I'm almost twenty-four now, and I've recently found that my paternal instincts are becoming more and more prevalent. It was therefore with something of an open mind that I approached Aishiteruze Baby, a shoujo anime which chronicles the life of high school student Katakura Kippei and Yuzuyu, the adorable 5-year old girl who is thrust into his care by circumstance. Kippei is portrayed as something of a flirty, playboy-style character. As I began watching, therefore, I expected the main focus to be on his coming to terms with responsibility and learning to love the dependent sprog rather than hate her for eating into his free time and getting in the way of his relationships. Eventually, he would learn lessons about himself, the likes of which can only be taught by a starry-eyed five-year-old. I was wrong, however. Very wrong. Far from being a flawed human being, it turns out that Kippei is actually pretty close to perfect. As well as being handsome, tough and cool, he's also gentle and an almost-ideal parent from day one.
Having turned down this opportunity for character development, Aishiteruze Baby has to find something else to fill its 26 episodes. This is perhaps why the show takes the surprising step of exploring some fairly serious issues, amongst which are abandonment, stalking, child abuse, suicide and loneliness. It all sounds quite dark, but the series maintains its light-heartedness and humour throughout. Unfortunately, this is at the expense of confronting these issues in any meaningful way. Rather than scrutinising them with a child's innocence, the show handles them with kid gloves, thus failing once again to make the most of its interesting premise. The problems are quickly blown over and there is nary a situation, it seems, which cannot be defused and patched up by a superficial intervention and trite word of wisdom from the obstinately perfect Kippei. Suicidal thoughts and deep-rooted psychological issues clear up as quickly and easily as the common cold.
That isn't to say that Aishiteruze Baby contains nothing worthwhile. It is sweet throughout and touching on occasion. However - aside from the endearing naïveté of Yuzuyu and a remarkably slow-paced romance between Kippei and the show's love interest, Kokoro - there isn't a whole lot of substance here and the series has a tendency to drag as a result. Anyone expecting to find much more than the admittedly enjoyable fluff is likely to be disappointed.
The animation is really nothing special. It doesn't attempt to be, and perhaps it doesn't need to be. It's quite difficult, however, to shake off the feeling that this is something of a low-budget job. The character designs aren't particularly exciting or memorable and certain elements, rainfall for example, harm any realistic edge that the series may have wanted to maintain. It's hard to add to the mood of a scene when the viewer's mind is focused on how fake the weather looks. Furthermore, as is to be expected, the show brims with archetypal shoujo devices, which detract from certain scenes more than they add to it.
Although I didn't enjoy the OP and ED tracks at all, the soundtrack as a whole is strong. As well as the typical use of piano pieces to create romantic mood, the soundtrack boldly - and very successfully - introduces other elements; electric guitars, percussion and the likes. This serves to add a climactic second layer of dynamism to the background music which really helps bring out vivid emotions in the longer romantic scenes.
The voices are also decent on the whole, and Yuzuyu's is particularly good. Rather than sounding like a grown woman trying to put on as high-pitched a voice as possible, Yuzuyu actually sounds like a five-year-old girl. This is essential in terms of suspension of disbelief and allows the character to display the necessary range of feelings and emotions.
As far as characters go, Aishiteruze Baby offers something of a mixed bag. While Kippei is a fantastic human being, he is not a fantastic character as - aside from a slight stupidity which generates a few comic moments - he is more or less free of weaknesses, making it a real challenge to empathise with him. Kokoro is somewhat more interesting, offering reticence and pride but not falling into the trap of being a textbook tsundere. A feat all too rarely achieved by female anime characters.
Yuzuyu, however, is undoubtedly the star of the show. Her character is immensely well written, and she behaves like the infant she is. Her bewilderment at being abandoned and tendency to blame herself for the difficulties suffered by those around her are movingly childlike, and make her far cuter than any over-the-top kawaii stereotype could ever hope to be. The fact that all the children in the series are written to act exactly like children is a masterstroke in characterisation, and perhaps enough to redeem the fact that almost all secondary characters are crushingly two-dimensional.
I found this series difficult to love, but perhaps even more difficult to hate. In spite of missing opportunities to turn itself into a memorable and must-watch series, Aishiteruze Baby offers a constant flow of lightweight, feelgood drama, which is bound to appeal to the shoujo demographic, and may find some fans outside of this as well. However, its failure to truly explore the darkness which it toys with and its hesitance to offer profound conflicts between the main characters is sure to put other viewers off. All in all, so long as you expect nothing more than a fluffy and occasionally touching series, I feel I can recommend this show.
Aishiteruze Baby is a testament to how truly strong character development can take an anime with a relatively simple plot and turn it into something fantastic. The storyline would have been dull, even tedious, with less stellar characters, but as is the show is amazingly entertaining for the entire running time.
Looking back, the characters of this show could oh-so-easily have been the same one-dimensional archetypes that are seen over and over in anime, but Aishiteruze Baby gracefully dodges this pitfall. Instead, each one of the main characters carries a surprising amount of depth while at the same time being almost instantly likeable. Rather than seeming premade and ready to order, Kippei, Yuzuyu and Kokoro feel like actual human beings, fully fleshed out by their own unique thought processes and emotions.
Because of these amazing characters, the creators are able to draw a remarkable amount of power from relatively simple plot lines. Though the anime carries fairly typical shoujo themes (loneliness, social acceptance, the importance of friendship, love, etc.), it covers them better than just about any anime from recent memory. Rather than preaching its messages via some outspoken generic shoujo heroine (Fruits Basket, Full Moon wo Sagashite, and Pretear are all at least somewhat guilty of this), Aishiteruze Baby simply shows them. Oftentimes, what could have been taken a lesser anime minutes to explain is beautifully illustrated in a scene with almost no dialogue whatsoever.
When it comes right down to it, the series is one of the rare animes out there that actually made my jaded, misanthropic self feel warm and fuzzy; for that, it’s a truly remarkable work. Who needs parachute colors or chicken soup for the soul when this series is available?
Appealing character designs more than make up for a relatively low budget. Backgrounds are generic but serviceable, and the somewhat awkwardly animated movements of the characters don't usually end up hurting the overall package too much.
Overall, I was more than satisfied. Aishiteruze Baby has one of the better opening themes I’ve heard recently, decent background music and excellent voice acting. Of particular note is Kokoro's decidedly deep voice, which is a welcome change from the ditzy, tinny, and altogether ear-piercing voices that seem to currently be in vogue.
I think the idea of this anime was appealing to me and I enjoyed the first few episodes but the whole story lacks direction and it dragged on.
I will say some episodes are cute and all but I did not think the quality of the anime as far as the story development and characters were sufficient for a good rating.
I'm done with this anime. I went into it, expecting something extremely cute and innocent but it just turned out to be overly dark, ear-piercing, and a tad cloying. The little girl got sad too easily. It just feels like something appealing to older children.
There's a stalker hurting the little girl, a neglecter in love with a girl, suicide and it just missed most of the point of why I liked Usagi Drop.
Now, I did skip through episodes because of the darkness of this anime...I can't take it... it talks about suicide, abuse, depression etc. it's just not appropiate for children despite its childish look.
And why leave a child walking the streets by herself? That is just idiotic!
Go watch Usagi Drop or something, it may be overrated but at least it's much better and light-hearted than this dark thing.
This anime is so under-rated! It's a crying shame that similar series are in the top 50 anime of this site, and they are inferrior to this series. Unlike said similar anime, this one actually tells a complete and concise story from start to finish. It has a clear beginning, middle, and end, and doesn't just end suddenly like the other series that is so well loved here. Clearly, this is the better series in terms of story. I've intentionally withheld the name of the other series, because this review is not about them, but instead about Aishiteruze Baby, which in my opinion, is the best of the "young man suddenly finds himself raising a small child" anime out there.
The fact that this is a complete story, gives the characters time to grow and explores the issues of what really is a family, and the lengths that we go to for our family. It showcases exponential character growth as the very immature lead character suddenly finds himself having to care for a small child. He goes from being a playboy without a care in the world, to suddenly realizing the importance of being there for someone who truly loves you and needs you, both in terms of the young child, but also a classmate / love interest that slowly begins to develop throughout the story. In the beginning the female love interest, hates the main character, but as she begins to notice his incredible transformation as he cares for the young child, her opinion of him changes.
If you enjoy watching characters grow and evolve in a series, this anime's for you.
This drama is full of cute sweet moments, but also a lot of pain, suffering, and sadness. It is very well balanced, and not overly sugary-sweet like many anime in this genre.
The family dynamic and extra supporting cast are also very funny and unique.
Because of all of that, Story and Characters both get 10/10.
This anime is a bit older, which I'm assuming is why it's so severely under-rated. The animation and character designs show their age. When I first started watching, I was not too keen on the character designs, but I quickly got over that when I realized how good the story was. The animation is probably about a 6/10. It's not as "clean" or "streamlined" looking as modern animation tends to be these days.
Voice acting is excellent, especially the 3 main characters, who really convey their emotions and set the tone for the series; and music is good, but not memorable to me. I give the sound 7/10, losing some points for music, but making up for it in the voice acting.
Overall, 10/10 because Yuzuyu is fricken adorable, and so mature for her age. I really super enjoyed the relationship between her and the main character and watching how she changed him and made him into such a better person. <3