Chaika: The Coffin Princess

Alt titles: Hitsugi no Chaika


roriconfan's avatar By on Jun 26, 2014

Notice: This review covers both seasons of this anime.

I find many calling this show a Dungeons and Dragons campaign, where a group of adventurers are going from one area to another, gathering artifacts and fighting monsters and other adventurers. That description is rather true, as long as you accept the fact that it’s not an official campaign, but one written by a rather amateur Dungeon Master who wanted to have fun with his friends. For you see, there are lots of things that feel random in the setting, from having snipers in the same team as magicians, to futuristic technology next to medieval one, to the overall world map and backdrop story being written on the spot, depending on how the Dungeon Master feels like it at the moment. When it comes to the plot, the narrative will feel something like this: Ok, there was a war in the past and hmmm, you start in a generic town. Now here is a nameless forest and inside you will find some villa. Go there and steal a hand or something. 

Chaika is a fun show if you just watch it for the action and the adventure. Despite being an adaptation of light novels (a terrible medium in terms of quality) it is avoiding many stereotypes found there. There are no done to death school settings, most characters are adults instead of teenagers, and the main characters act as if they are the bad guys, trying to resurrect the Dark Lord by defeating the legendary heroes who killed him, while being chased around by other heroes who want to protect peace and stability. Why would they want to do such an evil thing? Well, two of them are mercenaries who are very bored of peace and find purpose only in slaughter and chaos. The third one is the daughter of the deceased evil wizard, she really liked her daddy and wants to give him a proper funeral. Yes, that’s right, she is stupid enough not to realize that she is in fact trying to resurrect him by gathering his perfectly preserved body parts. It was obvious from the very first episode but the characters act as if it isn’t. Random storytelling, remember?

The show is of course never trying to be serious despite constantly having creepy moments full of death and despair. The dark tones are easily lost under the pressure of lots of silly things, such as the daughter being a moe maid, the world being full of ridiculous things such as dragons turning to cute girls, and of course the unavoidable fan service bits. It does try to be a bit better than the usual fuss, but not by much. This makes it very easy to either like it if you are fed up with light novels, and equally easy to dislike it for not taking itself more seriously, something which the set up makes it seem like it could have been.     

So leaving aside the hit or miss overall feeling of the show, what else is there in it? Well, for starters the battles are fun. They have far more choreography, motion, and strategy than most fighting shonen do. And the visual effects are very well done. Plus, they aren’t afraid to show gore; especially when it comes to killing monsters. When most shows would have them go poof in stardust, over here they are butchered to pieces and blood is splattered everywhere. Then there is Chaika herself who is this cute little moe thing, dressed as a goth maid, going around doing and saying silly things in broken Japanese. Awww, so kawaii! And then there is a lolidragon for more kawaii. And then there are more identical Chaikas for extra kawaii. And even the sister digs the main mercenary dude. And yes, the show is turning from an action adventure into a moe harem. Awww!

As I said, it is a fun show but it’s in no way crafty in its handling or complicating in its presentation. You are watching it for the action and the moe girls, with the danger of a new catastrophic war and the resurrection of the evil wizard being more like excuses to move from one fun adventure to another fun adventure. And when they eventually get to that part towards the end, they wrap up everything very fast, making it seem like the conflict wasn’t that dangerous after all.

By the way, the conflict could have easily been very hard to overcome if there was balance in the powers the characters use or their motivations made sense. But nope, typical to all lighthearted adventures, power ups come out of nowhere when the good guys need to win, and bad guys do some really ridiculous things that is like they beg to be defeated. A lot of excitement is lost once you realize the lolidragon is a complete hax that can do a dozen different deus ex machinas, and constantly saves the heroes when she otherwise wants to kill them. Or how the villains kill those who are willing to obey them and spare those who want to kill them. And beats me why that human super weapon decided to betray her master with absolutely no foreshadowing.

So yeah, it’s all about the action, the adventure, the moe, and the harem. Doesn’t do much to remember it as something great but look on the bright side. No schools for once.

4/10 story
8/10 animation
7/10 sound
6/10 characters
5.5/10 overall
AnimeEmma99's avatar By on Sep 9, 2014

I like to make my review short, sweet, and down to the point. If you want to know about the plot of this anime -- read what anime-planet wrote. (I say it's not to shabby).

*Note: When I re-read over the description anime-planet has I suddenly realized that Toru is 20 years old and Chaika is 14... yikes...*

Animation: This is one of those animes where you can just sit back, relax, and enjoy the art. Though I must worn you: *Little Spoiler* in the first episode when they kill the unicorn I was NOT expecting that much blood..

Sound: Commenting on the voice actors (Subbed) they did a really amazing job on this one. I dont know what really stuck out for me other then just how emotion they seemed to feel.

Characters: I really didn't like how we got only a bit of Chaika's backstory and I didnt even realize Toru was in a war... But I do understand that theirs going to be another season -- so I'm hoping they will fill a bit more of the mystery then c:

Overall: This is a really good anime. I often found myself totally lost in the story. I can't help but bag on Chaika's character for being an airhead who's good with a gun but I try not to hate.

In the end, this anime won't be the best in the world because of its plot holes and how much the fan base wants to kill Toru's sister (OH I can't be the only one [Her name slipped my mind]). But it is a great watch, and I'm sure you will enjoy it just as much as I did. Even with just watching the first episode you get a feel for how the seasons going to be set up. Enjoy ! ^^

8.5/10 story
8/10 animation
7/10 sound
8/10 characters
8.2/10 overall
Wicdz's avatar By on Jun 4, 2014

The premise of Chaika - The Coffin Princess is really well founded and easily delivers enough intrigue to get you hooked on the imaginary world. Picture a fallen empire in it's recovery stage: civil unrest, changing politics, and a growing danger of the whole system going haywire. Sounds promising, right? Even with this, the whole development aspect gets shattered by erratic pacing mistakes with a horrid mastering of the prologue - the time taken to explore the pictured world or protagonists was very scarse (at start); therefore, sympathy or stress about their actions will be absent at the most part. Not saying that you can’t do that in the first minutes of a show, but here the chemistry had to be more progressed before throwing them into battles or emotional events. At least having some sense of fighting hierarchy. Don't just jump on a powerful lord or the most fearsome beast of the wilderness in the first seconds of a show - a big majority of the viewers expect a build-up beforehand.

While we're still grasping the beginning of the show, then I have to say, I loved the idea of the stereotypical unicorn portrayed as a gruesome beast, and it makes for a great concept to expand on. Unfortunately, it is promptly forgotten and never mentioned again in the next episodes - why the heck can it talk? What’s the stuff it’s saying? Why can it use magic? etc.

If we expand on this even further, then we stumble upon the show’s more itchy mistakes - leaving the viewer to figure out how this world or its inhabitants have come to be; or postponing it until the point nobody cares about. It doesn’t have to be written in black and white how the universe functions, but it’s a common knowledge to throw little hints of the creatures or historical events to keep the viewer interested; otherwise, it causes the feeling of events having no impact or being unrelated filler content. For example, the Gundo type sniper rifles, not saying that they cannot exist in that fictional world, but the more interesting question would be how can you make such complex metal shapes, tubes, or spirals without modern day equipment as they require far more precise measurements than a blacksmith can handle (and don’t get me started on the telescopic sights). If the answer is magic, then I haven’t seen anyone be able to bend objects using it. That might seem like a minor complaint, but these things stack up until it gets quite daunting to view the show objectively.

Another fault that I encountered was the lack of suspense and originality. I agree, it had its moments, but in the long run there were too many great opportunities left out. Let’s consider the events in the second episode - the mansion robbery - Count Abarth eventually says that he’s one with the building and can control anything in it, so I immediately thought that the heroes must undergo the same influence as the chairs and swords - this could’ve lead to more intense turnout as the heroes would’ve been forced to use unconventional thinking to get out of the mess they’re in. Instead it takes just a couple of tricks to have Abarth cornered.

This, and several other scenes, made me really feel like everything before the 5th episode could’ve been left out or reduced significantly - skipping to the part where the anime improves and becomes fairly gratifying - characters gain more personality and depth, we receive some decent twists, and generally the show pumps out some hilarious situations.

Credit definitely goes for exploring the ageless dilemma of what’s right or wrong. Tackling the idea behind moral relativism, where there’s no rule that could distinguish between good or bad, only society's morals that label them so. Still, it felt pushed upon the show and had no strong reasoning behind it, in a sense, it would always follow the same pattern and drift from one perspective to another way too predictably - “Look! There’s a bad guy. But wait, after 5 minutes he gains some loveable characteristics, so he’s not such a bad fella.” If the characters would’ve subjected to a more complex development, then it’d’ve been a blast.

Never will I understand the reason for the transformation process the saboteur siblings have (or any other show that does a similar thing) - having to say several sentences in the middle of battle to enter a more powerful stage of yourself or do a magic trick seems far too inconvenient as you become an open target to fatal injuries, and if the rivals weren’t brain dead, then they could accomplish just that. While some of the wizards use too bizarre rituals, others can immediately use their magic without any fancy lines. You can interpret this as a take on forced teamwork, where a weak magician needs a couple comrades to perform his attacks and kinda sets the idea of them having more of a support role during battles. What makes a strong or weak wizard? Well, it must do something with the magic fuel the heroes mention now and then - but again it’s a misty thing as its effects on their users or spells are never addressed properly - we know that it has to be applied to or used with machines, structures for it to be working; and the more pure it is, the better (whatever that’s supposed to mean).

Furthermore, some of the magic seems just to be there for the sake of it. For instance, the siblings Iron-Blood Transformation doesn’t seem to make them noticeably stronger - Akari and Toru, our main protagonists, practically fight the same way, with the same passion, with or without it - only thing what makes a difference is the color of the hair. It doesn’t drain their energy, doesn’t require some sort of recharging, or have any sort of health effect - so why have it? Or better yet - why not use it all the time?

In the end, as much as I looked forward to this anime, as much as I prayed to the anime gods that it would hold up to its hype (since the setting didn’t have the pesky schools), the story left me somewhat disappointed - there was much more I’d’ve rather changed than it actually could deliver. That said, I still felt slight enjoyment watching it, mainly because of the cuteness Chaika would pop out and the humorous moments in between the foreseeable fights. If you haven’t seen anything the likes of “a group of teenagers with swords helping one of them retrieve something valuable” with a little hint of mistery or have a fetish for goth clothing, then it deserves a go.


Chaika - The Coffin Princess suffers from a similar syndrome that Sword Art Online did - it has protagonists that are ridiculously powerful and mentally perfect that they become utterly boring to root for after a viewing or two - you just start to stop caring after a while, because everything goes so well for them if they want it or not. In this case, it’s even better to have a cry-baby like Yukiteru from Mirai Nikki. Even if you hated him with the deepest corner of your heart, it is still interesting to watch Yuki~ suffer and cry every ten seconds, since he had some interesting and unique personality to associate or despise. In comparison, Toru and Akari are without any distinctive traits or characteristics that would set them apart. Their faultless nature is the source of their one dimensional behaviour and makes me think if their existence is even necessary, if not for the sake of the immersion gab.

Thus, Chaika, the little goth girl who barely can combine two words in a sentence, has plenty of character and faults. She has her own goals and opinion, and is arguably the biggest selling point of the show. You’ve to be rock hard not to be spellbound by her cuteness and mysterious existence. If only the show would take time to do a good development - from paranoid as she was in the beginning to more open hearted later on (instead of just switching it at one moment) - it would convince me that the anime puts thought into evolving her individuality. As for the idea of Chaika begin able to express herself only in a broken language, then it’s quite a unique take and should be done very carefully not to become annoying over time - it stays fresh during the first chapters, but nearing the end comes across ear tearing. To some extend, I’d’ve rather seen Chaika develop from a half-mute character to being able to speak properly (the show does actually offer a glimpse of how that could’ve turned).

Next up is Dominica.. no, no, I mean the dragon; em, or was it a cat? Basically we have an ex-pet dragon with a multiple personality disorder who can transform into anything it desires - of course, it chooses a little girl named Frederica. Again, I could complain how this idea has not been used to at least the third of its potential, but let’s rather highlight the fact that theses characters are without any decent goals in life or an interesting higher objective - devote a good part of your life glorifying your master, and the second you get a good kick back to reality and a bit of smart talk, you decide forget all about it. Really? It only shows how shallow their motives are, since it usually plays along the lines of affection or dumb views that they try to make sound smart - “I want war, because I have no job.” And if we strip down Frederica to the core, then you start to see that she’s not annoying, she’s not funny, she’s just there, and contributes very little to the show as I’d often forget about her existence, because she vanishes and reappears all the time. The sequences when Frederica unleashes her dragon form always sparks some-what decent intrigue, but the show deliberately tries to get Frederica out of the way before that can happen, as she's far too powerful for the story to progress.  


The only thing that is marginally frustrating in the artwork section is the architecture and interior design, most of the time, feels empty or lacking certain foulness. More or less that has to do with using a mix-mash of different styles (Rococo, Goth, Jugendstil), and it could be that I’m just not liking it as an choice of design in general as almost every character's outfit and looks feel uninspired and forgettable. Everything else is fairly well done: proportions of characters are kept the same during the whole thing, faces or body shapes don’t distort, and the flashy neon effects spice it up quite well - it looks good, but by no means does innovate in those aspects.

4/10 story
6/10 animation
7/10 sound
3/10 characters
5/10 overall
ratchet573's avatar By on Jan 29, 2015

I had no idea what I was getting into when I started Chaika: The Coffin Princess. Hadn’t read a synopsis, hadn’t looked at a genre. I only knew that Chaika’s face was a meme, so this was going to be a completely new experience for me.

I was pleasantly surprised by what I got.

The titular Coffin Princess is our main character and perhaps the most moe girl I’ve come across in years (more on that later). When lost in a forest and chased by a unicorn that wants to kill her, she teams up with a saboteur named Toru and his sister, Akari. Why does Chaika carry a coffin around? It holds her magical sniper rifle, but it will also be used for her penultimate goal; to collect all the parts of her dead father’s body so she can give him a burial.

You see, she’s the daughter of the last king, a powerful mage who sent the world into turmoil. Eight heroes attacked and killed him, each taking a body part with them. So you can see where this is going. Chaika and the gang go to the residences of those who killed the king, fight them, and get part of the father.


It gets more complicated when women who look like Chaika show up, some with the intent of getting the parts of the body, others wanting to stop those in search of the parts.

It’s an average plot that plays out pretty simply with a small twist toward the end of the season that I think I figured out by episode five or six.

What I can commend the plot on is creating a somewhat interesting fantasy setting. After the king was killed five years ago, the world is in recovery after nothing but war. Recovery is hard and there are competing factions across the board; some who want war and others who are trying to protect the peace.

One of these organizations is the Postwar Restoration Agency, who chases Chaika through her travels, believing her quest to be for ill purposes. I only mention them because the show occasionally focuses on the members, especially a childish and poorly done romantic thread.

Watching Chaika‘s plot play out is like watching the average linear fantasy video game. From one section to another with little segue and each level contains a boss and a treasure chest after the fight.


Animation isn’t great. It looks more like a kids show than one aimed at teens. The girls themselves are ridiculously cute, mostly because I have an eyebrow fetish (and so do a lot of others apparently).

Music is another average. The opening and closing were alright and music during the show was pretty typical for a fantasy show–except for one instance. Said instance is the second to last episode near a mid-show title card. As the action ramps up, we’re presented a score that must have been courtesy of Neal Morse or Transatlantic. It’s a completely random prog rock riff that makes no sense being there.

Characters are also average. Chaika herself is, as mentioned, adorable as hell while not being silly. Something the series does right is not joking around enough to take you out of the world. It never resorts to cartoonishness for a laugh, nor does it overtly use any of the female characters for sexual comedy. There’s a few laughs from Akari (who is not actually Toru’s sisters) being in love with him and defensive when he gets close to Chaika.


The cuteness of the show lends itself to small things Chaika does. When her coffin hits the top of a doorframe, she’s visibly frazzled for a second. At one point she falls backward during a climb and just lays on the coffin, staring up at the ceiling.She also can’t speak well, so I guess that’s kind of cute.

It’s moe as hell, silly, and I haven’t d’awwed so hard since watching Tomoko try to survive the world. So there’s that.

Toru is a weak character but I appreciate how much of a non-wuss he is. He isn’t edgy, mind you, but he’ll kill if he has to. His sister is the same way though a little more silly.

There’s also a dragoon named Fredricka, a shape-shifter who only goes on the adventure in the hope of fighting Toru.

What does all of this add up to? A pretty average yet very entertaining experience. The action scenes in the show are plentiful and well-done, the magic system is interesting, and Chaika is cute as hell. This comes at the expense of good characters, plot, a fully developed world, or above-average writing though.

Chaika was a fun, easy watch and a charming palette cleanser after my last review.

?/10 story
?/10 animation
?/10 sound
?/10 characters
6/10 overall
haize78's avatar By on Jan 18, 2015

Just a quick review I hope someone will find useful. Oh, and I'm writing the review for both seasons, the first and second. Even if the second is slightly better than the first as it takes things to their conclusion.

It's a pretty average anime under every aspect. Some of the other reviewers pointed out that the fact that it isn't set in a school is practically it's only selling point - which could very well be true. I was tempted to drop it after the first 3-4 episodes, but I didn't and then I found myself watching the second season to see if I'd get any answers as to what was going on. And you do get answers, but they way the story is told isn't satisfactory at all. So it's pretty disappointing. 

The anime is set in some undefined medieval past - maybe - and the protagonist is a cute girl named Chaika who travels around with a coffin on her back. She hires two sibling saboteurs to help her in her quest. Turns out she is the daughter of the late emperor Gaz who was killed and slaughtered by a team-force of 8 legendary heroes in order to bring back peace to their world; each hero got a body part of the emperor as spoils of war. Chaika is carrying a coffin because she wants to gather the pieces and give her father a funeral. So all three, Chaika and the two saboteurs, go around looking for the heroes and trying to come into possession of the body parts, asking the heroes to simply hand them over, or stealing them or fighting for them. It starts to get interesting when multiple Chaikas start showing up all intent on gathering remains and all suffering from some kind of memory loss which makes you think that there's someone manipulating them. But when you get to the end, it wasn't that much of a story after all.

The characters too are pretty uninterestingly described. They aren't particularly fleshed out nor is there any character development. I sometimes found the quips between the two saboteurs, especially the ones coming from the sister, to be funny. 

In conclusion, I didn't find this anime especially enjoyable. The storytelling is sketchy and superficial. The plot isn't particularly engaging and neither are the characters. Watch it if you haven't got anything better to do.

3/10 story
5/10 animation
5/10 sound
3/10 characters
4/10 overall