Higurashi no Naku Koro ni Kai

Alt title: When They Cry 2

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mariprosa's avatar
Jan 6, 2008


Higurashi no Naku Koro Ni was a force to be reckoned with in its first season-given its unique horror thematics and progression, it went from being a series I felt didn't quite make sense in the sum of its parts to one that I loved and didn‘t have qualms about watching multiple times, and with each rewatch finding something unique to take from it. So when I heard a sequel followed, I jumped at the chance to watch it in full. Part murder mystery, part psychological thriller, part school-based comedy- Higurashi drew me in with its likable characters and situational humor just as much as the intrigue of the realm of Hinamizawa and the Watanagashi festival, with all the complications and events that came alongside them.

Higurashi no Naku Koro ni Kai fills in most of the holes that the first season left off. The central focus of this installment of the series is establishing the connections between the worlds/realms and roles the characters played in the first season, as well as presenting new stories with different perspectives in its overall mix. I actually felt this series was stronger than the last, in some aspects, because it does offer explanations as to why these worlds connected, and how the characters came into the situations they did., coupled with the problems Hinamizawa citizens encounter Rika comes front and center as the focus of the series, a "queen bee" if you will, traveling back in time with a new character Hanyuu, a spirit/god of the shrine. With revelations encountered within each of the worlds, Rika finds that, with the help of Keiichi, Shion, Mion, and Satoko, that they can fight their impending deaths with fortitude, as well as save those whom are destined to perish. Sometimes in success, but just as potent in futility.

The blend of humor and murder mystery is just as on point as it was in the previous season-I think Higurashi fans will love the chance to reconnect with the characters again, and also be taken into its whirlwind of events surrounding the Watanagashi festival and the impending dooms the characters face, yet this series sheds some hope for the characters as they figure out, brick by brick, where the ultimate driving force in the deaths of the village lie. However, there's a flaw in this series that didn't quite come across in the first season -what the first season lacks in explanation, it makes up for in this season at the cost of becoming sluggish in overall progression, particularly in a few of the longer arcs. I did find myself trudging through in points because the themes of "fighting fate" and "changing the course" were quite overemphasized. Yet, it made me connect with the characters a bit more in their efforts, particularly when those efforts were in vain or coupled with a sizable twist in the plot.

I also liked the note that this series ended a lot better than the last, because there was a definitive sense of closure, but with an element of mystery. Matter in point, the first episode of this series is the true end to the arc of the last season, something that might throw a few viewers off to start, but if you watch the series in succession, it shouldn't be so much of a shock.


The animation in Higurashi Kai is much better than the previous season, character designs, actions/reactions, and proportions are much more consistent for a 2007 standard, and its well noted. The backdrops and coloring are also of good standards. Fluid action sequences aren't as much noted in this or the previous season, but it works particularly in the scenes where the characters give or are in the heat of the chase.


I loved the soundtrack of this season just as much as the former. "Naraku no Hana" by Eiko Shimamiya may not be as dark and ominous as the title track of the first season, but then again, it's more appropriate considering this series' focal point. If Higurashi no Naku Koro Ni is etched in darkness, then Higurashi Kai is its contrasting, dim but present, light. The ending theme to this season is also just as beautiful, complacent and lovely. BGM isn't as much noted in this season, very minimalist but when it is, it works accordingly with the settings, both eerie and beautiful.

Voice acting work for this season was on point, I really liked the contrast in Rika's VA, transitioning from her usual child-like adaptation to a more mature "wise beyond her years" figure. The collective cast of Higurashi Kai did an excellent job coming into their characters, never reaching beyond a certain saturation of emotions, yet making it enough to come into connection with the situation present.


Higurashi Kai is essentially more character than event focused than the first season; unlike the first, Rika has a sizably larger role, and you follow her through the series almost through all of the arcs. Hanyuu is the only new character that comes into focus, and she's quite cute, having some of the same quirks as Rika herself (a good point of humor). The main five (or should I say, six) are well worth watching in their humorous interactions as well as their serious ones.

Side characters that weren't as much in focus in the past season come much more to the forefront in this one. Dr. Irie; Takano Miyo, Tomitake, Detective Akasaka and Detective Ooishi are given much more considerable focus-and it's relevant because they have much more significant parts to play in this season than the last. I found this an element of strength in this season because it gave their characters, while likable in construction, much more dimension.


I'd definitely recommend Higurashi no Naku Koro ni Kai to those who enjoyed the first season, as well as to those who want a unique murder/mystery/thriller with elements of school based comedy.

7/10 story
8/10 animation
9/10 sound
7/10 characters
7/10 overall
Sheex's avatar
Jan 7, 2008


Imagine everything Higurashi no Naku Koro ni was not, and you've got Higurashi no Naku Koro ni Kai.  While Higurashi Kai certainly ties up a number of much needed loose strings causing incoherency issues within the first season, it ultimately degrades the series into meaningless tripe.  It seems that the first season followed the original games/manga to the tee, but the second takes on extremely, and I emphasize extremely, watered down adaptations of the original storyline's ending.  There is no gore or horror present save for perhaps one or two very light scenes, and the violence is toned down substantially as well, as most of what's present is almost comical in nature.

Needless to say, I was immensely disappointed with Higurashi Kai, as it ended exactly like most anime intended for young children rather than an honorable, intellectual dramatic masterpiece.  Save for perhaps one or two minor incidents, all the duplicitous aspects of the main cast of characters' personalities vanish, and it becomes a real chore to convince yourself you're watching the same show.  The final two "answer" arcs also happen to be twice the length of the prior six arcs in season one, and are subsequently packed full of filler-esque material which really causes the series to drag in many places - completely opposite of the first season, where constant angst and tension kept you on the edge of your seat and constantly looking over your shoulder while you watched.

Ending and conclusion aside, the sole purpose of Higurashi Kai is to provide the viewer with the story behind everything that occurs in the first season, and on that note it succeeds.  Rika takes a much more central role in the second season, explaining many of her mysterious talents such as her vast score of knowledge and her prophetic capabilities; which, in essence, explains who Oyashiro-sama is and what his curse entails with rather great detail.  Again, though, the enormous, anti-climactic ending dwarfs the importance of such revelations, as it sucks the very life out of the drama they were supposed to be explaining.  While it provides closure, this closure is quite poor, and as such I have a hard time swallowing the series as a whole.


As far as color vibrancy goes, Higurashi Kai got a substantial boost in quality, but that's about the only noticeable difference in quality.  I made a point not to increase the animation score, though, since the total lack of dramatic emphasis took away the first season's exemplary use of facial expressions to convey morbid atmospheres.  The additions really didn't do much for me, especially with the huge abundance of stills in most of Higurashi Kai's action scenes.


Without a doubt, my favorite aspect of Higurashi Kai is its second, absolutely superb opening theme.  Aside from that, though, the musical score remains virtually identical as the first season, and the voice actors again do a great job, though their roles are made less intensive.


I was really quite flustered with how the characters panned out.  For obviously having severe paranoia issues, Keiichi seems perfectly normal for most of Higurashi Kai, a far cry from the neurotic xenophobe who has quite a difficult time distinguishing reality between the varying Himizawa worlds in the first season; Rena's random, sporadic violent tendencies disappear entirely, and I hardly see her lift a finger during the first half of the series; Shion displays one instance of her blood thirst, but it's tamed rather quickly and her character immediately seems to revert after with no future signs; the list goes on.  The characters simply didn't carry the same feel, and that really gave me pause when trying to rationalize them in the context of the second season.  In the first season each of the characters suffered from very fragile and delicate personality problems, and the fact that these problems cease to exist in the latter arcs is simply baffling.


Unfortunately, because of how Higurashi's first season pans out, Higurashi Kai is a must watch to understand the progression of the story.  Perhaps I'm overreacting a bit to how much I disliked Higurashi Kai, as I did enjoy the first fourteen episodes, but the last arc was simply atrocious.  All in all a settling sequel to the first season, but don't expect to have your brain played with in any sinister fashion - you'll just end up utterly disappointed.

4/10 story
6/10 animation
7/10 sound
6/10 characters
5.2/10 overall
mahius's avatar
Jul 14, 2015

Higurashi no Naku Koro ni Kai is the second season of a well-known psychological thriller horror based upon a visual novel (available on Steam). Season 1 was the first anime to legitimately scare me, not to say other anime of the genre are bad. But the thing that stood out about the original series and the major point of contention was the episodic nature and unexplained story. A mystery laid out, yet never uncovered. In that respect, this sequel is almost the complete opposite. It delves deep into the surprisingly rich backstory and the individual chapters are longer on average, also being branched and having some form of continuation as these are more clearly connected. The trade-off however, is less of the exciting psychological horror that made the first season popular. It might have been the fact that I watched most of this sequel during the day (and after moving, no longer living alone), but there were very few occasions where this anime made me feel scared. I haven’t done a review of season 1, so I’ll discuss things like animation, sound and characters here.


Animation of this anime is the same as season one. Quality isn’t actually too great, even for an anime made in 2006/2007 the best I could get was 567p . The movement left something to be desired. It was most noticeable in the unpleasant combat animations during a brawl scene. At least it isn’t terrible, just a bit underwhelming considering I’ve watched other anime made in the same year or before with better animation quality.

Animation style isn’t too much better, the character designs aren’t unique. Keichi looks generic as all heck. But I must commend on Rena’s design, it’s one that stands out and seems rather unique. With the exception of the teacher Ms Chie who has the same look about her. The twins Mion and Shione also have interesting design, particularly their attire which allows them to be distinguished from one another, despite them being twins with identical bodies. Shion is the sexier of the two and along with Miyo Takano, the other ‘hot’ female character, is actually depicted rather sensibly. No fan service, though it comes close in an early episode when Rena uses her ‘female charm’ to beat Keichi in a club activity.

I will have to mention the blood and gore, or rather the relative reduction of it. The camera is often pointed away from such things and my hopes were up when it was implied that torture would happen, only to find it a tame beating or they didn’t show it. If this was stuff of a ‘sexual nature’ then I wouldn’t mind them avoiding showing it on screen, but this is a horror anime. It needs a suitable amount of blood and gore. The nastiest thing I remember is just a slightly dismembered corpse. Perhaps other (gorier) anime have raised my expectations a bit too high.


The sound wasn’t too bad, the intro and outro don’t change throughout the 24 episodes. The intro music was decent, having an occasional sound that resembled a scream. The actual sequence itself was less scary and creepy when compared to the first season, but it showed off a lot of characters, including ones which would appear later and the shot with the girl crying in the rain… I don’t quite think it’s Satoko. This is representative of the whole anime itself, less scares and more plot. Sorry for going off on a tangent but back to music, the outro was quite chilled but given the atmosphere it reminded me of the Another outro. It felt a bit ominous and seemed to suggest that, well, the characters would die, which did happen multiple times in the previous season. The background music wasn’t 100% on point, but it was noticeable and at many points it helped the atmosphere, keeping it tense or calming it down when the kids are doing their club activities and picking on Keichi.

One big departure from the first season is the lack of an English dub, this sequel season is only available in Japanese. Or that’s what I found anyway. Not sure why that’s the case, but the voices were pretty good and I realised that some of the voices were similar to each other. The dub to the sub that is. For example, Both VAs for Satoko seemed to give off the same impression of that character, so I don’t know why they decided to not bother with a dub, especially since season 1 was popular. A lot of big names in the Japanese VA industry here. The voice of Keichi Maebara is Souichiro Hoishi, who voiced roles including Goku in DBZ, Yukio Kasamatsu in Kuroko no Basuke, Kei Kusanagi in Please Techer and Tomoki Sakurai in Sora no Otoshimono. Satsuki Yukino does the voices of Mion and Shion, she’s also done Rose in FMA Brotherhood Nenene Sumiregawa in Read or Die TV and various other roles. Hanyuu is voiced by Yui Horie, the voice of Kotori Shirakawa and Yume Asakura in Da Capo, Ayu Tsukimiya in Kanon, Chie Satonaka in P4A and Aoi Misato from Tokyo Majin. Rika Furude is voiced by Yukari Tamura, famed as Mei Sunohara in Clannad, Sakura Yoshino from Da Capo, Mai Kawasumi from Kanon, Midori Sugiura and Ichigo Morino from Please Teacher. Other notable voices include Mika Kanai as Satoko Houjou, Miki Itou as Miyo Takano, Toshihiko Seki as Irie-sensei and Chafurin as the cop Oishi.

With such a large cast of characters, I will try my best to shorten this segment down. These characters also differ in personality at times (especially season one), so less I can say.

The male lead one could argue here is Keichi Maebara, a teenage boy whose family has recently moved to Hinamizawa. He seems to be the typical anime protagonist, nothing special and he’s the only guy in the friend group, replacing Satoshi from the year before. He always gets picked on by the other’s, who gang up on him when playing games to make him loose and play the punishment game. He has a good sense of justice and strongly feels that nothing is written in stone, you can fight fate. He’s kinda charismatic too.

Mion Sonozaki is the eldest of two identical twin sisters and is the same age as Kenichi. She is a tomboy, who likes to run around and loves to play games (a bit childish). She ties her green hair up into a ponytail and carries a toy gun with her. She is the leader of the activities club and enjoys coming up with punishments for those who lose the games, she rarely does because she is so skilled. She is greatly valued by her family, who are well off and the most powerful family in Hinamizawa. She has feelings for Kenichi and despite being a fun, youthful individual, she also cares a lot about her twin sister.

Shion Sonozaki is the younger of the Sonozaki twins, though with the difference in the personality and behaviour of the two, one would mistake her for the older sister. Historically, the Sonozaki family doesn’t tolerate second children/twins so Shion is lucky to be alive. As such she lives separately, going to a different school, protected by her bodyguard, Tatsuyoshi Kasai. She seems much more adult than her twin, especially in appearance (wears her hair long) and her curvaceous figure is much more noticeably. Funny since Mion has the same figure. She works at a restaurant/cake shop called Angel Mort where she must wear a revealing maid-like outfit. She developed feelings towards Satoshi Houjou, who is no longer around.

Rena Ryugu is the other girl around the same age as Keichi and goes to school with both Keichi and Mion. She wears a beret and her figure isn’t as curvaceous as Mion/Shion, but she doesn’t have too much of a childlike figure either. Her parents were divorced many years back and she choose to move away from Hinamizawa with her father. The two returned in recent years as Rena was developing aggressive behaviour and was expelled from school. Her father, still upset about the divorce was gullible enough to get caught with a two-faced crooked slut who planned to fleece him for every penny. Rena herself loves cute things and has a habit of trying to take her cute friends home, in a creepy way. Her signature weapon is a massive meat cleaver.

Satoko Houjou is one of the younger kids in the activity club and group of friends, a blonde elementary school student who wears a hairband. She was always reliant on her older brother Satoshi, who disappeared as part of Oyashiro’s curse. She is mischievous and likes to lay traps, often making the cliché ojou-sama laugh. She and her brother were orphaned when their parents died as part of the Hinamizawa mystery murders and were taken in by their aunt and uncle who abused them. This ended when the next year, the aunt also died as part of the mystery murders and their uncle moved away. After her brother disappeared she moved in with Rika. This kid is actually a bit mentally unstable, often breaking down into tears and bawling her eyes out and being unable to handle Satoshi’s disappearance, blaming herself.

Rika Furude is the only daughter of the Furude family, one of the 3 big families in Hinamizawa. As such, she is cherished by the whole town and she is the shrine maiden to Oyashiro’s shrine. The Hinamizawa mystery murders started when her parents died many years ago. She is the same as Satoko and is her best friend. Being in such a unique position, it is found that there is a plot to kill her, hence she dies and gets revived into a new world by her friend and the patron god of the town to whom she is spiritually linked with, Hanyuu. Her catchphrase is a colloquial term ‘Nippan’ which apparently translates to ‘nipping around.’

Hanyuu is the mysterious god of Hinamizawa and has been travelling through worlds with Rika. She takes the appearance of lilac haired child, the same age as Rika and has strange black horns, one of which seems to be kinda broken. She likes sweet food and since she is spiritually linked with Rika, Rika enjoys annoying Hanyuu by drinking alcohol and eating spicy food, since Hanyuu feels the effects. Rika is also the only one who can see Hanyuu. She’s a sweet and slightly timid individual, who often cries. Her catchphrase is ‘auuhwuaauu.’

Kuraudo Oishi is the police chief in town and does his best to try and solve the Hinamizawa mystery murders. He also becomes a key ally to them, since he’s so helpful and will be retiring soon after the Watanagashi festival of 1983. He smokes and I bet he enjoys eating donuts, since he seems to resemble an cliche American TV detective.

Kyousuke Irie is the only doctor in the only clinic in town, the Irie clinic. He wears glasses and often is found imparting advice to the young protagonists. He is also the coach of the Hinamizawa junior baseball team, bringing him closer to the children. He is very protective over Satoko, dare I say he has a paedophilic attraction to her. He seems to enjoy it when little girls dress up as maids, especially Satoko. He is deeply involved in the mysterious goings on at Hinamizawa and is one of the characters who often dies/disappears in each world.

Miyo Takano is the hot blonde nurse at the Irie clinic. The children see her similarly to Irie, someone they can go to for help. She and her apparent lover Jirou Tomitake are a constant in the tragic events of 1983, they are two characters that always seem to die during Hinimizawa as part of the mystery deaths of Hinamizawa. Miyo’s backstory is delved into quite deeply and she is an essential factor of this plot, in the last chapter of season 1 she seemed to be the only one who thought she had an idea about what was going on in the town of Hinamizawa.


A quick recap before I comment on the plot. Rika and Hanyuu have lived for a very long time through various different parallel iterations of the events of June 1983 in Hinamizawa. In every world there are a few constants such as people going mad, the deaths of Miyo Takano, Jirou Tomitake and finally Rika herself. The episodic chapters in this season are directly linked and the length varies. The first chapter of episode one is an epilogue for the final chapter in season one and takes place 20 after its events. The next chapter is 7 episodes long and the final chapter takes up the rest of the anime.

The biggest disappointment for many people is the move away from the horror, thriller aspect. There were quite a few scary bits in season one, which lacked overall plot cohesion. In this second season it’s the reverse, less scares and a lot of plot, especially explaining the mystery of Hinamizawa and the background to it all. I actually liked this injection of narrative, even though I was also a tad sour at the lack of horror. Or maybe it was, but it just couldn’t scare me like season one could.

At first the whole plot and the explanation appears to be a whole load of elaborate nonsense. But that’s just a false start. Most of the second story was a big disappointment, the whole issue plaguing the early episodes is solved by something which could have easily been done sooner. There’s a bit of snowballing, in that unlikely things keep on happening or it could just be the charisma of a certain character. The third chapter has all of the backstory and continued progression. It eventually turns into a battle of wits, but I won’t go into more detail for fear of spoilers. While not having much horror, the story still manages to incorporate seriously messed-up matters such as torture, human experimentation, mass murder and conspiracy. Most of the shocking stuff is done off camera unfortunately. It gives plenty of explanation to why things occur the way they did, though the plot does seem to have a few flaws with the development. It kinda didn’t make sense to me why it had to go so far. A few points were predictable, but it was mostly surprising, unexpected developments. I'll alsp add that I found the conclusion to be satisfactory.


Is the disappointment in this sequel justified? Perhaps, since it is supposed to be a horror anime and doesn’t scare like the first season. But it also fixed the biggest issue with the first season, the lack of overall coherency in the plot and actually explaining things, which simply went unexplained in season 1. It provides a satisfying conclusion to the Higurashi saga, though withholding some of the cool, gory and scary stuff. Definitely watch season one. And if you want to know how it all ends, then watch this sequel, but don’t expect it to scare you. Despite the unsavoury ideas in this anime, I’d recommend it to most folks, once again I’m telling you not to expect scares. Heck if I wanted to introduce someone to anime, the first 4 episodes of season one would be a decent place to start.

Family-friendliness Rating: Disturbing themes 4/5 (lower is better)
Overall Rating: 7.5/10 (higher is better)

8/10 story
5/10 animation
8/10 sound
9/10 characters
7.5/10 overall
Rubyka's avatar
Dec 25, 2016

Higurashi no naku koro ni kai

Well, actually it's one of my favorites. Animation is its weak point, but the genius story balaced it quite well. The first season made no sense at all, but that's why I became very very interested, what does it wants to show me. It's full of twists, sometimes it's funny, sometimes it's terribly horroristic. This anime is a great one to remember even thought I hate any kind of animes with some horror elements. 

I am so glad I watched it, and it comes to my mind pretty often. If you are here because you want to know if shit is turning around or not, than yes, and its pretty surprising makes sense if you think about it.

10/10 story
6/10 animation
9/10 sound
8/10 characters
10/10 overall
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Kioshi555's avatar
Nov 27, 2016

Ah, Higurashi no Naku Koro ni Kai...what can I write about this series that has not already been written? Most certainly nothing. How much of what I feel about this series can I actually express properly? Probably just a tiny bit. But I still feel the need to write something about this anime that captivated me so much... So, let's give it a try! Even though I think this is gonna be too long for anyone to read and yet too weak to satisfy me. 


Despite what some people say about Kai being worse than its prequel, I'll have to agree with the rest that Kai does an excellent work tying all the loose ends and expanding upon the characters greatly. While the first season emphasizes more on the gore, horror and myster elements, Kai emphasizes on drama, along with a bit toned down mystery and leaves behind the gore for the most part.

The result is making the characters truly shine and explaining tons of things about the events and Higurashi's world in general. And when I say "explaining", I'm not referring solely on the root behind all the mysterious events. Higurashi no Naku Koro ni Kai does a splendid job making the viewers understand in depth the characters and story. If you remember the events of the first season while watching Kai, every piece will start falling into place and you'll realize how beautifully all slight details, in all aspects, are tied together. A magnificent work indeed.

However, I have to mention one complaint. While I loved the first half of this series even more than its prequel, the second half set me a bit off. During about the first half of Kai, there are truly desperate moments, followed by moments of hope - and repeat, which makes the dramatic aspect of the series truly leave an impact on the viewer. It's during this first half that most characters are expanded upon and totally become two-dimensional. It's also during this half part that the most difficult part of the mystery is resolved and the characters make the greatest effort to change things.

Then, at some point, yet another (necessary, of course) reset occurs and the last part of the series kicks in. I assume, in order to avoid being repetitive, some solutions and almost all -if not all- of the characters' resolutions kinda come out of the blue after this particular reset. All of the pieces have already fallen into place during the rest of the series and now, as the closure approaches, the story simply uses those pieces. As I said, this most probably happened to avoid repeating the same things, and there is indeed a valid explanation as to why this is possible story-wise. On one hand, that was the right decision but on the other hand, that makes the last part of the series anti-climatic, which kinda put me off considering how master-crafted the rest of Higurashi is.

To elaborate...*SPOILERS WARNING*
When our gang first almost solved the puzzle and discovered Takano as the mastermind behind the mysterious deaths, they did so by remembering bits and pieces of different Hinamizawa's. At first it was Keiichi, then it starts happening to the others as well and eventually they set off to change the entire village, an accomplishment they achieved after many attempts. At that point of the story the drama is quite strong by throwing Rika and Hanyuu in an endless pit of despair after the multiple time resets, which is overcome by having the main cast ecnounter strong and dramatic moments that awaken in them the memories of the previous strong and dramatic moments we have witnessed up to this point. They start being much more open to each other compared to how they were in the other timelines and express their thoughts and feelings much easier. Yet, all this development goes to nothing once again.

However, we are all well aware by that time that the timelines are not completely separate from each other. In fact, all the different timelines are vaguely added upon each other. As a result, after the final time reset a much faster and easier development is to be expected naturally. But still, I can't help but feel that moments akin to the previous worlds were needed to create a climax. Not even a strong implication that the character development follows the previous timelines? Why not show some characters coming up with the realization that they've lived more things like that? Why not make Rika imply it to someone like she did in the past at least? This Hinamizawa is the most heavily affected by the events of the other Hinamizawa's and yet it's the time that people seem most consciously unaware of it. By having a few moments like these, the series could have picked up the dramatic aspect where it was left before the short Takano Arc and the impact of that time they nearly broke fate's chains could have been emphasized.

I'd like to see something like that at least at the very end of the story among other questions that remain regarding the main cast's future. Do they remember things of the past worlds more clearly as the time passes by? What happens to Takano after she's taken to the clinic? Does Irie develop a cure for the Syndrome after all? Does the rumor of the Syndrome's existence spread to the villagers or at least the Great Three Families? Don't people question Hanyuu's sudden appearance? Does she even grow up or what? Since the very last episodes of Kai were action-driven rather than drama-driven like the rest of the series, I'd like to see such things at least in the last episode. The truth of how horrific the world would be lies mostly within the viewers and Rika/Hanyuu, and that's what made me feel like Kai's ending didn't do justice to the entire Higurashi's great dramatic aspect.


Once again the atmosphere meets the story's needs perfectly and keeps you hooked no less than the first season. Although, due to the storyline being more tied together and having less resets this time, as well as the significantly toned down horror aspect, the sudden mood shifts are much fewer.That's, however, because the story demands it and I can't think of it as a flaw. Apart from the sound, which is of the same quality as in the prequel, the animation is actually quite improved making the relaxed/comedic parts that Higurashi always has much more enjoyable to watch.


I can't say if this is inferior or superior to its prequel. I think that for two series of the same storyline they are as different from each other as they could be. Kai is different and necessary to Higurashi no Naku Koro ni, and it should be treated as such. It is a great and totally captivating watch and it tends to stick in people's minds as much as its prequel.

8/10 story
8/10 animation
9.5/10 sound
9/10 characters
8.5/10 overall
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