Legend tells of a lone swordsman who lives in the Demon's Castle, the ruins near the Black Forest. This mysterious stranger only accepts rare books for his services, books from the ancient past. Comedy tells the story of a young girl who desperately wishes for her family and village to be saved from the coming English soldiers' wrath, and is willing to trade a precious book in exchange for the deed. With only her legs beneath her, she runs towards the Black Forest, hoping to get there in time...
Alucard is a vampire who works for Hellsing – an organization responsible for hunting down and destroying other vampires. In these dark times, whoever is bitten by a vampire turns into a ghoul -- with the exception of Seras Victoria, Alucard’s newly created and appointed apprentice. Now, Seras must serve her master, Alucard and work for Integra Wingates Hellsing. Nefarious vampire activities are being reported throughout England, and it all traces back to the organization named “Millennium”. Will the Hellsing organization, under the command of Sir Integra Wingates Hellsing, be able to prevent a full scale war? Or will the world become a battlefield of destruction?
Both animes are about a male vampire protagonist who encounter a female protagonist. Also, both animes are filled with blood and gore with a dark overtone. While the main protagonist is part of an organization in Hellsing, the protagonist in Comedy is a lone wolf.
While visiting her uncle for the summer, six year old Hotaru gets lost in the woods outside the village. Scared, the crying girl is eventually rescued by a gentle youkai named Gin, who is burdened with a curse that will cause him to disappear if ever touched by a human. Though they are barred from physical contact, the two become close friends. But after a few short years it becomes apparent that Gin ages more slowly than humans, so while Hotaru is growing up and changing, Gin remains in stasis. How will Hotaru adapt to the complicated emotions she develops as her and Gin's ages gradually converge?
They may seem not to have much in common, yet the feeling while watching them is so similar - warm, melancholic. Both are short, slow-paced animes with similar main pratagonists: a little brave girl and a boy who isn't who he seems to be at the first glance. The storyline of each is tottaly different, but i think you may like one if you liked the other. (They are my two favourites animes.)
Near the ruins of an old and abandoned city, there is played a game simply known as "Otokoyo." It is said that when children play this game, they go missing one by one. Some say it is ghosts. Others say it is demons. But for Hikora, one thing is certain: his sister disappeared playing the game and he will do whatever it takes to find her, even if it means playing the game himself. He and seven others will do just that, all for their own reasons, and learn that rumors aren’t always fictitious. Escaping with their lives will become the main concern when this game of hide-and-seek turns deadly.
Comedy and Kakurenbo are short films that incorporate aspects of oral tradition. The girl's narration and the swordsman's mystery lend a folktale quality to Comedy, while Kakurenbo explores an aspect of the children's street culture: an urban legend.
If you're tired of long, drawn-out anime, or just want a quick watch, give these a try.
Unbeknownst to humans, demons from an overlapping dimension walk amongst them in the streets of Tokyo. The balance between the worlds is kept by the crow guardian Karas and Yurine, its master and voice of the living city. However, the time of harmony nears the end as the once-Karas Lord Eko returns. Seeking to purge humanity for its evils, he terrorizes the city with his minions that feast on human blood. The ultimate battle between good and evil awaits; can Yurine and her newly initiated Karas prevail against Lord Eko and protect their city against his monstrous horde?
Karas is longer but both anime share a lot of aspects. Both have a very dark atmosphere; a solitary dark hero, who is a man of few words (in Karas) or no words (in Comedy); beautiful animation; awesome sword fights; and an amazing and orchestral soundtrack: Schubert’s Ave Maria in Comedy and Prague Symphony Orchestra in Karas.
In Victorian England it is commonplace for the rich and wealthy to have a staff, led by a head butler, to run their households; the Phantomhive Estate is no different. The young and demanding Count Ciel Phantomhive, child owner of a toy company, lives in the grand countryside manor. Sebastian is his head butler, and the epitome of perfection; he effortlessly and gracefully completes his day-to day chores and fixes the countless mistakes of the other employees. However, whilst on the outside all seems prim and proper, a more sinister secret lies just beneath the surface. Sebastian is in fact a demon bound by a contract with the young count; he will loyally serve and fight for him in return for his soul.