Darker than Black wants to be Cowboy Bebop so badly, it hurts. There is such a noticeable similarity between the two series that comparing them is virtually unavoidable. The problem, of course, is that Darker than Black is not Cowboy Bebop.
To be sure, Black isn't a total carbon copy. The series' plot is, at least superficially, very different. Also, Darker than Black, true to its title, starts out somewhat moodier than Cowboy Bebop's beginning. However, the same hodgepodge of genres and episodic story structure is here, as well as some other familiar themes and motifs (The Girl who Haunts the Hero's Past, the ephemeral nature of life, etc).
Sadly, Cowboy Bebop’s story might just have been one of a kind. There was a giddy, off-beat, almost poetic flow to the series, which was a major part of what made Cowboy Bebop such an entertaining work. This feeling is all but missing in Darker than Black, and in its place is an uneven, somnambulant narrative that lurches and groans under its own weight, even as it delivers clever premises and interesting twists.
Still, Black’s plot isn’t without its strengths. In particular, I loved the various superpowers that each of the characters had. While not particularly original, the cleverness with which the abilities are revealed and used never ceased to impress me.
Nonetheless, in spite of some extremely entertaining isolated moments, there was always something missing. In Cowboy Bebop, I eagerly pressed on to the next story arc, curious to see what the writers could possibly come up with next. In Black, I progressed more in the reluctant hope that the series might finally find its feet.
It never did.
Instead, the story continues to waddle at its own uniquely awkward pace. The show tries almost everything – action, romance, comedy, tragedy, mystery and even some philosophy – but never seems to find the right combination to make things work. This is a shame, because in each of these half-hearted attempts, there are occasional moments of brilliance. One gets the feeling that if Black had concentrated on something, anything, it would have done it impressively well.
Unfortunately, this never happens, and what we’re left with is a plot that is easy to admire but difficult to actually like. Cowboy Bebop felt joyously eclectic; Darker than Black is tragically so.
This is one of the better animated series this year. The character designs are appealing and memorable, and the action scenes are top-notch. Of particular note are the backgrounds of the city that Darker than Black takes place. The eerie, futuristic setting is detailed and frames the action nicely.
If I have one complaint, it is with the general style of the studio. Bones has always had a distinct style, but in this case I feel it works against a show that is trying to be melancholic and “Darker than Black.” While the studio’s signature look (particularly the colorful palette and crisp borders) is fantastic in a vacuum, I feel a more muted, fuzzy visual style along the lines of Ergo Proxy might have fit better.
If the soundtrack had been made by anyone else it would have been a nice surprise, but coming from Yoko Kanno it is a mild disappointment. Here she goes for a jazzy sound that evokes memories of her work in Cowboy Bebop, but the end result just isn’t as captivating as it was 10 years ago. The music, while not terrible by any means, is the first Yoko Kanno OST that I can remember not bothering to download.
Still, her work remains well above par, and the two OP’s also help keep things fresh. Furthermore, while the tracks aren’t much to listen to by themselves, they tend to do a fine job of setting the mood.
Most series tend to do a decent job of developing their protagonists, but neglect their villains and supporting characters. Darker than Black has the opposite problem; in some cases, the single-episode characters feel more developed than the main character.
The problem with Darker than Black’s hero is that his motives and feelings are largely kept secret until almost the end of the series. As a result, it’s very difficult to feel for this character; I could watch what he did in passive interest, but was ultimately unable to form any sort of empathetic bond.
On the other hand, the villains are some of the nicest I’ve seen this year. As well as having nifty and creative super-powers, they tended to be surprisingly developed. The exception, again, is the “main” villain, who remains a completely uninteresting enigma until the final episode.
Despite its considerable strengths, Darker than Black is and oddly muddled and unfocused show. While the series’ excellent disparate elements are enough to make me (weakly) recommend it, I can’t help but wonder what the show could have been if these elements had been better tied together.
Darker Than Black, AKA Kuro no Keiyakusha is a 26 episode action sci-fi anime featuring unique superpowers, wielded by beings known as ‘contractors’. It reminded me a lot of western comic-book fiction, like Batman and X-Men. But it still remains unique and has a plot with mystery in addition to a varied cast of characters to make it stand out. A friend recommended this anime to me and told me I’d enjoy it when he saw it in my collection and it seems other folks also seem to think the same way too. But does this anime live up to its hype.
Animation quality is excellent for a 2007 anime, I watched it in blu-ray 720p quality. The CGI is a bit questionable at times, but luckily there isn’t much of it. The animation style feels generic, the character designs seem familiar, especially the likes of PC Kirihara and Yin. However on closer inspection, the character design of Hei seems a bit unique, the eyes especially. Though honestly he reminds me of Mitobe from Kuroko’s Basketball, my favourite character in that anime. Some of the designs look cheesy, but I can gather they were done that way on purpose, like Huang, Guy Kurasawa and Kiko. There is lot of action, explosions and the like and they seem to be done reasonably well. Nothing really stood out as being terrible. There are a few big boobed chicks in low cut tops, but nothing to be regarded as fan service or ecchi. Scenes of a sexual nature are depicted in a surprisingly artistic and modest fashion. Technically there is nudity, as characters can be wearing nothing, but it is appropriately censored with good positioning and camera angles. And it made sense given the context (superpowers!).
The intro first plays and I get hit by familiar music, a band that I’ve heard much of before. Abingdon Boys School does the first intro and I’ve known for a long time how awesome it is. The first outro is a bit different, a mellow chilled out song instead. Of course this good music continues throughout the anime to the point where I downloaded the soundtrack. It was difficult by there being two soundtracks, the latter extended version of which didn’t have a couple of the songs in the original. The sound design is awesome, not just some cool rock and a lot of smooth jazz. There’s even a beautiful piano segment (one is played in the anime) and light-hearted comedic tunes when Kurasawa and Kiko are around.
This anime is in both English and Japanese. I’m not really a connoisseur of dub vs sub, but I watched the dub and enjoyed it. There are even characters who have English voices as they are British as part of the plot. Jason Liebricht voices Hei, having also voiced characters like Syaoran from Tsubasa Chronicle, Natsu Tanimoto from History’s Strongest Disciple Kenichi and Kouhei Morioka from Tsukuyomi -Moon Phase-. Yin is voiced by Brina Palencia, the voice of the Kinoshita twins from Baka to Test, Priscilla from Claymore, Rei Ayanami from the Evangelion remake, Nina Tucker from FMA, Holo from Spice and Wolf and a lot more. Mao voiced by Kent Williams, also as Sid from Soul Eater, Akisame from History’s Strongest Disciple Kenichi and more (running out of space). Kate Oxley does the voice of Misaki Kirihara, the voice of Renka from History’s Strongest Disciple Kenichi, the frog girl from Soul Eater and more. Other voices you might know include Laura Bailey as Amber, Cherami Leigh as July, Brittney Karbowski as Kiko, Troy Baker as November, Chris R. Sabat as Yusuke Saito and Todd Haberkorn as Yutaka Kouno. Honourable mentions for Vic Mignogna and Monica Rial voicing side characters.
The main character is a black-haired man named Hei AKA ‘The Black Reaper’ AKA Lee Shunsheng. Hei is contractor BK-201, his powers of ‘electokinesis’ or the ability to generate and discharge electricity along with his natural skill and peak condition make him a force to be reckoned with. He often likes to use a knife on a metal wire, as a ranged weapon and as a grappling hook. Due to the conducting material, he can discharge electricity along it too. A moody and mysterious man, he wears a black cloak and phantom mask into battle and is very similar to the Batman, even down to his shouting of ‘Where is she?’ But Batman never had superpowers like Hei, nor did Batman kill people. His nickname ‘The Black Reaper’ arose from his ruthlessness and the many kills under his belt. Similar to Batman, he keeps his identity as a contractor hidden and is also two-faced. When appearing as Lee Shenshun he appears to be a gentle kind guy, the opposite of his true personality. He is smart, making mostly logical decisions, which is a hallmark of a contractor and can be considered a tactician. All contractors have a payment (Obeisance) for their powers, but Hei doesn’t appear to have a payment involved. He does eat a lot though (big eater trope) and living on his own, he is quite skilled in the culinary arts. His past, like many others is shrouded in mystery and he seeks to find his lost sister while working for the group known as ‘the Syndicate.’ I will also add that he belongs to the trope ‘lady’s man’ as many women seem to like him and think him attractive, though Hei himself doesn’t care for such things.
Hei’s partner is a doll, in the form of a girl known as Yin, once known as Kirsi. Yin has powers of a medium, using an observation ghost via the medium of water for scouting and reconnaissance. Yin is a very stoic and emotionless character (stoic girl trope), she does not look directly at people, which may have a lot to do with her past. Dolls, human mimics, are unable to have emotions or feelings and it is unknown how the doll known as Yin came about. Yin is often found touching water, usually by standing in it or dipping her toes in order to do her job as a medium. On the side, she is undercover as a clerk at a cigarette shop, which comes in handy for discreet contact with her team in public. The biggest mystery about Yin, is how she ever became a doll in the first place.
Police commissioner Misaki Kirihara, a serious, smart woman who heads the local police force on cases where contractors are involved. Her father is the superintendent of the national police agency and ever since she was young, she wanted to be a policewoman to help the weak, thus having a strong sense of justice. She is very capable and skilled, though that doesn’t help the occasional stroke of bad luck. Of course, she shrugs that off when asked now. She likes to eat unhealthy food and when told it’ll make her fat, she gives the excuse that running around doing her job helps burn off the calories. She hates smokers as they smell bad and she also appears to own and drive a sports car, which appears to be a blue Porsche. One case that she is always working on in the background, is that of the contractor BK-201. By coincidence or otherwise, she comes to know a man by the name of Lee Shunsheng.
The third member of Hei’s team is the cat Mao (funny huh), once known as Ricardo. He is another contractor HM-432 and has the powers of possessing the bodies of animals. He resides inside a cat as his original human body was lost, but he can still talk. He is pretty smart, has hacking skills and also thinks very logically, his feline body allows him to easily infiltrate and observe as he doesn’t have much combat skills as a cat. Maybe his claws and the ability to bite, but that doesn’t compare to the likes of Hei. He enjoys the laziness and carefree attitude of being a cat, even claiming his reason for choosing a cat include the ease of taking naps almost anywhere. Due to the loss of his original body, he doesn’t have any Obeisance, making his life even easier. He wears a bell and collar around his neck and a barely visible ear-clip at all times for communication and often appears to go into a trance state. This is due to the fact that he must interface with a server to make up for what a cat brain lacks or he will loses consciousness to the cat whose body he has taken over.
The final member of Hei’s team is a human man, Huang. Huang is a gruff old man, who smokes, has infinite alcohol tolerance and often makes clear about his hate for the contractors and dolls like his team members. Huang has no powers or abilities of any sort, he is good with firearms and ranged weapons and throw punches as far as combat goes. But other than that, he’s that member of the team who doesn’t seem important until critical moments where he shows his worth. And what’s more, he has a rather interesting backstory.
The British man November 11 AKA Jack Simon is a top MI6 agent, who also happens to be a contractor. Like Hei, he is smart agile and physically capable. His power is cryokinesis or the ability to form ice, but he can only do it when there is water present. Thus, he works well with his team which includes the contractor April AKA Bella, who controls the weather. She’s pretty much Storm from the X-Men and her payment is drinking beer, which she enjoys. By sheer coincidence, November’s payment is smoking, a habit which he doesn’t enjoy and often he preaches how unhealthy it is. Like most contractors, he is cold, calm and logical and will do anything to find out the truth and stick to what he feels is right. As such, he isn’t always trustworthy, but his position allows him to often work with Misaki and the police. A pretty cool guy. Also the third member of his team is July, a doll who looks like a Victorian boy and uses glass as a medium to project his observer spirit.
One recurring duo of secondary characters are the comedy duo of Guy Kurasawa and Kiko Kayanuma. Guy Kurasawa is a private eye, an ex-cop who thinks of himself like a stereotypical cheesy detective hero. Which is why he named himself Guy Kurasawa. He has a high sense of pride and wants to take proper cases, not things like finding lost cats even if they pay well. Unfortunately he doesn’t get much business, thus he is broke. He smokes, doesn’t really take care of himself too well and has a thing for big boobs. His pervyness doesn’t affect his flat-chested assistant Kiko, who has ridiculous purple hair and looks like a teenager. She is an otaku, hence her strange appearance and love watching anime, doing cosplay and all the rest. She’s also a major slacker and often announces her time off work whenever she feels like it, just to do whatever she wants like hang out with friends. She is whiny and annoying and threatens to sue her boss for sexual harassment for making fun of her flat chest. She seems to like beer and in typical anime fashion, gets knocked out cold on her binges. This dumb comedy duo pushes the boundaries in this anime, but end up lightening things up a bit.
The police officer Yusuke Saito works under Misaki Kirihara’s team and is often out and about working with her to solve their cases. He can be a bit of a klutz at times and very much reminds me of Detective Gumshoe of the Pheonix Wright series. Also on the team is the young and confident rookie Yutaka Kouno, who has less appearances than Officer Saito.
Several years ago, the stars faded from the sky and were replaced by fake stars, each representing beings called contractors. The occurrence led to the rise in numbers of these beings, humans who are given supernatural powers in return for a price, obeisance (payment) and arguably their humanity. 2 mysterious gates (large areas of influence on land) appeared and within these gates, anomalous events take place and physics and the laws of nature are completely broken down. 5 years ago, the gate at South America, ‘Heaven’s Gate’ exploded and caused a great catastrophe, wiping out large number of people and making a large area inaccessible. The story of Darker than Black depict the events 5 years afterwards, in Japan in a town nearby the other gate, Hell’s gate.
Hei and his team work for the Syndicate, doing odd jobs here and there related to contractors and the mysterious Hell’s gate. They often bump into the other groups of characters, the cops with Misaki Kirihara, MI5 agents with November 11 and even the comedy duo of Guy Kurasawa’s detective agency. Initially the story seems episodic, tackling one problem at a time and seeming like it’s just about the day-to-day life of these people. But the events start to pull together and the appearance of certain characters and Hei’s past come into question. There is a big mystery here, what the hell is going on and why did certain things happen? Seeing how most things are relevant, only the earlier episodes can be considered filler and the ball starts rolling with interesting developments in the plot. I found it to be unique and interesting setting, which combined with the characters, really helped this anime excel.
There are various themes that come into play here, including mature things such as those related to mobs, the Yakuza and criminal underworld. The big contention here is about the contractors and how the world treats them. The government works hard to only disclose their existence on a need-to-know basis, the world at large is unaware of them. And for good reason, the humans who do know of their existence treat them differently, as if they are really human at all. They are treated as tools to be used. Especially dolls, who don’t have much in the way of their own feelings or will. Though some humans do know about dolls. Another interesting topic that arises is big question of killing and murder… is it right? Especially considering that the contractors are seemingly remorseless when they kill. It begs to ask the question then, can sold cold and logical beings be considered human?
Though there is the unnecessary scene(s), where a character talks about ‘making love’ going into detail about things I didn’t want to know. Due to the situation described, this was an unpleasant experience for me and very off-putting. The worst part of the story in my opinion, it didn’t need unnecessary detail (though not in the way you might think) about sex, especially given the context. Eugh.
Overall I enjoyed Darker than Black and have few complaints about it. I’d recommend it to most people, even those who don’t watch many anime or those who are picky. Yes, there are some rather off-putting things and pretty serious themes and events. But overall, it’s like comic book sci-fi story, much like X-Men and is just as interesting and enjoyable. The story is satisfying and the characters are great, even if a few of them are silly. Give this a go and don’t make up your mind until you get to the bit where Hei shouts “Where is she?!?” Batman style. It’s so good. But there’s just a little something… it feels like it could be even better. With that I look forward to watching the sequel which SPOILERS< wasn’t baited (foreshadowed?) >SPOILERS in any way.
Family-friendliness Rating: 4/5 Strong themes including adult and suggestive nature (lower is better)
Overall Rating: 10/10 (higher is better)
Absolutely loved it. :D The flow of the animation is total eye candy - seriously, it's remarkably pretty, the soundtrack is beautiful, and the characters mysterious and interesting. The only thing keeping it from a full score is that the story, although intriguing and clever, left quite a few questions unanswered. I hoped these would be further explored in the second season, but so far (I'm a couple of episodes into season 2) I'm disappointed by the lackluster animation (Hei in particular doesn't quite look like himself anymore) and blatant fanservice (panty shots and boob-focus? Really? Ugh.). :/
But that's a story for a different review. Darker than Black really is gorgeously done, an anime that anyone with a penchant for sci-fi/mystery/dystopian themes would enjoy. I certainly did. :>
ANIME MINOR JEWELS SERIES
Full list of the review series can be found on this page, 3rd post from bottom:
Animated by Bones, the studio which always has amazing production values and very good premises, but rarely pays a decent story-boarder to write down a proper plot. Directed by Okamura Tensai, who has done some pretty interesting work in the past. Most will know him for the directing of the highly acclaimed Wolf’s Rain, which has almost feel the same style. But that does not mean he is consistant with his wok as he has been part of many mediocrities, such as Kikaider and Blue Exorcist; So don’t lose your mind over him.
So from these facts you can expect a great premise with good production values, very moody atmosphere, as well as a lousy plot. And indeed, Darker than Black (DTB) is a fine example of a series where you can see how different viewers have different tastes and focus on different aspects of a show. To make a very long story short, if you like complicating stories with on-going plots, good action scenes and an amazing finale where everything now makes sense and the world is shaken by these events, well prepare to hate it. On the other hand, if you like mystery that always keeps you in the dark, tragic characters, short stand-alone stories around the same thematics, and don’t mind the non-existing ending, then you will most likely love it.
Starting with the story, it has a great premise but plot-wise it is nothing much. Imagine a supernatural event that some years ago gave people superpowers (Contractors they call them) and at the same time took away their sense of morality or compassion (cynical bastards I call them). Imagine so many years later how this phenomenon was never explained and that the affected people are now a thing of fear, forced into hiding or having to survive by becoming agents for shady organizations, mostly as assassins and thieves. And imagine there is this great secret force that somewhere is somehow responsible for all this mess.
Yeah, sounds great but this is all you are given. There is not much exposition to how or what or where all that are and the series pretty much ends without giving any answers to major questions. So it is basically a carrot in front of you, nice and juicy, dragging you to keep watching and peaking your interest with what is going on and yet you are never allowed to have a bite. Your hunger and curiosity is all you are left with. Some may like this approach, since most mysteries are interesting as long as you don’t know what is going on and the revelation most of the times just disappoints you or makes you lose interest right away. I mean, seriously, would anime like Monster be so famous if you knew how Yohan keeps doing all those improbable plans yet kills or turns people to serial killers or escapes all the time without ever showing you how? Or would Bleach be so famous if you were given a clear picture of what the hell is going on with Aizen’s plan? No they wouldn’t; the mystery is what makes them appear so good even if in practice even a 10 year old could figure out all that (generally speaking; not specifically referring to these two).
So practically what we have here is a collection of short stories or missions, where the same team takes part in all of them. It is not a really bad thing as many anime are considered great even if they have no overall plot; Cowboy Bebop and Mushishi being two famous examples. As long as the atmosphere is right and the characters are interesting, and the end to each short story is good, then one could very well not be annoyed at all.
The thing is, DTB actually HAD an overall plot; that of the mystery of Hell’s Gate. It is there all the time and it’s just not looked into at all. Also, as much as this type of storytelling works, down to it you just know that none of the main characters is ever going to die or be crippled, because all need to be present in all the stories. Plus, this is not a comedy or slice-of-life where such a thing would be simple; we are talking about a setting where super powerful assassins keep killing each other, all the time. If excitement is supposed to be part of the package, then you sure won’t be clipping your nails thinking the main characters may get killed. Which kind of sucks.
Speaking of characters, the cast in DTB is quite numerous. Yet since we are talking about short stories, most won’t be present for more than a few episodes, usually because they are killed. Effectively, you are not given enough time to like all secondary characters, even if they are interesting. As for the main characters, their distinctive feature is the fact they have super powers and are cynical creeps. And again, this is another case of a series where you can see how different viewers have different tastes and focus on different aspects of a show. If you like bold personalities with lots of development and questioning of one’s being, this is going to suck bad. But if you like tragic stories about uncaring freaks and how they try to live in a world full of morality they don’t give a rat’s ass about, then you will love it.
So the thing is that YES the characters are interesting if you compare them with the majority of anime casts. They have no high ideals or great expectations to rule the world or anything. They are cynical people with superpowers, hired to do the laundry for sinister organizations, thus they are not really responsible for their actions. You could view them as cold-hearted professionals who are just doing their job without emotions getting in the way, which is cool in theory. It is quite lame to see a hero holding back from defeating the arch-demon because a puppy is in the way. Or it is stupid to have a protagonist having taken an oath of not killing again, which practically allows the bad guys to keep hurting innocents. So yeah, if you are fed up with too-goody protagonists in series like Rurouni Kenshin or Trigun, you will like these bastards.
Plus, each one of them has his own special power which is quite cool to use and being the uncaring bastards they are, they don’t hold back at using it all the time, even on innocent stand-byers. And it’s true that the death toll in every battle is high, both Contractors and innocents die by the dozens and very few are spared or manage to escape. If you got fed up on series where the heroes allow the villain to escape, just to return the next day with another masterplan, then this is good stuff.
Enough with the good stuff, now let me deal with the negatives. First of all, although there is a sub-story of racism present in the anime, it goes mostly untouched. Yes, people are afraid of these superhumans and sometimes are shown killing them or arresting them or running away in fear. This could give a tragic element to them but in reality it is just a dud. THEY DON’T CARE! No, really, they have no feelings at all so even if you speak bad language about their mothers, at best they will blow you to pieces because they are in a hurry to go buy milk and you are standing in the way. Another thing I said earlier about them being professionals, who don’t let emotions get in the way, is in fact NOT a plus in their case. If we had people who originally HAD emotions and found a way to control them, then we could find this to be a feat. I mean, they managed to control their anger after years and thus are very good in their work; good for them… Which is NOT true in their case. They never had emotions to begin with so they never lost or controlled them. They are born cynical bastards with no regard to what you feel about them.
This aspect is not even new to anime as some years back, Elfen Lied pulled up the same thing and the stupid masses goggled it without even thinking. Oh, those poor naked horned lolis, how bad do people treat them! Well guess what you idiots; just like the Contractors the Dicloni also had no remorse in killing all of humanity. It was in their DNA for Pete’s sake! Lucy and Nana were just ass pulled to show off as good; the manga clearly shows that no matter how much you want to protect them, THEY WILL STILL KILL YOU. But enough with that travesty, DTB has the exact same thing going on. The Contractors may not have encoded the annihilation of humanity as their prime directive but if their employer orders them to kill their best friend, they will do it without lifting an eyebrow. Heck, even Spock lifts his eyebrow; these don’t even do that.
One the other hand, think of the X-Men. They have superpowers and retain their emotions and they are also persecuted all the time. You have all the reason in the world to like those guys, as they CARE to build cooperation between mutants and humans or just CARE to wipe all normality from the face of the planet. Contractors don’t give a rat’s ass, even when in this story there also are similar organizations who want to create havens for Contractors (called Amber; think of Magneto) or wipe them out (called Saturn; think of the army). They both eventually fail to have something permanent going on, so it may be seen as just another useless addition to the already frail plot. Plus, unlike the mutants who escape or survive all the time and return again and again in more X-Men adventures, these dudes die almost immediately; thus you get no time to like them. Also, their superpowers are not even so super, as even the most powerful amongst them can still be killed by the simplest backstab. Bottom line, they are good on a superficial level but in-depth analysis easily shows they are empty shells.
Going to the production values, if you expect good action and amazing use of lighting and allegories to some weird mental state, you will hate it. If you like well drawn characters talking for 20 minutes and fighting for 3 minutes before dying anti-climatically, you will love it. Because that is what we see in practice; people going to places and talking about their lives in detail; and as soon as their exposure to us is over, they usually die. There is choreography in battles and the sceneries are very good, characters retain their proportions all the time and slice-of-life moments are excellent. The dialogues are good and the music pieces nice. It is not bad in this regard but the battles will be always too short or too simple and the constant talking may tire you. Plus, no songs are great to remember; at least for me.
I never understood the hype around this show (but then again I am smart and a snob to mediocrity). I mean it looks nice and it sounds nice but it’s not like it’s the most beautiful anime even made, with original artwork or amazing soundtrack. The characters are really distant and hard to identify or remember in the long run, the story is just not there, the drama wears off fast … and there is always the X-Men as a much, much, much better alternative. Or Heroes before it turned to shit. I guess the audience was REALLY fed up with goody protagonists and Bones meant to auto-like all their shows. But nah, I never saw anything in it and so I call it just a nice time killer at best.
And now for some excused scorings.
ART SECTION: 7/10
General Artwork 2/2 (looks nice)
Character Figures 1/2 (generic)
Backgrounds 2/2 (basic but fitting with the feeling of the series)
Animation 1/2 (basic)
Visual Effects 1/2 (basic)
SOUND SECTION: 6/10
Voice Acting 2/3 (corny but fitting with the feeling of the series)
Music Themes 2/4 (nothing much)
Sound Effects 2/3 (ok I guess)
STORY SECTION: 5/10
Premise 2/2 (interesting)
Pacing 1/2 (loose)
Complexity 1/2 (seems complicating but has a very simple line of thought)
Plausibility 0/2 (none)
Conclusion 1/2 (cheesy)
CHARACTER SECTION: 7/10
Presence 2/2 (strong)
Personality 2/2 (rather cheesy but well founded)
Backdrop 1/2 (generic and simplistic but it’s there)
Development 1/2 (overblown but it’s there)
Catharsis 1/2 (overblown but it’s there)
VALUE SECTION: 6/10
Historical Value 3/3 (all-known)
Rewatchability 1/3 (low because of too little plot)
Memorability 2/4 (it ain’t bad but it’s not something worth talking or recommending to others)
ENJOYMENT SECTION: 5/10
Not bad but the X-Men did it much better.
With Tokyo trapped behind a looming wall called Hell's Gate and superhumans called contractors running around fighting each other in spectacular acrobatic displays, Darker than Black has undeniably one of the strongest starts of 2007's thrillers. It held my interest the most during the character-focused mini arcs, such as the one about the contractor who lives in fear of regaining the powers she lost. The protagonist Hei's frantic search for his sister and his double-life as the feared contractor BK201 also toss a potent mystery into the fray. Unfortunately, all its threads of intrigue lead to an ending more cobbled-together than grandma's Christmas jumper. The middle introduces a couple of awkward comedy episodes completely out of place in the gritty tone of the series, a million things start happening at once, and then events turn a little... well, Evangelion-ish. Nonetheless, the masses will have a lot of fun along the way thanks to its inventive action scenes.