Most people will find it hard not to compare this 20 minute OVA to Voices of a Distant Star; indeed, in many ways Pale Cocoon is the spiritual successor to the landmark 2002 anime. Each of them has absolutely stunning CGI and an overwhelming sense of nostalgia. Even more significantly, both use science fiction motifs to tell extremely melancholic tales that leave me dazed and breathless every time I watch them.
Up to now, I had always believed that Voices was a one time good deal – a unique and beautiful miracle that could never be replicated. No other anime could fit such a touching story into such a short running time; no other anime could break hearts with characters it had only just introduced. After seeing Pale Cocoon, however, I’m not so sure. While the OVA lacks Hoshi no Koe’s sheer unbridled emotional impact, Pale Cocoon is a much more complex and thought-provoking work.
Many will take in the post apocalyptic world, the futuristic setting and the old newspaper clippings of human folly and assume that the OVA is another entry in a long line of cautionary environmentalist tales. This is not the case; rather, the movie presents us with a fascinating question practically untouched by any anime that I have seen.
Unfortunately, succinctly stating this question is difficult to do, as the very uniqueness of the OVA’s message eludes simple generalization. Allow me to say, however, that the OVA looks with a sad eye on humanity’s imperfection. It considers the shortsightedness and greed that so very often override our rationality, and then reflects upon our unwillingness to examine and understand our own ugliest mistakes. Then, at the end, the anime suggests that this depressing and “useless” knowledge of our own flawed heritage may be the most important knowledge of all. What’s most impressive is that the anime is able to do all of this and more in the time that most anime would take to come up with one coherent thought (i.e friends are precious, durr).
Because of the show’s brevity, it doesnt have the time to actually tell us how awful the world has become. This is where the animation comes in. From the understated character designs to their dismal metallic surroundings, the visuals work brilliantly at conveying just how far humanity has fallen into their “pale cocoon.” A fair bit of CGI is employed to help reinforce the artificial setting, but it never gets in the way and is unquestionably excellent whenever it is used.
The visuals are in turn complemented by the sound, which is used well in its own minimalist way. For the most part, the sound is dominated by computer noise intermixed with quiet, introspective dialogue. This doesn’t make for a particularly flashy OST, but it further reinforces the lonely mood that the director is going for. The generally quiet OST also leads well into the show’s climax, when a top-notch J-pop song blindsides you out of nowhere.
…but what about the characters, you ask? Well, what about them? If you ask various people what they thought of the characters in Hoshi no Koe, you’re bound to get a myriad of different answers. Surely, there’s none of the traditional development that you’ll find in lengthier titles, but a surprisingly large portion identify with Voices’s two characters anyway. The same will probably hold true for Pale Cocoon; the characters are effective not for what you know about them, but for the very ideas they represent. When the protagonist of Pale Cocoon secretly copies an old picture of Earth into a special folder on his personal computer, we all copy it with him.
Overall, this is a class act in every respect, and I’d recommend it to just about every fan of science fiction. The amazing power of Hoshi no Koe and now this proves, I suppose, the validity of isolated anime short films. Consider the turbulent, roiling waves of the ocean to a single, isolated tear drop; in many cases, perfection is only found in the small things.
The main story seems to be a classic; humanity's irresponsible actions (enviromentally-wise in this case) bring an end to the world as we know it. In the future, people are trying to recover archives of the past world, although this way they are forced to come face to face with humanity's mistakes and fate. An attempt to be atmospheric almost succeeds, yet there is too little information given and at times it seems that the artists didn't even look at what they were drawing. It is dissapointing that even though the idea is great, the anime itself is a waste of time.
I gave Pale Cocoon a try because it was recommended to me and it was short enough where it would be no big loss if it wasn't great. Oh how wrong I was, Between the animation, story, and subtle sounds it was a great way to pass the time. The animation drew me in and the story made me stay. A complex story that trys to convey so much in the short time that it has, And much of what it tries to accomplish it does splendidly. Only on minor parts did it seem to fall short for me. The ending while intriguing and illuminating seemed to be a bit lacking. Without going into detail It seemed like they could have spent a few more minutes wrapping things up that could have improved the ending and made the overall anime just a bit better.
</h2> <h2></h2> <h2>Story</h2>
“In the sky, there is no distinction of east and west; people create distinctions out of their own minds and then believe them to be true.”
The audience opens their eyes to a set of wrought iron stairs, coiling about a brilliant pillar of golden light. It illuminates the dreary recesses of this world, the rusting iron, the sluggish gait of the excavators leaving their cubicles. This is the fate of mankind, stuffed into the interiors of the planet because the surface has rotted away from overpopulation. At least it’s not global warming that dooms us, Pale Cacoon predicts it’s a lack of protection.
My fascination was pulled into the dank crypt of Ura and Riko, the two leads, as Pale Cocoon toys with many concepts. Environmentalism and population pollution are obvious themes but only scratch the surface. More interestingly, the narrative asks whether the past is on any use when there is no escape from your present? The theme is expanded as the characters are asked to question their reality and prove to themselves the sky of once-upon-a-time is truly gone. It’s ambitious, aiming for annals of philosophical abstraction even with its twenty-three minute scope. It’s grand but it has a humble foundation; Most of the story is driven by the interaction of Ura and Riko and their diverging opinions on the archaeology of history. Their friendship is both unnatural and snug, a love-hate push and pull that’s intriguing and advances the plot. It’s the small nuances of this relationship that make Pale Cocoon a moving experience, and the revelations of the final minutes that make it phenomenal.<h2>Animation</h2>
Dilapidated never looked so pretty. Seamlessly integrated CGI and artwork come together to form a visual masterpiece. Lines are clear and crisp, serving as frames for the cell shaded images. These set pieces are filled in with an appropriately post-apocalyptic palette. Soiled browns and sooty grays swathed in the pale light of computer screens. Swashes of neon green burn dimly in the underground bunkers as the workers return with their zombie-like strut. It’s a mechanical world that inspires both sadness from its poor condition and awe from the technical beauty the artist took effort in creating.<h2>Sound</h2>
Both grand and haunting, the soundtrack for Pale Cocoon is exceptional. It draws from different genres, a classical back bone of pianos and violins, layered by electronic horns. It even delves into Pop, a guest appearance by Little Moa, who solos a powerful ballad. The voice acting is just as impressive; Ura’s delivery devoid of most emotion while Kiko’s inflections delivers insight into her sorrow. Like the rest of the film the sound is handled spectacularly.<h2>Characters</h2>
From such a short film you can’t expect much development, but the two leads Ura and Kiko have surprising depth. Ura is an excavator, swimming through seas of binary code day by day to figure out the world that was. He’s passionate, teetering on the edge of obsession when it comes to the past, tirelessly trudging through the 0s and 1s, saving what he finds interesting. But he is curiously detached from Riko, the analyzer, a friend of his. Riko has stopped showing up to work favoring the bleak company of emptied stairs. She sprawls herself across the grate looking up into the dark retreat, pondering. The anagnorisis of both characters not only speaks volumes about each of them but the world they are living in. In the brief time we see their conceptions of the world change, Ura finally maturing and Kiko gaining a bit of optimism.<h2>Overall</h2>
Pale Cocoon brings together excellent storytelling and production to create a miniature gem. Its easy to get lost and not realize that the program is over. It deserves a watch by any fan that believes anime should be more than entertainment but art. Pale Cocoon does what most animation doesn’t: provoke my imagination. Just as Riko gazed up into shadows I was left contemplating my dimmed screen.
Stunning animation, beautiful artwork, good character designs and a perfect atmosphere can only do so much to cover the fact that there is no plot, no plot at all. The current trend in our modern media today is to try to say as much as possible with as little as possible, and this a perfect example of where this crosses the line. People can try to make up their own observations of what this anime is truly attempting to convey but in the end, the author really exerted no effort relaying very much at all. That being said, this really is a remarkable feat in animation and design but when compared to works like Eve no Jikan with both stunning animation and profound episodes, I can't help but feel Pale Cacoon is merely eye candy.