I want to preface this review with the simple statement: I love J.C. Staff. Toradora! and Nodame Cantabile occupy spots on my "Top 5"; I've been able to recite Lina Inverse's Dragon Slave chant (Slayers) for almost a decade; and I laugh heartily every week at the antics of Hayate and the gang (Hayate no Gotoku!!). Combined with my growing appreciation for shoujo-ai anime, I figured I would find their 2009 anime, Aoi Hana, enchanting. Wrong. Instead of adding another sterling title to one of my preferred genres, my favorite studio coughed up a pretty picture-book about a pair of girls' schools, and then marred it with a halfhearted story of heartbreak and friendship.
Over its too-short eleven episodes, Aoi Hana details the life of a high school freshman, Fumi, and her relationship with a senior at her new high school. To spice things up, the series throw the lead's childhood friend and a classmate who harbors a deep, unrequited love for the princely upperclassman into the mix, creating an odd love-polygon. Closely monitored, the interactions between these girls could have made for compelling drama, but the show's obsession with its own beautiful scenery and failure to flesh out its its main characters torpedoed the effort. Scenes of school and town life dominate each episode, forcing the story to the sidelines and causing the narrative to skip jarringly around without much context or reflection. Interesting bits of history do spin off the central characters, but the series refuses to chase their consequences, leaving any potentially rewarding plot threads hanging in the warm summer breeze.
The lax focus even sucks vitality from what little plot does mange to play out. When major dramatic moments arrive, the series seems to lack the guts to really drive them home and the show quickly cuts from any confrontational events to pan over more scenery. The fleeting and deft approach to these major interpersonal interactions does not generate the aura of maturity and realism that the series likely intends. Robbed of sufficient buildup and receiving only the faintest attention from the narrative, almost all the story's twists and turns arrive with a sigh instead of a bang.
On a positive note, it appears that J.C. Staff placed the fantastic art team of Nodame Cantabile at the reins. Whereas its predecessor uses the climatic concerts as excuses to flex its visual muscles in lock-step with its plot, Aoi Hana milks its relaxed narrative to trot out the sumptuous backgrounds and understated animation during every break in the action. The watercolor scenery here rivals any I've seen in the genre, and the series so flawlessly integrates its limited CGI into the frame that only under careful scrutiny can the viewer differentiate between computer models and hand drawings. Each shot's lighting is also superb. From the change in light quality when episodes transition between day, afternoon, and night to the tiny sparkles on falling tears, this series creates a sense of reality and place that contributes to the ambiance. However, the focus on the setting and heavy use of montage that flows from it causes some episodes to play out more like a series of paintings than an animated TV show. No matter how pretty, still shots of the school buildings and town get old after a time and their pervasive presence drains valuable screen time from the cast interaction.
Aoi Hana sounds pleasant enough. The OP swells beautifully from silence into an enchanting little melody, but the series once again chooses staid over melodramatic and the performance doesn't capitalize on the song's potential. Following the tone set by the OP, the rest of the gentle soundtrack, comprised mostly of classical piano pieces, perfectly compliments the series' laid-back visuals, but quickly fades from memory.
On the whole, the voice cast's approach to the script follows the musical components' level of uninspired competence. Chiemi Ishimatsu delivers Sugimoto in a listless monotone that perfectly matches her character's expression. In this case, Ishimatsu-san does the audience a disservice by failing to provide any nuance that would have given greater insight into the character. Additionally, the normally electric Yui Horie vanishes into Kyoko, which particularly disappoints given the actress steals nearly every scene when she appears in Kanamemo and Bakemonogatari (both airing in the same season). In contrast, Akira's seiyuu, Gibu Yuko deserves special mention for bringing her vivacious charge to life. Much of Akira's personality comes through perfectly in Gibu-san's interpretation, and her effervescence brings a smile to my face every time the she opens her mouth.
Akira's forthright nature, cavalier attitude, and friendly demeanor make her the only bright point in an otherwise completely lackluster main cast. While we're given a cute trio of girls and a pair of amusing boys to round out the auxiliaries, Weepy (Fumi), Beanpole (Sugimoto), and Fangirl (Kyoko) consume most of the screen time. The principal lead drifts through the series, substituting tears for positive action and allowing and her sempai's whims to run roughshod over her feelings. Mild mannered to a fault, the tearful girl abides and trusts when she should resist and question. Under normal circumstances, this young lady's thrashing and inner dialog would illuminate her decisions and consume the anime's quiet moments, but not so here. Instead, the anime locks Fumi's inner conflict behind inscrutable facial expressions aggravated by the series' understated artwork. Her mood appears to shift between listless melancholy and vague discomfort, neither of which betray any depth of feeling or aching love for Sugimoto. When the protagonist finally starts to change in the second half of the season, her pivotal moments arise out of nowhere and ring hollow as a consequence of this largely hidden emotional evolution.
Neither of the other two girls in the love triangle prove any more interesting. The writers had probably intended Sugimoto's stoicism and willfulness to come across as coy and capricious, but her stony-faced expressions, even-tempered voice, and extremely late-coming background portray her as merely mysterious throughout most of the series. Confused, heartless, and impossible to read, she doesn't even divulge enough of herself to either inspire hatred on the part of the audience or justify her admirers' affections. Kyoko similarly shows nothing to the audience save for her slavish love and devotion to her sempai. The few moments she shares with other cast members paint her as a typical high school girl and don't explain what makes her tick. Towards the show's end, she receives a small bit of back-story, but it only provides her the thinnest of motivations, generating an "I guess..." from the viewer instead of an "Ah-ha!". Given that the three main actors in this drama are ciphers, it's hard to empathize with anyone. Even the more interesting side characters like Sugimoto's sisters and the sponsor of the Fujigaya Academy's drama club can only bring so much to the story when the leads give the plot so little to work with.
Aoi Hana's setup could have delivered a deep and engaging love story, but its inability to stay focused on its narrative spoils the effort. No matter how lush the visuals, drama sinks or floats on its ability to elicit empathy from its audience. In choosing to showcase the scenery around town at every opportunity, the show robs the viewers of the time necessary to understand its main characters, blunting the effect of what could have been powerful emotional moments in these girls' lives. Unfortunately, what attention the anime does pay to its central plot cripples it as a slice-of-life venture, and in the end it drops both balls. Aoi Hana takes itself on a jaunt around a beautiful town during which the series gets lost, arrives at nowhere, and tries to claim it as a destination.
This is just a pretty average anime. If you're watching it for the love story: don't even bother. If you see it as the portrayal of a friendship, it just might be worth watching.
Animation and sound are nothing exceptional. It's a water-colour style animation, with soft pastel hues. It doesn't look bad, but nothing noteworthy.
The story and characters are pretty mediocre as well. Fumi relocates to this town after a ten year absence. She is heart-broken when she finds out that her cousin is getting married, gets re-acquainted with her childhood friend A-chan who helps her recover, starts high school, falls in love with a tomboyish girl who is her senior at school, is dumped and is consequentially heart-broken again, and A-chan naturally has to confort her again. That's pretty much it. There is then the parallel story of the aforementioned senpai's unrequited love, and then yet another schoolgirl in love - obviously unreturned - with the same boyish looking girl, Sugimoto-senpai.
Fumi is this shy, cry-baby character with a soft, thin voice. I didn't particularly dislike her even though she was crying all the time and in the long run it tends to wear down your patience; there was even one moment when she actually acted cool, when she spoke her mind to Sugimoto-senpai, telling her that she should grow up and that if your love is unrequited you should just gracefully give up. And this Sugimoto-senpai is the idol of the two girls-only schools attended by Fumi and A-chan, wherever she goes there are girls swooning, giggling and secretly taking pictures - makes you wonder about the wisdom of all-girls schools. Anyway, the only character worth mentioning is A-chan. She is nicely described. There isn't much development, but from the beginning she's a really likeable character and she remains so constantly to the end. Maybe Fumi thanks to all the heart-break does develop a bit, but just a smidge. The other character that takes up a lot of the screen time is Sugimoto-senpai, she is depicted as the school idol who all the girls are in love with but who is in love with the one person she can't have. And you do get a bit of backstory, but she lacks depth like all the other characters so she's just as inconsequential as all the rest.
I really don't know what else to say. It wasn't a bad watch, but really there wasn't anything memorable, not the story, not the characters, not the animation. One likeable character just isn't enough to save it from mediocrity.
The story was kind of slow yet connected. I honestly dont watch lesbian anime/manga but this wasnt necesarily just about two characters in a romance and it focused mainly on the two main charcter's freindship rather than any romance between them and i really enjoyed it.
the only thing i didnt enjoy about it was that the story seemed rushed, short, and took too long to get to the gist of the plot. However i still enjoyed
As a guy that has come across little in terms of watching shojo-ai based anime, I have to say as a 'person looking in' this has been a wonderful experience, appealing to a new aspect of myself and reminding me what diversity is out there in anime. Please note that i've just finished watching the anime today and will probably be extremely biased toward it.
The story revolves around Manjoume Fumi whom has returned to her hometown of Kamakura after ten years living away leaving her dear childhood friend Akira Okudaira behind. With her return, the old friendship between the two is kindled immediately with the two striking up a closer friendship than ever going about their highschool lives. With Fumi going to Matsuoka Girl’s High School and Akira going to the prestigous Fujigaya Girls’ Academy the two make their own friends with Fumi, meeting the strinkingly handsome 3rd Year student Yasuko Sugimoto and Akira, meeting the 1st Year student Kyouko Ikumi, this encounter of fate leads to something more than friendship between the characters.
The first point I will look at will be the context to the story; the creators of Aoi Hana have done excellently in building the history of the characters with the scenes interwoven within the main storyline creating a real sense of emotional tension that lended to developing the 'true' personalities of the girls invloved, the effect this had on me was profound and really played a vital role in putting me emotionally invested to each of the character's storyline. The love polygon in particular had me rooting for the happy ending for all the characters involved, however, as with all Japanese drama the 'sad' ending was to be the likely outcome with winners and losers. The sub-plots within the story were also a form of relief from the high tension the main plot had and were actually entertaining to observe and absolutely suits the 'school life' genre which makes it a story where you can relate (following how it would be in real life but still distinguishing itself as fiction).
The second point i'll be addressing for the story is the genre of shojo-ai, the relationship formed was tackled extremely well (I lack the knowledge of other shojo-ai animes with a similar plot) and didn't create the awkward atmosphere that I expected watching this genre, in fact it actually made me focus more on the 'romance' and 'compainionship' aspect the anime had and actually reminded me of Hourou Musko which I rated quite highly.
The last point i'll be tackling is the length of the story, over 11 episodes I believe the story conveyed was very powerful despite the fact that I do agree that this could have been extended to 16 to 24 episodes but inversely the compression of the story made it more the impactful though I have to admit the dissappointment I have for the penultimate episodes, though I did leave the anime with a rather 'warm' feeling of contentment with no major qualms with the ending.
The animation for Aoi Hana was absolutely beautiful with the backgrounds and artistic style probably one of the most pleasing to look at from the last decade. It lends itself well into the story being illustrated and a particular scene, that with the grade schoolers acting out 'The Little Prince' was a true show of a story being portrayed solely through the animation of a few frames.
J.C Staff have done an excellent job on Aoi Hana and is probably at the top in terms of animation from the work that this studio has created.
The sound and music has contributed largely to making the anime as emotionally intensive as its been. I actually listened to the opening every episode of the anime when I usually skip it for other animes and to me is a good indication of an anime with good sound. The voice actors in particular were actually so befitting of each character with their voice reflecting their personality to a "T".
In conjunction with the story, the characters in the anime were actually quite well thought through and constructed though this might not be as obvious on the surface. The nuances and subtle changes and development of each character were actually quite hard to catch even the supporting cast in the anime revealed a diversity of aspects through little nuances in the story. To a veteran shojo-ai watcher I might just be babbling but personally the characters provided a change to my usual watching habits and has opened up a new aspect of characters and character development.
I know this was a spur-of-the-moment review, being my first ever anime review and all with quite a few bias's because of the resonating story it had on me but I really believe Aoi Hana was well worth watching, I did actually think the anime had a KEY animation feel to it and I definietly recommend the anime if you're searching for something new and want to break out of the usual tedium you perhaps watch.
Please leave a comment below on what you think of the review, positive criticism is also appreciated but please note this was semi-improvised :^)
Thanks again for reading the review! - Riseagain 04/12/13
There's this shy girl who just moved back to the town she grew up in. She reunites with her childhood friend and they resume a friendship they thought had lost. Later the shy girl meets a boyish senior who all the lower grade students adore, because of course it's an all girls school. You've heard this before? Not surprising really, why? Because this is same story in every shoujo-ai. Aoi Hana does it good with a few subplots thrown into the mix to help keep things interesting. It's a very basic shoujo-ai story so it was mostly just a checklist anime. Shy girl, check. Childhood friend, check. Boyish older girl, check.
The story being drawn out across the eleven episodes causes the scenes to drag. The subtle movements and facial emotions, beautiful. Watching a woman paint for a bit with only the camera moving and a voice over... Not my thing. May be yours, but it isn't mine. The animation follows the slow pacing of the story. While beautiful to look at it does get boring.
Such a beautiful song accompanied by the animation. The piano, the singer, that swell after the recap of the last episode.
The voice actor for Akira? She matches personality, the way she looks, and brings the character to life. Sugimoto, typicl boyish girl in any anime. The voice actor brings a nice monotone voice to the character, matching her personality of being closed with everyone around her. Keeping her emotions to herself. Fumi is the one I have a problem with. She's a shy girl, she would rather keep to herself. Her voice should be timid, and frail.
Fumi is really a basic character model for shy girls. She even wears glasses and enjoys reading. It's hard to become emotionally attached to a character that is really defined by one word, shy. The only reason I was cheering for her at all is because she is one of the main protagonists. Akira is fun, outgoing, and a blabbermouth.
If you want to finish out AP's shoujo-ai list, watch it.