The scientist who flooded the world of the future and created a mutant species in the images of animals is looking to finish what he started, and the crew of Blue Submarine No. 6 must stop him at all costs. But first, they must try to recruit the best sub pilot that ever lived: Tetsu Hayami.
In the world of Prestal, Noble men perform noble deeds for noble purposes. All of this is performed under the careful gaze of the Guild, a race apart who live in cities in the sky. We see this world through the eyes of Claus Valca and Lavi Head, as their travels take us above, beyond and through Prestal, and their actions cause ripples that shall never fade.
The same character designer was involved in both of these great series, Last Exile and Blue Submarine No.6. One thing that does catch your eye immediately is the animation: While Blue Sub 6 was more of a 2D and 3D integration experiment (not to forget that this series has some years behind it), the technique has been optimized in LE and it looks simply great. Both of these series have an interesting plot with new things happening all the time. A lot of things are being revealed as the shows move along. They focus a lot on the characters and their way of handling themselves during the times of war and many other situations as well.
The animation in Last Exile is beautiful, it's one of the prettiest I've seen. The feel of Last Exile kind of has the same feel as Blue Sub No. 6. I really recommend you watch it.
First of all, both anime series share the same fathers: Gonzo as production company and Range Murata for charades.
While AnR was Gonzo's "hello world" in the mainstream animation industry and featured the first rough attempts to use CG and LE makes a far better use of it, both of them have common themes, like the militant fellowship among the main characters and the ecologist message they conveys showing what a resource as simple as water is can be crucial to substain human life.
Simply, both of those are made by Gonzo and have similar CGI. They also give a similar feel and have this awsome character design by Murata Range. If you liked one of those shows (or you like Murata's work), you should watch the other too.
When Lieutenant Shin Kudou of the UN air force is shot down over the Pacific by the Anti-UN Alliance, he awakens on a lush island called Mayan, whose natives live by some very strange rules. Their spiritual leader, Sara, intends to keep their lives separate from the rest of civilization to prevent the rise of the ‘birdman’ who will destroy the world. Unfortunately for the natives of Mayan, both sides of the conflict have taken an interest in their island, and all too soon, the outsiders' interference spells a disaster as terrible as any myth.
One of the best things about Blue Submarine No. 6 is the CGI that went into it. If you like that, you will like the CGI battles in Macross Zero, as well as its action packed goodness.
While Macross Zero makes just about every other cgi anime before it more or less obsolete, Blue Submarine nonetheless stands up admirably well despite the age difference. The plots both involve some apocalyptic themes that surface late in each show, and both sacrifice character development in order to showcase their visuals. Blue Submarine is definitely inferior to Macross Zero, but both should provide a reasonably entertaining experience for those looking for excellent CGI.
Some years into the future, a strange, unexplainable natural disaster has broken off a piece of the Japanese mainland. Known as the Lost Ground, it is now inhabited by people with Alters -- machine-like extensions of their own will. In order to keep the peace on the Lost Ground, the HOLY organization uses its own Alter capabilists to police the region. In the midst of the chaos is a young man named Kazuma, whose life will soon change forever as he discovers his hidden abilities, and how to wield them.
Kamina Ayato may seem like an average boy in a devastated world, but after being captured by TERRA, a military organization set on saving the world from the Mu, an alien race set on "tuning" the world, he realizes he is an instrument in deciding the fate of humanity and piloting RahXephon. Not only is Ayato the only person who can control the mecha, but he also has a terrible fate of his own. Holding onto memories of his old life and grasping to keep his own humanity, he must struggle in this new world and realize his true potential with RahXephon.
Secret agent for the British Libraries, Yomiko Readman, has an infatuation with books. When she purchases one of the books that contain the notes for a plan to purge the world of humanity, Yomiko (along with the help of Ms. Deep and Drake) uses her powers of paper manipulation to stop a group of resurrected men from fulfilling the plan.