy-go-lucky series, and could be considered depressing. Nevertheless, I found its realistic look at relationships refreshing, and the character interactions emotionally engaging. Paradise Kiss probably isn’t for everybody, but I think it’s safe to say that if you watch a few episodes and find it interesting, it will probably be something you’ll enjoy, just like I did.
From the summaries I had read, I was expecting Paradise Kiss to basically be teenie-bopping wish fulfillment. Namely, the kind where an average chick somehow stumbles into an easy and comfortable lifestyle through little actual effort on her part, ala Princess Diaries.
Fortunately, this is not an air-headed, chauvinistic Cinderella story of some girl swept off her feet from poverty into economic dependence and financial stability. Rather, at its core, this is a simple but compelling coming-of-age story, in which a previously ambitionless and enervated girl finds a passion and a dream, and works to achieve this dream.
Many people (including myself) cringe at the term "coming-of-age," but thats really what Parakiss is all about. In the beginning, our protagonist is drifting without a purpose, lost in a world that she cares little about. The payoff, then, is watching her gradually strengthen and grow as she finds something that she IS interested in. In this way, Parakiss plays like a cooler, smoother Honey and Clover; although ParaKisss story isnt nearly as fulfilling or heart-wrenching as H+C, fans of one should almost certainly like the other.
The animation style is above all unique and creative. All things told, this is probably the most visually inventive show on television that I've seen this year. Granted, its not perfect; actual movement can sometimes be awkward, and for comedic moments, the show devolves into a "cartoony" look that may distract some. Still, this is more than made up for in the brilliant character design and the wonderful coloring.
The OP/ED are rock solid. The Franz Ferdinand song (which is actually fairly repetitive and dull in its full length version) works brilliantly in its shortened form, especially when combined with characters from the show in stylized chibi form dancing their heart out.
The rest of the music is pretty mediocre. Most of it consists of one line of notes repeated continuously with minimal variation, to the extent that the music grated on me a little even as I was watching the show. Still, for the most part it fits the mood the show is going for.
The animes cast is as diverse as it is compelling. Highlights include a cross-dresser, a bisexual, and a dude with safety pin pierces all over his face. However, by end of the show you love all of them. Despite their trendy, flamboyant appearances, none of these characters define themselves by their labels, but by their personalities, passions and ideas.
At the center of all of them is Yukari, our relatively normal and apathetic protagonist. For a while, she is used as a foil to the other characters in a similar way to how Saki was used in Genshiken, but this gradually changes. As Yukari becomes further entrenched into the world of fashion, she begins to grow wonderfully as a character.
In the world of the tragically hip, Western Cool and Eastern Cool are not only completely different from each other, but often mutually exclusive. Western Cool seems to focus on the sexual freedom, savvy materialism and loud music, while Eastern Cool is all about internal harmony, asceticism and the twanging koto.*
The reason I bring this up is that Paradise Kiss is perhaps the first anime I have seen that is totally, undeniably, Western Cool. Previous attempts at Western Cool in anime have been tempered somewhat with Eastern Cool (take Samurai Champloo or Cowboy Bebop as examples), but not so with Paradise Kiss. Everything feels so authentically urban, so extremely worldly, that the show seems more American than Japanese. For example, the OP is the kind of slick, well-produced material that finds itself on the top 100 billboard all the time here in the States, while the ED actually is a chart topping song by British band Franz Ferdinand. The plot is similarly Western. This is no typical shoujo; while there is romance, this is largely secondary to the protagonist's introduction to the materialistic, hip, and independent world of fashion.
As a whole, this show is most notable for the fact that it's a complete embrace of Western thoughts and values in a country generally considered to be extremely conservative. Does this represent Japan's spiritual downfall into materialism, or its evolution into tolerance? I honestly have no fucking clue, but I do know one thing: Paradise Kiss is a very good show. The characters and plot are far deeper than the show's glossy surface would lead you to believe, and as a whole I'd recommend this to anyone even mildly receptive to shoujo.
* Yes, I do realize the irony in writing an anime review and pretending to know anything about what cool is.
At first, this anime was kinda confusing and hard for me to grasp due to the animation style, but as I watched more of the series I somehow connected to the characters before I could stop myself. The plot of the story was something that definitely caught my attention and I wish that the ending had been a bit better. In the end, just like all animes that I watch that have endings, I wanted to cry because there isn't a second season (Which there totally needs to be!)
It's a good anime. Usually, i just look for the story , but this time i loved the character's look + i loved that because of George , Yukari find and follow her dreams againist her mother.
I love the animation of this anime. The story is about finding your own identity instead of living your parent's dreams. Caroline (nickname) is one day spotted on the street and requested to model for a fine arts high school fashion show this then leads her to the designer workshop which is called the atelier. This leads to a mix of emotions to suddenly run through her brain should she be the perfect studious girl or the new beautiful model. And who does she love? Will she and George become an item? It was good except the ending made me sad... But it also is more realistic that way I guess.
*******spoilers*********************** if you like George stop at episode 11.....