No sooner has Nanako Misonoo started attending Seiran, the most prestigious girls’ school in Japan, when she is unexpectedly chosen to join its most exclusive club, the Sorority. Believing that she was given preferential treatment by the Sorority’s leader, the beautiful and intimidating Miya-sama, Nanako’s jealous classmates begin to bully her. Slowly, life at Seiran begins to unravel and Nanako wonders why the Sorority chose her over more eligible candidates. Not only that, what could lie behind Miya-sama’s mysterious smile? With only the letters to her ‘dear brother’ to help her make sense of it all, Nanako must try to find answers to these and many more questions.
When Utena Tenjou was very little her parents died, and a prince comforted her in her time of loss, giving her a ring with a rose seal. He so impressed her that she decided to become a prince herself one day. Now, Utena is a teenager at Ohtori Academy who's athletic and notorious for dressing in a boy's uniform. When a member of the Student Council humiliates a friend of hers Utena challenges him to a duel, and he accepts only when he sees she possesses a rose seal ring. She soon discovers that this is no normal duel - it's a bizarre and ritualistic battle that the Student Council regularly conducts. In fact when she wins, Utena finds to her considerable chagrin that she gets to have Anthy Himemiya, a rather docile student, as her 'Rose Bride'. If she wants to keep Anthy she'll have to win more duels against members of the Student Council and others. What is the ultimate purpose of these duels and Anthy's role as the Rose Bride?
Both anime feature likeable yet naive heroines, exclusive societies, and forbidden homosexual and/or incestuous relationships. Both heroines have perky, pony-tailed best friends whose ordinariness gradually precludes them from the encroaching melodrama. Both series also feature handsome, melancholic blondes who cling to pieces of gold jewelry that serve as painful reminders of their unrequited loves for other women. In both series, female characters are referred to as "princes," and roses play symbolic roles.
Both Revolutionary Girl Utena and Brother Dear Brother deal with the complexities of gender, sexuality and identity. While Utena is more fantasy-based, Brother Dear Brother is quite realistic, but the emotions that both shows draw upon are very similar. While the leads in both shows are quite different in their strengths, their core personalities are quite similar. The classical music component is shared between the two, creating similar musical themes too.
In a lot of ways, Brother, Dear Brother feels like a spiritual predecessor to Utena. Both have a classy private school setting, a large cast of primary, secondary, and tertiary characters, dark secrets, complex motivations, twisted relationships, and a unique atmosphere created by combining lush shoujo imagery and visual symbolism with music. Oh yeah, and lesbians.
Their stories aren't exactlly similar but they are both about changes.You will know what I'm talking about when you watch the whole anime.
Since General de Jarjayes of France’s Royal Guard always wanted a son, he brings up his only daughter Oscar to dress, fight, and behave like a man. When Oscar’s excellent swordsmanship wins her the honored position as bodyguard to Louis XVI’s new bride, Marie Antoinette, the Jarjayes household believes it can finally be proud. However, what nobody realizes is the pit of thorns the royal court in Versailles has become – with all its excessive opulence, it attracts not just those with status and wealth, but also those with ruthless ambition. To confound matters, Marie Antoinette turns out to be an airhead whose selfish actions are turning the starving population against her. Amidst the sordid schemes and terrible tragedies, and with the tide of history sweeping against the nobles, can Oscar protect her new King and Queen whilst upholding justice for the oppressed peasants of France?
Both series are adapted from the mangas created by Riyoko Ikeda, so I'm sure you'll like the story. Both have deep, strong, bohemian characters and really touching stories. If you liked Rose of Versailles, I'm sure you'll like this series too.
Both Rose of Versailles and Oniisama E are very different series, although, they share powerful bonds: the author of the manga, the extremely influential female mangaka, and dearest Ryoko Ikeda.
As stated above, both series are extremely different both in story and in style, but much of the dramatic plot, complicated love affairs and absorbing characters can trace a parallel line between the two of them. Some characters of Oniisama E even share striking physical resemblances with some characters from the Rose of Versailles: the Magnificent Three, Miya-sama, Kaoru-no-Kimi and Hana no Saint-Juste look just like Marie Antoinette, Andre and Oscar from Versailles no Bara. Special enphasis on Saint-Juste: no true fan of Oscar should miss Oniisama E because of Saint-Juste - they're like living portraits of each other.
I recommend these series because they come from the same author, the same source and, thus, even thought they are quite difference, they have some similarities that may appeal fans from both sides.
If you enjoyed Ikeda Ryoko's work with this anime, I'm pretty confident you'll end up liking even this one; despite the different setting, many characters are very similar not only in design, but also in personality and development.
Their stories aren't similar but they're made by the same person and they are both about changes.You will know what am I talking about when you watch the whole anime.
Maya is a dreamy young girl whose clumsiness is matched only by her absent-mindedness. While others have given up on her, the legendary actress Tsukikage sees her hidden potential and offers to take Maya under her tutelage. Maya loves the theatre more than anything, and as there's not much she can do about it at home, she chooses to run away with Tsukikage. The world of theatre is harsh, however, especially for a naive young girl far away from home. While she finds new friends who support her, her mentor has powerful enemies and Maya is often on the receiving end of their ruthless plans. In face of the adversity, Maya must constantly fight to develop her skills to catch up with her unbelievably talented rival, Ayumi, if she hopes to inherit Tsukikage's legendary role: The Crimson Goddess.
Glass Mask and Onii-sama E have a similar style of execution; I also feel that the atmosphere is the same. Although Glass Mask was made in 2005, it still maintains a "classic" shoujo feel like in Onii-sama E. Both titles talk about friendship and romance; it is presented in a similar manner.
Glass Mask and Oniisame e (Brother, Dear Brother) are both about a young girl that struggles to find her way in life and has many dramatic/tragic events on her way.
Also, since they are both based on older manga the atmospheric feeling is very similar. For example the old-school character design and animation, and at the end of each episode a narrator foreshadows the coming events. The story pacing may seem slow but the suspense is very high.
The romance also has some similarities in that it takes some time for the main heroine to realize her love while being fascinated or attracted to her counterpart long before (sometimes against her own will).
The average Tsukushi Makino attends the snobby, elite Eitoku Academy, which is dominated by the Flower Four (F4) – the sons of the most powerful families. Like the rest of her classmates, Tsukushi keeps a low profile until one day she can stand it no more! For her obstinance, the F4 declare war and it's Tsukushi against all. In the middle of it all, she finds herself drawn strangely close to two of the F4; they might not be as bad as they seem. With her heart torn between two boys, will Tsukushi be able to find the love she desires?
Two melodramatic shoujo shows set in elitist schools with similarly conniving characters. Both lead characters are average types surrounded by extravagance and get whisked up in endless amounts of drama and confrontation caused by other people.
For the young women at the Lillian private school for girls, nothing is more prestigious than Rosa Sinensis, Rosa Gigantea, and Rosa Foetida, the beautiful and talented women who head the student council. When a young girl named Yumi's path is intertwined with Sachiko, a successor to the council, things will never be the same for the both of them. Maria-sama ga Miteru is a quiet tale of forbidden romance, friendship, and the everyday life of a school girl.
The storyline of Maria-sama looks familiar to Brother, Dear Brother. They have very similar characters, and both stories are centered around girls' relations with each other in an all-girls high school. Both also have student councils and hard personalities with a dramatic background. If you liked one, I'm sure you'll like the other.
Before Maria-sama ga Miteru, there was Oniisama E, a slightly obscure series, adapted from the manga of the beloved Ryoko Ikeda, a much influential female manga artist who brought us legendary manga such as Rose of Versailles. It is quite obvious that Maria-sama ga Miteru got MUCH of its inspiration from Oniisama E.
Before Fukuzawa Yumi unexpectedly entered the rose soeur system in Lillian, Misonoo Nanako unexpectedly entered the sorority, elite group of Seiran. Both schools are for girls only and both schools have three girls who are ultimately admired by everyone: the three roses in Marimite, the magnificent three in Oniisama E. Both series feature a huge and complex almost-all-female array of nicely done characters, with strong lesbian tendencies.
Maria-sama ga Miteru is a much lighter series then Oniisama E, which has lots of psychological violence. But Marimite was heavily influenced on Oniisama E, so I believe that fans of one are most likely going to enjoy the other.