The bumbling Yusaku Godai is a ronin – a person who failed his entrance exams. Though eager for a second chance to succeed, Yusaku’s attempts to study for future exams are constantly thwarted by his fellow residents at Maison Ikkoku, who insist on using his apartment for their debauchery and drinking games. Though tempted to call it quits at the house, things change when Maison Ikkoku’s beautiful new building manager, Kyoko, arrives. With plenty of competition from the sidelines and interference from his drunken and provocative neighbors, Yusaku must now focus his energy on winning the girl of his dreams, Kyoko!
A classic romantic comedy from the 1980's, telling the bittersweet story of three high school students. The series features very unique storytelling and direction, music from some of the biggest Japanese pop acts of the 1980's, and an added twist as Kyosuke and his family are ESPers, whose powers are used to tell unique stories and put the characters in unusual situations.
Maison Ikkoku and KOR are surprisingly similar. A love triangle forms the basis of each show, and great pleasure is taken to tease the indecisive male lead. In addition, the animation style is very similar; the two female leads could be sisters!
Both series are eighties era romance stories told in a simple, unhurried manner. The shows take time to develop the various relationships and both feature at least one love triangle (a common tool used by Maison Ikkoku creator Rumiko Takahashi) which are used to further the various dramatic and comedic scenes present in both series. Maison Ikkoku deals with a more adult situation with older characters while Kimagure Orange Road is about middle schoolers. Despite the age difference the two series often parallel the other and a fan of one will definitely enjoy the other as well.
While Orange Road involves supernatural powers (ESPers), both are beautiful old school love stories. Kyosuke can't really get to close to Madoka and so can't Yusaku to Kyoko. Enjoyed one? Enjoy the other!
Ranma, raised to be a man among men, has a bit of a problem: he is half woman! While training in China he fell into a strange magic spring at Jusenkyo. Now, he is eternally cursed to change into a beautiful woman whenever he is hit by cold water, but that may be the least of his problems; his father has betrothed him to marry! There's never a dull day for Ranma as he attempts to find a cure for his curse, train to become stronger, and grapple with the fact that half of himself may be more feminine than his fiancée!
Both Ranma 1/2 and Maison Ikkoku are fun-filled, comedic shows originally created by the same author, Rumiko Takahashi. Whacky characters and situations abound, though Maison Ikkoku takes a more real-life approach to Ranma 1/2's exaggerated style. If you enjoyed one the other is definitely worth your time.
Both these are anime are filled with love triangles and have lots of comedy. Misunderstandings are a constant problem, but true love always finds a way!
Identical twins Tatsuya and Kazuya may look the same, but it's the younger Kacchan that everyone is interested in. As an excellent baseball player who is popular with all the girls and friends with all the guys, it's no wonder their childhood friend Minami prefers him over the slobby and less social Tacchan. In life, however, the path to true love and success is never an easy one -- a lesson the two boys will learn through a mix of sporting events, love triangles, typical school worries and a number of other painful and challenging situations...
I watched Maison Ikkoku and really enjoyed it; I wanted something similar and came across Touch. Essentially both anime revolve around a series of love triangles, and the male and female protagonists discover what they really want in life. The animation style of both anime is quite similar; and although dated, the stories themselves are as enjoyable today as they were back in the mid-80s. If you enjoyed either one make sure you try out the other.
Maison Ikkoku were simply THE romance anime series from the eighties. They had ordinary people with real lifes and realistical situations surrounding them, comedic, tragic or dramatic as they may seem with real life. They were tru landmarks in the genre and are often credited as being influence of the genre, if you've seen one, you have to watch the other.
Art college: cradle of romance, home of bittersweet moments. Takemoto is struggling to find his direction in life, while his roommates Morita and Mayama are moving confidently - or recklessly - towards their goals. Enter Hagu-chan, the childlike and beautiful prodigy whom everyone admires; and thus the love triangles begin. Together, the trio explore the pain of first love, the trials of romantic conflict, and our loyalty to those annoying people who happen to be our closest friends.
The Maison Ikkoku anime, adapted from Rumiko Takahashi's seinen manga of the same name, premiered on March 26, 1986 on Fuji Television. Almost twenty years later, the very same network launched the noitaminA lineup, a programming block aimed at older female audiences, with Honey and Clover. In spite of the generational gap, Maison Ikkoku and Hachikuro are equal in the fact that both succeed where other "romantic comedies" fail: they are funny, but not childish, and portray their characters' feelings and emotions without being overly sappy or melodramatic.
If you liked one, there's no reason you shouldn't watch the other.
Honey and Clover and Maison Ikkoku are very similar in feeling, though Maison Ikkoku is more comedic. They both deal with college life, growing up, and love, even falling in love with an older widow in both series. If you're looking for a good laugh with sweet and poignant moments, then either one is for you.
Keitaro Urashima is somewhat of a failure. In order to fulfill a promise he made to a girl fifteen years ago, he has tried time and again to get into Tokyo U but has never managed to pass the exam. However, fate smiles upon him and he ends up working for his aunt, managing an all-girls dorm! Living with the feral Kaolla, the timid Shinobu, the sake-loving Mitsune, the blade mistress Motoko and the punch-happy Naru, can Keitaro keep his focus and keep his promise? And will he ever end up meeting that girl from his past?