Hana is a nine-year-old girl who lives in constant fear of her abusive family; Michiko is a sexy woman who has just done the unthinkable: broken out of the impenetrable Diamandra Penitentiary. After Hana is whisked away by Michiko, who claims to be her mother, the duo sets forth on a high octane ride towards freedom. In the streets of Brazil and aboard Michiko's motorcycle, Hana and Michiko will look for Hana's long lost father, try to learn to co-exist and get along together, and stay one step ahead of the police and afro-clad Atsuko.
Kotarou is a brash young orphan in war-torn Japan, on the run from mysterious pursuers with Tobimaru, his faithful canine companion. Clueless as to why anyone would want him, much less imperial warriors from mainland China, a chance encounter with a strange wandering swordsman could not be more unwelcome in Kotarou's skeptical eyes – especially when the stranger has a secret past that has caused him to seal his blade. Forced by circumstance to work together for survival, the unlikely duo forge a tenuous friendship that is threatened all too soon when Kotarou's pursuers thrust the two into a dizzying whorl of clashing ambitions between men both big and small. Will the stranger manage to overcome his past and save them both from peril with his blade?
If you liked the personalities of, and especially the interplay between, the two main characters of Sword of the Stranger or Michiko to Hatchin, you would like the other's. Both are action titles with a very detailed setting.
Simon lives a boring life in the underground village of Jeeha, where his main job day in and day out is to dig tunnels. His close friend Kamina, however, longs to bust out of their oppressive existence and reach the surface world where open skies and adventure await! One day, during his usual digs, Simon discovers a robot with a big face buried amongst the rocks. No sooner has he shown Kamina his mysterious find when two beings from the surface crash land into Jeeha Village - one is a gun-toting woman calling herself Yoko and the other is a terrifying mecha piloted by a Beastman! Seeing their chance to escape village drudgery, Kamina rallies Simon and Yoko to defeat the invader using their new robot, Lagann. However, upon breaking out onto the surface world, Simon, Kamina, and Yoko encounter enemies more powerful than they could have envisioned. Their fight for adventure just turned into a war for the survival of the human race - will their lust for freedom hold out against such terrible odds?
Simon is a digger in a damp, underground village with no hope or future, but he is inspired by the appearance of a brotherly figure Kamina who shows him that there is a surface beyond his enclosed world. Also, Michiko to Hatchin borrows the catchphrases "Who the hell do you think I am?" and "Believe in me who believes in you" from Gurren Lagann.
Since General de Jarjayes of France’s Royal Guard always wanted a son, he brings up his only daughter Oscar to dress, fight, and behave like a man. When Oscar’s excellent swordsmanship wins her the honored position as bodyguard to Louis XVI’s new bride, Marie Antoinette, the Jarjayes household believes it can finally be proud. However, what nobody realizes is the pit of thorns the royal court in Versailles has become – with all its excessive opulence, it attracts not just those with status and wealth, but also those with ruthless ambition. To confound matters, Marie Antoinette turns out to be an airhead whose selfish actions are turning the starving population against her. Amidst the sordid schemes and terrible tragedies, and with the tide of history sweeping against the nobles, can Oscar protect her new King and Queen whilst upholding justice for the oppressed peasants of France?
Michiko to Hatchin and Rose of Versailles have it all- rampant desperation and gang/mob violence within impoverished neighborhoods, strong, likable, well-developed adult female leads, action scenes, romance scenes, scenes about everything in-between, a setting other than japan (how novel!), and they don't pull their punches and romanticize the plot. The world isn't wonderful and perfect for everyone, and these two series do an excellent job of portraying that.
When Daikichi's grandfather dies he leaves behind a young daughter named Rin. However, as most of the family is embarrassed at the idea of a 79-year-old man having a six-year-old child, they can't seem to figure out what to do with her. Disgusted by this behavior, Daikichi decides to take care of her himself, but he's a bachelor, has no idea how to raise a child, and isn't even all that comfortable with kids! Now, Daikichi must do the normal things a parent does such as enroll her in school, buy her clothing and teach her about the life and world around her. But more importantly, he must also help her deal with her father's death and decide whether or not she should try to find her mother. Together, the two begin their unlikely relationship as father and daughter, navigating each of life's bumps along the way.
Both Michiko to Hatchin and Usagi Drop are centered around issues of child rearing and child abandonment. Both Rin and Hana struggle with feelings of lonliness and abandonment. Both series have images of abcentee biological parents and orphans. Both Michiko and Daikichi have to make a lot of adjustments for their adopted children, so both series carry heavy coming-of-age and responsibility themes. Usagi Drop is more light hearted and real world while Michiko to Hatchin is more action packed and focuses more on adventure, both series have beautiful art and story lines. Both are a must see for anyone who has a soft spot for kids and parenthood.